The original plan was to use a natural stain for a wood look similar to Bliss at Home's linen closet in my inspiration collage, but the shelves were badly chipped and had
large paint drips from previous owners.
Not exact matches
Make sure your Easter eggs have a
large enough hole in the bottom to allow for the
paint to
drip through.
Like many French colonial cities, Vientiane is characterised by broad, often leafy boulevards, a riverside promenade, creaking colonial mansions
painted in sun - bleached tropical hues and mod 1960's era villas with
large gardens
dripping in bougainvillea.
Kurchanova writes: «Apart from
large canvases covered by Pollock's signature all - over web of patterned,
dripped or sculpted
paint, a range of his smaller abstract
paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.
In his November 1952 exhibition at the Sidney Janis Gallery in New York City Pollock showed Number 12, 1952, a
large, masterful stain
painting that resembles a brightly colored stained landscape (with an overlay of broadly
dripped dark
paint); the
painting was acquired from the exhibition by Nelson Rockefeller for his personal collection.
Large,
dripping swathes of
paint or chips of crystalline material complicate the distinction between creation and actuality, undermining the fundamental nature of photography.
Sound on Sound will feature three major
paintings and four
large scale (6 - foot tall) works on paper, the latter pitting
dripped or rolled
paint against silk - screened backgrounds.
The abstract expressionist is known for
dripping and pouring
paint across
large canvases.
His
drip paintings are monumental,
large and complex, just like the country itself some would say, and a fine example of that is the 1952 Number 11.
A small work might place a tree trunk at the center, while the networks of tree limbs, rocks, streaks of light, or ripples of water in his
large paintings have much in common with the weave of a
drip painting or of the canvas itself.
The artist
drips and meticulously builds layers of thick oil
paint in her modestly scaled works, the
largest of which measure three feet square and the smallest seven inches square.
More surprising are the
large areas of cascading black
drips, which the viewer might assume were added to cover the white
paint.
Newman's zips or the
drips in a Pollock announce an abstract
painting's material fact, including its scale, refusing to be either
larger than life or dwarfed by nature.
In a
large single room of David Zwirner's 19th street gallery, she's arranged nine concrete sculptures; two discrete groups of mannequins, one arranged around a living room set; a 10 - foot tower of MDF (medium - density fiberboard) boxes and
paint drips; and two more towers covered in mirror foil, like disco retreads of the old World Trade Center.
The
Large Cloth of Abuse is a huge action
painting featuring Pollock - style
drips of black, spelling out an assortment of traditional German terms of abuse.
Mary Heilmann
painted spit bite acid, tipping and tilting the plate, to create a
large block of color
dripping over a grid of drypoint lines that recede into deep space.
Large scale oil
paintings dripping in
paint and medium encapsulate the whole canvas in grid like nature.
Salgado's
large - scale figurative
paintings are made up of deftly placed smears and
drips of spray
paint that create artworks
dripping with energy and sheer grittiness.
At one end of the barn the floor is literally covered with
large cans of enamel, aluminum and tube colors — the boards that do show are covered with
paint drippings.
Steir is probably best known for
large - scale abstract canvases that suggest cascading waterfalls, each the consequence of a calculated system of brushing,
dripping, and splattering
paint.
The article featured his
large - scale all - over
drip paintings, and propelled him to fame.
My response to the place was in the form of
large abstract works
painted in thin layers, with
drips, hardly any brushwork.
Jackie Saccoccio at 11R Jackie Saccoccio's double
painting show of
large dripped, brushed, slushed, and sluiced canvases of almost - undersea phosphorescent color showed how far out in front of the painterly curve this artist has been for more than a decade.
«Mural» set the precedent for the scale of Pollock's celebrated all - over
drip -
paintings (with their even distribution of compositional interest across an entire
large surface), encouraged by a February 1947 review by Clement Greenberg in The Nation, where he wrote: «Pollock points a way beyond the easel, beyond the mobile, framed picture, to the mural.»
For Pat Steir's
large - scale
paintings Dusk (2007) and The Dark (2007) are examples of her specific technique, using the process of
dripping to create a delicate interwoven curtain - like surface texture.
The Abstract Expressionist, Jackson Pollock, is most well - known for his
large - scale «all - over»
paintings that he
painted by laying raw canvases on the floor and pouring house
paint directly from cans or
dripping it from sticks while engaged in almost dance - like rhythmical movement around the canvas.
A few painters are doing the same thing but with brighter colors,
larger areas of
paint, hints of gesture, or even
drips.
A brush turns those
drips into a fine spray, a final layering over
painting's
larger outlines.
The back wall is
painted in gradated neon orange that brings to mind a nuclear flash, gallery benches are
dripping and melting into the floor, and a
large - scale symbolic sculpture holds court in the center.
This revelation prompted the extensive «Waterfall» series of
large - scale
paintings, which she made by hurling washes of black and white
paint onto the top portion of the canvas and letting them
drip to the bottom to create the illusion of waterfalls.
Major Abstract Expressionist Jackson Pollock, dubbed «Jack the Dripper» by Time magazine in 1956, is best known for his
large «action» or
drip paintings of 1947 — 52, formed by pouring and manipulating liquid
paint atop canvases set on the floor.
Other big - ticket works going to the block are Jackson Pollock's
drip painting The Blue Unconscious (1946), for $ 20 - 30 million; an Yves Klein sculpture, Sculpture éponge bleue sans titre, SE 168 (1959), which is tagged in the region of $ 20 million; and a
large Clyfford Still abstraction, PH - 21 (1962), for $ 16 - 20 million.
Drips, gestures, and splatters of
paint in his work have led many critics to identify him as a second - generation Abstract Expressionist, but Francis has also been compared to Color Field artists on the basis of
large, fluid sections of
paint that seem to extend beyond the confines of the pictorial surface.
Gilmore's Like This, Before is a
large - scale «performance - based installation» in which white
paint Abstract - Expressionistically cascades down one black, wooden roof - like structure, pooling in a bed of jutting, fragmented glass shards and
dripping the onto the ground beneath.
Using a method that involves
dripping and pouring
paint as well as often stitching and adhering fragments and strips from earlier
paintings onto
larger canvases, Bowling creates works in the Color Field idiom that are noted for their optical and surface complexities.
A collection of richly textured works, which blend gestural
painting, figurative drawing and collage on everything from small pieces of cardboard to boards measuring nearly 4 x 6 feet, the exhibition is an audacious debut in a city where the shadows of Abstract Expressionism still loom
large whenever an artist splatters,
drips, scrapes, pours, or otherwise flings
paint at or on a surface to make an image.
This was followed by a rare Barnett Newman «zip»
painting, which sold for $ 22.5 million, and the first
large Jackson Pollock
drip painting at auction for over 20 years, which sold for $ 23 million — both records.
Rendered in thinly applied automotive
paint on aluminium sheets folded at the edges to form
large industrial - looking trays, these impressionistic works, with their visible brush marks and gestural
drips have, as the exhibition's title hints, the feel of half - glimpsed stories, the clarity of their message faded through time.
Marcus integrated a
large number of the central developments of abstract
painting into his work over the years, including
large - scale calligraphic gestures and the employment of chance - elements, particularly
drip - motifs.
I wish she had worked a little more thematically, perhaps drawing together a group of works to emphasize the streetwise lyric poetry of New York, the dark pastoral mood that you find in some of the late Gorkys, in de Kooning's saturnine Valentine, and in Pollock's Full Fathom Five (which I much prefer to the slightly later,
larger drip paintings).
He used thin texture
paint, a
drip and splash technique, leaving
large areas of the canvas blank - which led critics to speak of traditional Japanese influences, notably of Haboku, a Japanese style of
dripping ink.
Studying the work of American abstract expressionists such as Helen Frankenthaler, an artist who poured thinned
paint directly on
larger than life - sized canvases on the floor in her Color Field works, Olivier similarly engaged in a process of coaxing acrylic
paint to spread and
drip in brilliantly hued pools, more characteristic in watercolor.
A
large swath of plum purple
paint floats Rothko - style over thin gestural bands of lime green and peachy stains of
dripping paint, creating a palimpsest of Modernist strategies.
Refinery 1 is one of two
large paintings that, through the
drips and spills, questions the thinking behind the global oil industry.
Languid
drips, tiny pointillist specks and
large globs of transparent resin and bright
paint, as well as smooth passages of colour added and subtracted with the face and edge of a palette knife, all create this magical scene.
While his canvases might not be as
large as the ones used by Pollock, there were some similarities such as the
dripping appeal of the
paint that was all over the canvas.
Renowned for his «Action
Paintings», Jackson Pollock rejected oils in favour of household
paints, which he
dripped and splattered onto
large canvases from above.
Certain aspects of the brushstroke and the slight
drip appear again in Reed's more recent
paintings, such as # 628 which has a small rectangle inset in the
larger horizontal rectangle of the canvas.
Begun essentially by the Rothko, Newman, Still wing of Abstract Expressionism (Pollock's
drip paintings are crossovers between this and gestural abstraction), it continued on in Colorfield
painting, and in later
large - scale monochrome and minimalist
painting (another important addition to the map, although not with as much breadth as the Gestural.)
As evidenced by the
paintings in her current retrospective at the Whitney, she keeps a toolshed of effects and objects — drop shadows,
large modernist grids,
drips, bicycle wheels, squiggles, text, impasto that rivals cake frosting, and even wallpaper — that appear predetermined to keep every possible idea of «mark - making» alive.