Sentences with phrase «large painted writing»

The resulting grids may be connected by passages of large painted writing relating to the subject depicted.

Not exact matches

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If early registration trends hold, paint companies will have a larger presence at the 2017 SEMA Show, giving publications such as the ones below even more colors and products to write about.

Large acrylic paintings in warm, harmonious colors are perfect for this cogently written, beautifully made book that spotlights part of our heritage so basic that we take it for granted.

It doesn't matter whether it's painting, music, or writing, the artist is expected to go through angst to bring his / her art to the world at large.

Kurchanova writes: «Apart from large canvases covered by Pollock's signature all - over web of patterned, dripped or sculpted paint, a range of his smaller abstract paintings adds complexity to our understanding of his work as that of an «action» painter... Pollock's active engagement with printing presents his achievement as a painter to us from a completely different angle and complicates the understanding of his work as based in physical action and unmediated involvement of the artist's hand.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

Rose Sharp writes that Goodman's oeuvre «is a little bit difficult to sum up, perhaps, because over the course of this long and productive career, her creative output has vacillated between painting and drawing (with forays into three - dimensional constructions); smooth surfaces and chaotic buildup on canvas; and intimate small - scale works and jaw - dropping large paintings that grab your eye from across the room.

In the introduction Haynes writes: «For her new exhibition... Semmel has created 12 large paintings, many of which have two layers, each with a nude self - portrait.

** Other Terms for My Style of Art: impressionist art, expressionist art, contemporary art, modern art, colorful art, impasto painting, impasto art, large wall art, textured art, original painting, palette knife, impasto art, abstract painting, rainbow art, fine art, canvas art, canvas painting, gallery wrapped canvas, custom art, commissioned artwork, landscape painting, seascape, ocean art, by the sea, brush paintings, one - of - a-kind (OOAK), made to order art, tree painting, nightscape painting, night landscape, paintings of trees, nature paintings, unique artwork, expressionism, impressionism, mid century modern art, minimalist art ** Ways People Have Displayed my Paintings: inspirational wall art, colorful home decor, contemporary office decor, mini easel, gift giving, writing inspiration, art therapy, gallery art, collectible art, inspiration for dancing, contemporary décor, meditation, background for music, cover art, national television, collector's art, unique wall decor, wall hanging, kitchen decor, bedroom decor, nursery decor and countless otpaintings, one - of - a-kind (OOAK), made to order art, tree painting, nightscape painting, night landscape, paintings of trees, nature paintings, unique artwork, expressionism, impressionism, mid century modern art, minimalist art ** Ways People Have Displayed my Paintings: inspirational wall art, colorful home decor, contemporary office decor, mini easel, gift giving, writing inspiration, art therapy, gallery art, collectible art, inspiration for dancing, contemporary décor, meditation, background for music, cover art, national television, collector's art, unique wall decor, wall hanging, kitchen decor, bedroom decor, nursery decor and countless otpaintings of trees, nature paintings, unique artwork, expressionism, impressionism, mid century modern art, minimalist art ** Ways People Have Displayed my Paintings: inspirational wall art, colorful home decor, contemporary office decor, mini easel, gift giving, writing inspiration, art therapy, gallery art, collectible art, inspiration for dancing, contemporary décor, meditation, background for music, cover art, national television, collector's art, unique wall decor, wall hanging, kitchen decor, bedroom decor, nursery decor and countless otpaintings, unique artwork, expressionism, impressionism, mid century modern art, minimalist art ** Ways People Have Displayed my Paintings: inspirational wall art, colorful home decor, contemporary office decor, mini easel, gift giving, writing inspiration, art therapy, gallery art, collectible art, inspiration for dancing, contemporary décor, meditation, background for music, cover art, national television, collector's art, unique wall decor, wall hanging, kitchen decor, bedroom decor, nursery decor and countless otPaintings: inspirational wall art, colorful home decor, contemporary office decor, mini easel, gift giving, writing inspiration, art therapy, gallery art, collectible art, inspiration for dancing, contemporary décor, meditation, background for music, cover art, national television, collector's art, unique wall decor, wall hanging, kitchen decor, bedroom decor, nursery decor and countless other ways!

He made the ugly pretty, the worthless priceless, and the tragic redemptive; he also helped cement Los Angeles's reputation as an international art hub, especially thanks to his installations that included large - scale drawings and paintings, as well as sculptures, videos, and his own writing.

The integration of the large letters written all over the paintings, gives the series an allegoric and distanced character.

He writes on the reverse that the picture was...» cut from a large canvas approximately 10 x 13 ft. Painted in...

Anne d'Harnoncourt wrote of this series in 1976»... the large, lyrical paintings approach abstraction without abandoning a sense of spatial depth... Compositions [are] built up of large, brilliant expanses of yellow, orange, blue and flaming red, under remote skies of lavender or aquamarine.»

Vincent wrote to Theo in August 1888, «I'm painting with the gusto of a Marseillais eating bouillabaisse, which won't surprise you when it's a question of painting large sunflowers... If I carry out this plan there'll be a dozen or so panels.

The previous year, Jackson Pollock (1912 - 56), applying for a Guggenheim Foundation Fellowship, wrote (highly likely with the aid of Greenberg): «I intend to paint large movable pictures which will function between the easel and mural.

In a letter to his brother Charles, written on 29 July 1943, Pollock outlines his commission from Peggy Guggenheim to produce a large painting for the hallway of her New York townhouse: «With no strings as to what or how I paint it.

Truitt drew, painted, and wrote, but she is best known for her large, vertical, wooden sculptures meticulously covered in many coats of paint.

But the artist and critic Brian O'Doherty did something of the sort in the 1970s, when he wrote of how far both the creation and canonisation of modern art had been informed by the dominant «white cube» model of gallery space, which had conferred a monumental aura on much large - scale abstract painting.

Of his recent work, Greco writes, «This «series» of work began as small studies for larger paintings.

In his letter to the United States Immigration and Naturalization Service (INS) in 1961, Judd wrote, «In October of 1959 Yayoi Kusama exhibited five large paintings which were recognized as exceptional.

In the Art in the Age of Altamira exhibition catalog, Jill Cook wrote that, after his cave visits, «Miró's preference for working off the easel on larger format works painted against a wall or on the ground, as well as his use of ochre pigments and earth tones developed.»

While his work spanned less than twenty years - his life was cut short due to AIDS at the age of 37 - from 1979 to 1992 he created a large body of work in collage, paintings, performances, sculpture, writing and video.

• At MoMA PS1 in Long Island City, Queens, the Irish sculptor and painter Cathy Wilkes is the subject of an exhibition that, Jason Farago wrote in his Times review, «unites uncanny cloth sculptures and scumbled paintings with large doses of junk.»

She has written on artists from Poussin to Bruce Nauman and curated an artist's choice show at the National Gallery in London, choosing large figure paintings by Titian, Veronese, El Greco, Rubens, Poussin and Cézanne: «To give your work more than a personal validity you need the support of a more objective framework.

«I eventually felt joy rather than tremendous angst — I realized that's the way an artist should feel when they paint,» Mary Addison Hackett rendered as a hand - written note in the large painting Studio Window at Marcia Wood Gallery....

In some of these large paintings, cultivated fields turn into writing, diagonal rows of text that also resemble brush, growth, scruffy fields.

The Turner Prize Exhibition, which opens today at Tate Britain for press and private views, will reveal that painting, abandoned by many contemporary artists and written off by critics as a dead medium, is back: the walls of two of the four rooms will be hung with large paintings on canvas.

In the catalogue accompanying the exhibition, art critic Donald Kuspit writes: «Carol Ross gives us two kinds of sculpture: large, free ‐ standing works, implicitly monumental, sometimes evocative of nature, sometimes figurative, and smaller wall pieces, sculptures as flat as the wall on which they are placed as though they were paintings.

Belz writes that «each [artist] has now been painting for more than four decades, and each has in the process periodically made ambitiously large pictures, as well as pictures that are frankly and unapologetically beautiful, candid in celebrating color as a vehicle of emotional content, intuitively smart in structuring its deployment to assure the content's credibility.

Butler writes: «Weathersby seems to be reminding the viewer that abstract paintings may seem formalist, or, to some viewers, simply decorative, but they are in fact part of a larger timeline rooted in history, politics, and philosophy.

Alexander writes that Shields» work is»... deeply rooted in a ritualization of the painting process and an assertion of art - making as an ancient practice... the large paintings possess a rich merger of painterly field and constructed objecthood — at once offhanded and painstakingly built.»

«Mural» set the precedent for the scale of Pollock's celebrated all - over drip - paintings (with their even distribution of compositional interest across an entire large surface), encouraged by a February 1947 review by Clement Greenberg in The Nation, where he wrote: «Pollock points a way beyond the easel, beyond the mobile, framed picture, to the mural.»

Last year Roberta Smith wrote that Lewczuk's paintings suggest «streamlined details from the Chrysler Building writ large and filtered through Graffiti Art.»

After «Oscar Murillo: Distribution Center,» his first show in Los Angeles, which opened in January in the Mistake Room, David Pagel, writing in The Los Angeles Times, called some paintings in the installation «anemic,» saying that «each large piece is less compelling than a single square inch of anything Jean - Michel Basquiat ever touched.»

For the Summer Exhibition at the Royal Academy in 1997, in among the still lifes and daubs of favourite pets, he submitted a large painting entitled The Killer - Critic Assassinated By His Widower, Even, a composition indebted to Manet's Execution of Maximilian, in which two figures fire bullets into the engorged faces of a hydra - headed monster, whose tongue extends across the picture with the words «yellow press, yellow press, kill, kill, kill» written upon it.

In addition to the installation of paintings and excerpted text, two publications were produced as supplements to the exhibition: one was a series of six large - scale, hand - bound books — each named after a character from the short story — consisting of five original watercolors by Innes, and the short story in its entirety; the second publication is a book which also includes Tóibín's story alongside reproductions of all 101 watercolors featured in the exhibition and an introduction written by Sean Kelly which details the sequence of events leading up to the proposed collaboration.

Greenberg later wrote about this transformative moment in Louis's life and in the history of art: «His first sight of the middle - period Pollocks and of a large and extraordinary painting done in 1952 by Helen Frankenthaler, called «Mountains and Sea,» led Louis to change his direction abruptly.

SELECTED SOLO EXHIBITIONS 2016 Jonathan Ferrara Gallery, The Invisible Side of the Universe, New Orleans, LA 2015 LSU Museum of Art, Shaw Center for the Arts, Margaret Evangeline: On War, Baton Rouge, LA 2014 Eli and Edythe Broad Art Museum, Sabachthani, Lansing, MI 2012 Heriard - Cimino Gallery, Dreaming In Quicksilver, New Orleans, LA Kim Foster Gallery, As - If, New York City Stux Gallery, Timebomb, New York City Bertrand Delacroix Gallery, Everyday Magic, New York City Eleanor D. Wilson Museum of Art, Bayous and Ghosts, 2 - person with Hunt Slonem, Roanoke, VA Butters Gallery, Recklessly Blooming, Portland, OR 2011 Cohn Drennan Contemporary, Steel, 2 person with Suguru Hiraide, Dallas, TX 2010 Heriard - Cimino Gallery, Writing to Alexandrie, New Orleans, LA 2009 Elizabeth Moore Fine Art, Hot House, New York, NY DTR Modern, Distinct Conceptual Voices, Boston, MA HPGRP Gallery, A Feeling in My Bones, New York, NY Olin Gallery of Roanoke College, Margaret Evangeline Paintings and Video, Salem, VA 2008 The Ogden Museum of Southern Art, Silver Bullets and Holy Water, New Orleans, LA Byron Roche Gallery, Chicago, IL DTR Modern, Steel Canvas, Boston, MA 750 7th Avenue Exhibition Lobby Margaret Evangeline: Large Paintings and Works on Metal (1998 - 2006), Curator, Helen Varola, New York, NY

He began creating multimedia installations that synthesized large - scale drawings and paintings, often incorporating his own writing, along with sculptures, videos (one was based on the television show «Captain Kangaroo»), and performances, often scatological and sadomasochistic in nature.

Kunsthalle Basel showcased the large - scale painting in the 1949 exhibition Impressionisten, where they were «the sensation» of the whole show, as Georg Schmidt, then director of the Kunstmuseum Basel, wrote.

They come both in the form of artworks of an intimate character and large staged installations in which painting, photography and documents, text and sound, writing and memory, combine to create visual tales.

In 1986, James Bishop abandoned making large - scale works on canvas in favor of devoting himself entirely to more intimately scaled paintings on paper, stating, «I was more interested in... writing with the hand rather than with the arm.

The artist's sparse and eloquent abstract paintings function like automatic writing, built up from individual elements on large expanses of raw, untreated canvas.

For Conflicting Lines, his 2015 exhibition at Victoria Miro Mayfair, Khan produced large - scale composite photographs made from a series of oil stick paintings which have undergone an intensive process of overlaying lines of writing repeatedly painted on to a minimal ground, until the language became obscured.

Aboriginal Arts and StoriesThe website for the Aboriginal Arts and Stories, which features Canada's largest essay writing competition for Aboriginal youth (ages 14 - 29) and a companion program for those who prefer to work through painting, drawing and photography.

I have three large files of my «favorite paint chip colors»... so I should write a book... just on paint colors.