Sentences with phrase «large oil and acrylic»

Strongly influenced by the work of the abstract expressionists and the romantic light of the old masters, Rayer - Smith's large oil and acrylic paintings effortlessly fuse abstraction, the figurative and the surreal.

The paintings, works on paper, mixed - media collages, and photographs feature a number of purchases, including Audrey Flack's large oil and acrylic canvas, World War II (Vanitas); two elaborate mixed - media collages by Mickalene Thomas; textile artist Sonya Clark's Unraveling; photographs of performance artist Cassils» Becoming an Image; photographs related to Leah Modigliani's Morris Gallery exhibition The City in her Desolation; and works on paper by Fernando Orellana.

Not exact matches

Different mixed media painting techniques, using glue, string, card, wax, paper to manipulate and to create texture with acrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylicacrylic paint Looking at famous artists like Jackson Pollock, Frank Auerbach, David Bomberg, John Hoyland and Howard Hodgkin Resources: Acrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylicAcrylic paint, Sponges, sticks, large and small paintbrushes, credit card, string, glue, Punchinella, kebab sticks batik wax, sand, tissue paper, scrap paper and glue guns, Creating a number of different textures with acrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylicacrylic paint and see what other mixed media layering one can achieve with chalk and oil pastel as well to layer over the acrylicacrylic paint.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

Il Lee's recent venture into a different medium, exemplified in the first public unveiling of his large - scale acrylic and oil on canvas work at the Metropolitan Museum of Art in 2010, has opened up a significant and exciting new direction for the artist.

Working on large - scale paintings in acrylic, watercolor and oil, Guzmán paints on behalf of her people and her gender.

The Last Painting of the Century (1999) and Ultrazoomazipzamapopdeluxa (1998), two large acrylic, oil, and spray paint works, use figurative and abstract elements to represent energy, motion, and the relationship between reality and imagination, freedom and control.

Later, she started working on a larger scale pieces using oil and acrylic.

The exhibition, on view from November 29 — January 12, will include a dozen large - scale paintings made over the past year, using oil, acrylic, and hand - made spray - paint.

The current show at the Quogue Gallery has a large assortment of paintings done with oil, acrylic, and crayon, created from the»50s right through the»80s.

Using a combination of raw pigment, oil, acrylic, enamel, and spray paint, Lewis makes aggressive impasto paintings on large cardboard substrates, elevating the utilitarian material through his artistic interventions.

Below you can find more pictures including 3 paintings with oil and acrylic on canvas and a large scaled mural made in Bordeaux in 2015.

The exhibition introduces her most recent large - scale oil and acrylic paintings that collect, dissolve, shred, and layer visual culture without hierarchy.

Other standout lots were the very strong «Self Portait as a Heel - Part Two,» by Jean - Michel Basquiat (1960 - 1988), Lot 16, shown at the top of this article, an acyrilic and oil paintstick on canvas, 1982, that sold for $ 772,500, well above its high estimate of $ 600,000; two sculptures by Agnes Martin (b. 1912), Lots 17 and 18, which sold for $ 217,000 and $ 233,500, respectively, both considerably over their respective high estimates of $ 45,000 and $ 120,000; «Broadway and 64th Street,» a very good, large oil by Richard Estes (b. 1932), that sold above its $ 300,000 high estimate for $ 354,500; Lot 31, a large canvas from his Rorschach series by Andy Warhol (1928 - 1987) that more than doubled its high estimate and sold for $ 684,500; Lot 13, «Alkaline Phosphatase - Polyethelene Glycol,» by Damien Hirst (b. 1965), 1992, sold for $ 140,000 and had a high estimate of $ 80,000; and Lot 37, «a delightful large acrylic on vinyl tarpaulin by Keith Haring (1958 - 1990) that sold for $ 200,500 and had a high estimate of $ 150,000.

His Half Street exhibition depicts the lives of people Liu befriended over six weeks in two pubs and an Egyptian cafe just steps from the Lisson gallery where the large oil - on - canvas paintings are displayed alongside acrylic photo - paintings.

One recent highlight is Dana Gordon, whose large - scale acrylic and oil paintings explode with color.

Frankenthaler explored a variety of linear components in her oil paintings of the 1950s, but in the 1960s she shifted her focus, embracing acrylic paints to explore open, flat fields of color, evident in the large and glowing 1973 painting «Nature Abhors a Vacuum.»

Weiser's new series will present five of his latest large - scale oil and acrylic paintings in Gallery II.

The image of «florence, 1983» originally a very large painting on acrylic and oil - s...

The show includes small, medium and large - scale works that fall into two broad categories: acrylic - and - gesso paintings on canvas, and oil paintings on gesso board.

«In Memoriam,» 2017 by Kathi Robinson Frank is from her recent body of large - scale work measuring 72» high by 60» which incorporates oil, acrylic, charcoal and me...

The show explores nuanced, electrifying imagery through large format acrylic, oil and mixed media paintings.

Acrylic and oil on canvas In 2004, Muckensturm began working with oil on large scale canvases.

The image of «florence, 1983» originally a very large painting on acrylic and oil - stick on hinged canvases was used for the design of this exhibition poster.

The paintings, many of modest size, vary in medium from traditional oil and acrylic to gold leaf and other non-traditional materials; the drawings include graphite, ink and natural pigment drawings and range from post-it note size to much larger scale drawings.

«Large Rectangles Large», 1964 - 65 by Robert Goodnough, American, born 1917, Oil and acrylic on canvas, Grey Art Gallery, New York University Art Collection, © Robert Goodnough

The exhibit will explore highly nuanced, electrifying imagery through large format oil, acrylic, and mixed media paintings.

This is mambomountain — the artist's most recent collection of large - scale oil and acrylic paintings.

Andrew Sutherland composes his acrylic paintings within a large folded trash bag; Angel Otero bunches up paint - soaked «oil skins» around an armature to resemble a ruched and rumbled sack of a painting.

Last summer, he photographed six of the largest coal - fired electric plants in the United States in Texas, Alabama, North Carolina, and Georgia, translating these digital images into the materiality of oil and coal ash in acrylic paint on linen - stretched canvases.