Sentences with phrase «large paint drips»

The original plan was to use a natural stain for a wood look similar to Bliss at Home's linen closet in my inspiration collage, but the shelves were badly chipped and had large paint drips from previous owners.

Not exact matches

Make sure your Easter eggs have a large enough hole in the bottom to allow for the paint to drip through.
Like many French colonial cities, Vientiane is characterised by broad, often leafy boulevards, a riverside promenade, creaking colonial mansions painted in sun - bleached tropical hues and mod 1960's era villas with large gardens dripping in bougainvillea.
Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.
In his November 1952 exhibition at the Sidney Janis Gallery in New York City Pollock showed Number 12, 1952, a large, masterful stain painting that resembles a brightly colored stained landscape (with an overlay of broadly dripped dark paint); the painting was acquired from the exhibition by Nelson Rockefeller for his personal collection.
Large, dripping swathes of paint or chips of crystalline material complicate the distinction between creation and actuality, undermining the fundamental nature of photography.
Sound on Sound will feature three major paintings and four large scale (6 - foot tall) works on paper, the latter pitting dripped or rolled paint against silk - screened backgrounds.
The abstract expressionist is known for dripping and pouring paint across large canvases.
His drip paintings are monumental, large and complex, just like the country itself some would say, and a fine example of that is the 1952 Number 11.
A small work might place a tree trunk at the center, while the networks of tree limbs, rocks, streaks of light, or ripples of water in his large paintings have much in common with the weave of a drip painting or of the canvas itself.
The artist drips and meticulously builds layers of thick oil paint in her modestly scaled works, the largest of which measure three feet square and the smallest seven inches square.
More surprising are the large areas of cascading black drips, which the viewer might assume were added to cover the white paint.
Newman's zips or the drips in a Pollock announce an abstract painting's material fact, including its scale, refusing to be either larger than life or dwarfed by nature.
In a large single room of David Zwirner's 19th street gallery, she's arranged nine concrete sculptures; two discrete groups of mannequins, one arranged around a living room set; a 10 - foot tower of MDF (medium - density fiberboard) boxes and paint drips; and two more towers covered in mirror foil, like disco retreads of the old World Trade Center.
The Large Cloth of Abuse is a huge action painting featuring Pollock - style drips of black, spelling out an assortment of traditional German terms of abuse.
Mary Heilmann painted spit bite acid, tipping and tilting the plate, to create a large block of color dripping over a grid of drypoint lines that recede into deep space.
Large scale oil paintings dripping in paint and medium encapsulate the whole canvas in grid like nature.
Salgado's large - scale figurative paintings are made up of deftly placed smears and drips of spray paint that create artworks dripping with energy and sheer grittiness.
At one end of the barn the floor is literally covered with large cans of enamel, aluminum and tube colors — the boards that do show are covered with paint drippings.
Steir is probably best known for large - scale abstract canvases that suggest cascading waterfalls, each the consequence of a calculated system of brushing, dripping, and splattering paint.
The article featured his large - scale all - over drip paintings, and propelled him to fame.
My response to the place was in the form of large abstract works painted in thin layers, with drips, hardly any brushwork.
Jackie Saccoccio at 11R Jackie Saccoccio's double painting show of large dripped, brushed, slushed, and sluiced canvases of almost - undersea phosphorescent color showed how far out in front of the painterly curve this artist has been for more than a decade.
«Mural» set the precedent for the scale of Pollock's celebrated all - over drip - paintings (with their even distribution of compositional interest across an entire large surface), encouraged by a February 1947 review by Clement Greenberg in The Nation, where he wrote: «Pollock points a way beyond the easel, beyond the mobile, framed picture, to the mural.»
For Pat Steir's large - scale paintings Dusk (2007) and The Dark (2007) are examples of her specific technique, using the process of dripping to create a delicate interwoven curtain - like surface texture.
The Abstract Expressionist, Jackson Pollock, is most well - known for his large - scale «all - over» paintings that he painted by laying raw canvases on the floor and pouring house paint directly from cans or dripping it from sticks while engaged in almost dance - like rhythmical movement around the canvas.
A few painters are doing the same thing but with brighter colors, larger areas of paint, hints of gesture, or even drips.
A brush turns those drips into a fine spray, a final layering over painting's larger outlines.
The back wall is painted in gradated neon orange that brings to mind a nuclear flash, gallery benches are dripping and melting into the floor, and a large - scale symbolic sculpture holds court in the center.
This revelation prompted the extensive «Waterfall» series of large - scale paintings, which she made by hurling washes of black and white paint onto the top portion of the canvas and letting them drip to the bottom to create the illusion of waterfalls.
Major Abstract Expressionist Jackson Pollock, dubbed «Jack the Dripper» by Time magazine in 1956, is best known for his large «action» or drip paintings of 1947 — 52, formed by pouring and manipulating liquid paint atop canvases set on the floor.
Other big - ticket works going to the block are Jackson Pollock's drip painting The Blue Unconscious (1946), for $ 20 - 30 million; an Yves Klein sculpture, Sculpture éponge bleue sans titre, SE 168 (1959), which is tagged in the region of $ 20 million; and a large Clyfford Still abstraction, PH - 21 (1962), for $ 16 - 20 million.
Drips, gestures, and splatters of paint in his work have led many critics to identify him as a second - generation Abstract Expressionist, but Francis has also been compared to Color Field artists on the basis of large, fluid sections of paint that seem to extend beyond the confines of the pictorial surface.
Gilmore's Like This, Before is a large - scale «performance - based installation» in which white paint Abstract - Expressionistically cascades down one black, wooden roof - like structure, pooling in a bed of jutting, fragmented glass shards and dripping the onto the ground beneath.
Using a method that involves dripping and pouring paint as well as often stitching and adhering fragments and strips from earlier paintings onto larger canvases, Bowling creates works in the Color Field idiom that are noted for their optical and surface complexities.
A collection of richly textured works, which blend gestural painting, figurative drawing and collage on everything from small pieces of cardboard to boards measuring nearly 4 x 6 feet, the exhibition is an audacious debut in a city where the shadows of Abstract Expressionism still loom large whenever an artist splatters, drips, scrapes, pours, or otherwise flings paint at or on a surface to make an image.
This was followed by a rare Barnett Newman «zip» painting, which sold for $ 22.5 million, and the first large Jackson Pollock drip painting at auction for over 20 years, which sold for $ 23 million — both records.
Rendered in thinly applied automotive paint on aluminium sheets folded at the edges to form large industrial - looking trays, these impressionistic works, with their visible brush marks and gestural drips have, as the exhibition's title hints, the feel of half - glimpsed stories, the clarity of their message faded through time.
Marcus integrated a large number of the central developments of abstract painting into his work over the years, including large - scale calligraphic gestures and the employment of chance - elements, particularly drip - motifs.
I wish she had worked a little more thematically, perhaps drawing together a group of works to emphasize the streetwise lyric poetry of New York, the dark pastoral mood that you find in some of the late Gorkys, in de Kooning's saturnine Valentine, and in Pollock's Full Fathom Five (which I much prefer to the slightly later, larger drip paintings).
He used thin texture paint, a drip and splash technique, leaving large areas of the canvas blank - which led critics to speak of traditional Japanese influences, notably of Haboku, a Japanese style of dripping ink.
Studying the work of American abstract expressionists such as Helen Frankenthaler, an artist who poured thinned paint directly on larger than life - sized canvases on the floor in her Color Field works, Olivier similarly engaged in a process of coaxing acrylic paint to spread and drip in brilliantly hued pools, more characteristic in watercolor.
A large swath of plum purple paint floats Rothko - style over thin gestural bands of lime green and peachy stains of dripping paint, creating a palimpsest of Modernist strategies.
Refinery 1 is one of two large paintings that, through the drips and spills, questions the thinking behind the global oil industry.
Languid drips, tiny pointillist specks and large globs of transparent resin and bright paint, as well as smooth passages of colour added and subtracted with the face and edge of a palette knife, all create this magical scene.
While his canvases might not be as large as the ones used by Pollock, there were some similarities such as the dripping appeal of the paint that was all over the canvas.
Renowned for his «Action Paintings», Jackson Pollock rejected oils in favour of household paints, which he dripped and splattered onto large canvases from above.
Certain aspects of the brushstroke and the slight drip appear again in Reed's more recent paintings, such as # 628 which has a small rectangle inset in the larger horizontal rectangle of the canvas.
Begun essentially by the Rothko, Newman, Still wing of Abstract Expressionism (Pollock's drip paintings are crossovers between this and gestural abstraction), it continued on in Colorfield painting, and in later large - scale monochrome and minimalist painting (another important addition to the map, although not with as much breadth as the Gestural.)
As evidenced by the paintings in her current retrospective at the Whitney, she keeps a toolshed of effects and objects — drop shadows, large modernist grids, drips, bicycle wheels, squiggles, text, impasto that rivals cake frosting, and even wallpaper — that appear predetermined to keep every possible idea of «mark - making» alive.
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