Sentences with phrase «large painting studio»

Not exact matches

I visited a sixty - three - year - old portrait painter in her studio, traced the history of her work chronicled in her large portfolio, and watched as she applied thin luminous layers of paint to a portrait in progress.

Climb to new heights in the larger - than - life rocket ship Climber, weave your way through the Noodle Forest, buy and sell «groceries» at the market, or paint a giant castle in the art studio.

Open studio showing new works of three artists featuring large scale abstract paintings by local educator Mike Irwin, contemporary abstract still life paintings by Jeanne Dentzel, and printmaking, assemblage and conceptual riddles in his numerous works on paper by local educator and arts activist Dug Uyesaka.

Sunwing Resort & Spa enjoys a heavenly location and makes the most of it.As to be expected at a family - friendly resort, rooms feature a kitchenette (but no oven) and the Happy Baby rooms are just perfect for young families as they also have a mini-garden and are poolside.For active families Sunwing has a busy schedule that changes weekly and that also involves a lot of activities and fun with shows, face painting, movie time, acrobat show, water basketball and much more.There are 283 studios and family suites with six types of accommodation equipped with air conditioning, satellite TV with movie channel, large fridge, light kitchen equipment, internet connection, and private oversized balcony or terrace overlooking the gardens or Andaman Sea.

His space is in Williamsburg and he was having a hard time because he wanted to do large - scale paintings and his studio was so small.

I always dreamt of having a studio where I could have a digital area for all my illustration work as well as a large space to make a mess in, paint and do screenprinting.

In the comments there a great discussion started about the differences between small paintings from life and large studio works like what we see in Constable and Corot.

Around 1970, while in the John St. studio, Frances began working on large horizontal abstract paintings that were involved with ideas of gravity, slow painting time, indeterminate color, and trying to create a complex painting space that appeared geometric, but alternately shifted into a deeper space.

This summer, I made four visits to Roland Reiss» studio to discuss his new Floral Paintings — which will be on public view in his upcoming retrospective at Begovich Gallery, California State University, Fullerton in November and a large exhibition in Los Angeles at Diane Rosenstein Fine Art in December.

And in one particularly splendid painting made on an old studio dropcloth that had been roughed up Arte Povera style, she floats the gentle face of Psyche rendered on a large scale after glimpsing a small terra cotta figurine at the Metropolitan Museum.

This transition from figuration to abstraction was accompanied by new working methods: his paintings became larger and he abandoned the easel, often pinning his canvases to his studio walls or floor.

The mezzanine floor, overlooking the sanctuary, will have the preserved small studio in which Resnick made works on paper after ill health made large scale painting impossible for him.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

I have eleven paintings in process kicking around the studio at the moment, plus a larger 7» x 5» painting that is in a holding pattern.

Her aim is not to fill large spaces or dazzle the public at art fairs but to paint quietly, alone in her Los Angeles studio.

My main studio for oil painting is in Zhongshan, China, and at the moment I am working on a large batch of canvasses in preparation for my first solo exhibition, which will be held at the artist village compound where my studio is located.

Today on Maake, Brooklyn - based artist Yevgeniya Baras shares thoughts on the importance of labor in her paintings, translating a condensed moment to a large scale, and balancing her studio, teaching, and curatorial work with the artist - run gallery, Regina Rex in NYC.

I had a large painting from 1968, North Star, hanging in the Stanford Museum which I visited and then I went to Los Angeles and visited William Pettet's studio for the first time.

In his Mumbai studio, heaving himself up out of his wheelchair, he worked on six large paintings for another show, Painting India, which will open in June at the Hepworth Wakefield.

While classical painting tends to be more associated with the atelier movement, observational painting has a strong foothold in various «studio schools» as well larger and older art institutions such as the Pennsylvania Academy of the Fine Arts and the Maryland Institute College of Art.

That was the time of year the painting was finished, so maybe something of the world crept into the Brooklyn studio where Jules de Balincourtpainted High and Low, completing the large group of paintings now at Victoria Miro Gallery.

Her previous exhibition at Lisson Gallery, Joyceland, saw her recreate her chaotic Williamsburg studio and paint a large - scale Batman mural within the gallery.

Abruptly she gets up from her paint - spattered chair and scuttles across her large warehouse studio beside a canal in north London.

The larger paintings, built up with small clotty agitated brushstrokes, don't translate well... read more... «Nick Miller's alternative studio»

Rules are: sculptures are made with pressure, paintings with leisure; yet to reduce a sense of privilege, they are all produced in artificial light and under strict parameters within four tiny, windowless studios in Brooklyn, each designated for only one activity — sculpture, small painting, larger painting, or video / audio.

At the press opening, in the conservation studio that has a glorious floor to ceiling wall of glass on the Hudson (light, light, light), a kind and concerned professional explained: «We have put glass on many paintings for the first few months, because, having learned a lesson from the Tate Modern, we are expecting much larger and much different crowds from the old location, people who do not pay attention to their backpacks or care much about the art.»

John Walker: Recent Paintings, the current exhibition at the Alexandre Gallery, features seven large pictures as well as numerous smaller ones, including more than a dozen compact oils made on discarded Bingo cards, which the artist found in the former grange hall that became his studio in Seal Point on the coast of Maine.

Hutchins» expressive and intuitive studio practice produces dynamic sculptural installations, collages, paintings and large - scale ceramics, all hybrid juxtapositions of the handmade.

The studio shows the range of her works, from large oil paintings to small drawings, studies and prints.

I brought the painting back to my studio and blew it up onto a large 48 by 60 canvas.

Multi-layered and crammed with historic and cultural references, his large - scale paintings come to life in the studio.

She continued to paint throughout their marriage and for decades after her husband's death, moving into the large studio in the Springs.

To create her large - scale pieces, she lays unstretched canvas on the floor of her Brooklyn studio (à la Pollock) and then attacks it with sweeping brushstrokes, taped - off geometrical passages, and Rorschach - like splotches (made by allowing paint to pool and then folding over the canvas with a tight crease).

On this larger support, the painted paper sheets, previously prepared in the studio in Barcelona, could be used in their entirety, or several in a block.

Early on, he painted in a 6 - by - 9 foot room at the YMCA and only began working on large canvases when he could afford a bigger studio.

Oscar Murillo's large - scale paintings imply action, performance, and chaos, but are in fact methodically composed of rough - hewn, stitched canvases that often incorporate fragments of text as well as studio debris such as dirt and dust.

Nearing the end of his show, he also works large, and I can remember him standing in front of the painting in his Chelsea studio.

In 1985 he was the winner of the John Moores Painting Prize, and now works form his studio in West London, where his focus has been on paintings of increasingly large size, and on sculptural film pieces.

In the studio with the newest and largest painting for my coming solo show at Metro Gallery in May.

This is the paradox about these small paintings of pots and tins, painted in a studio no larger than a box room.

The Bristol - based Jamaica Street Artists will exhibit a diverse and compelling range of new paintings, celebrating the long - standing connection between the gallery and one of the largest and most dynamic creative - led studios in the country.

Also included in «Big Spaces and Large Planes» are: the loosely graphic paintings of Cathy Fiorelli who shares studio space with eleven other artists at the Middletown Pendleton Art Center; the perceptive works on femininity of Pattie Byron from West Chester; the Kente Cloth - inspired art quilts by Miami University - educated Linda Kramer; the mixed media of Oxford's Maureen Nimis with her cut paper and photographic work; the small works by Catalog & Slavic Librarian at Miami University, Russian - born Masha Misco; and the jewel - like small photographs of Denver - born Cincinnati resident Brian Luman whose exploration of urban crevices is fueled by his skateboard and camera.

A Connecticut native, Jung works outdoors from life, creating small paintings to be used as reference for larger studio works.

During the summer of 1967 when I was twenty, I rented a studio on the Bowery where I continued painting large abstract paintings.

A swanky jazz doorbell alerted her to our presence at the sturdy doors to her studio, and the artist greeted us in a Depeche Mode T - shirt and Chuck Taylors, in front of a few large - scale paintings, some Pretty / Dirty books printed for the occasion of her solo show, and bowls of pins made for Planned Parenthood that read «Don't Fuck With Me, Don't Fuck Without Me.»

One of Avery's last large - scale canvases, the painting is imbued with harmony and intimacy — Philip reading aloud to March at the Averys» Central Park West home and studio.

Jessica Jackson Hutchins» expressive and intuitive studio practice produces dynamic sculptural installations, collages, paintings and large - scale ceramics — all hybrid juxtapositions of the handmade.

Scale also affects the approach of art - making — a large painting requires ample studio space whereas a small painting may be portable.

The «Open» series was born when Motherwell noticed the enticing «congress of shapes» created by a smaller rectangular painting leaning up against a larger canvas in his studio.

The exhibition includes intimately scaled works Frankenthaler made while studying with Hofmann and large canvases that reference the sea and landscape of Provincetown, painted in her various studios there.