Sentences with phrase «large objects in view»

Immense potential, but on the other hand, I've seen how poorly voxel games run such as Space Engineers, hell even minecraft block style ones such as Spacemade making full use of culling can't maintain large objects in view without melting a CPU / GPU, and when you add physics, the server melts down too.

Not exact matches

But this time, instead of the Sun, the larger object is the Moon: Occasionally, the two line up in the sky providing us with this amazing view of objects that are actually separated by tens of millions of kilometers.

Consequently, bright objects in the field of view become saturated and appear artificially large.

For example, a person with autism who is viewing a movie of people in a room will spend a relatively large amount of time looking at non-social objects — such as chairs — and is more likely to look at the mouths or bodies of the characters than their eyes.

So Jewitt and Luu carried out two parallel surveys: they used the Palomar Observatory's Schmidt telescope equipped with conventional glass photographic plates to scan large areas of the sky for the very faintest objects, while also watching a narrow field of view in the plane of the planets for rare but slightly brighter objects using MIT's 1.3 - metre telescope fitted with a CCD.

The European Space Agency's Faint Object Camera on board NASA's Hubble Space Telescope has provided a fascinating close - up view of Supernova 1987A in the Large Magellanic Cloud.

Performance: In a wide view filled with geometry and objects, SSAO costs a little under 5 frames per second, and offers a large improvement on image quality.

Opening: Hassan Sharif at Alexander Gray Associates Currently on view at the Sharjah Art Foundation in the United Arab Emirates is a large retrospective for Hassan Sharif, who is most known for his obsessive accumulations of everyday objects.

Other works on view such as box dioramas, multi-media works on paper, and carved objects in large and miniature scale illustrate the range of Beck's interests, from popular culture to classical art and architecture.

With a solo show at L.A.'s Hammer Museum under his belt, the Seattle - born artist shows large - scale objects that balance architecture, sculpture, and installation; surveillance and the utilitarian design demands of the American West are strong undercurrents throughout the work, on view for the artist's first show with the gallery in Paris.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

Rauschenberg's exhibition at Betty Parsons Gallery opened on May 14, 1951, and, as was standard for the time, remained on view for just three short weeks.36 The presentation consisted of thirteen easel - size oils in the smaller gallery while the larger main room featured works by Walter Tandy Murch, an artist known for his realistic depictions of mechanical objects and illustrations for such magazines as Forbes and Scientific American.

The room and the light continue to disintegrate, objects appearing and disappearing across the nine large panels, concluding with an exterior view: two birds flying in a sky that is at once stormy and clear.

Four of the five Infinity Mirror Rooms on view allow visitors to enter the room, immersing themselves in various environments: large balloons, suspended LED lights, phallic stuffed objects, or Kusama's beloved pumpkins.

Stretching over 35 feet in length, Sea Wall is by far the largest of the works on view, and includes three separate large canvases, and an installation of over a dozen sculptural objects.

It is the largest and most comprehensive presentation of Byars's works in the United States, providing a rare opportunity to view a unique selection of late, monumental - scale installations, and early paper and cloth objects.

The objects on view in Sheldon's Focus Gallery come from a larger series by Mitchell of twenty - four works referencing the hours in a single day.

Patrick Heide Contemporary Art presents Point of View, Hans Kotter's fourth solo exhibition at the gallery, which brings together a selection of large - scale sculptures and smaller objects that employ light and colour in varying manners and methods.

«Hard Truths,» which will open at the High in 2013, will present 70 of Dial's large - scale paintings, drawings and found - object sculptures, including 25 works on view for the first time.

Three new works constructed from Slinky ® toys by American artist Tara Donovan, known for her ability to amplify the innate physical characteristics of everyday objects by transforming them into large - scale works of art, will be presented in the fourth Platform — the Parrish Art Museum's exhibition series in which artists are invited to create new work in response to the space, context, and environment of the Museum — on view from July 4 through October 18, 2015.