Sentences with phrase «large paintings on view»

«EZ - 7» is among the large paintings on view in Geoff Hippenstiel's show «Romance» at Devin Borden Gallery.

In each of the seven large paintings on view, Walker has distilled the major landscape forms he knows so well.

Botanical Theatre (all works 2013), the largest painting on view, depicts a ghostly couple surrounded by surreal catuslike forms and watched by a group of menacing bearded men.

Not exact matches

Blu Corsa Metallic with Charcoal Leather Interior, 20» Forged Dark Painted Rims with Red Brake Callipers, Air Conditioning, AFS System, Carbon Fibre Outer B Post Trim, Carbon Fibre Under Door Cover, Carbon Fibre Driving Zone & LED's, Carbon Fibre Central Bridge, Carbon Fibre Kick Sill, Carbon Fibre Dashboard Inserts, Carbon Fibre Front Spoiler, Suspension Lifter, Horses Stitched on Headrest, Titanium Exhaust Pipes, HELE, Scuderia Ferrari Shields, Internal and External Electro - Chromatic Rear View Mirrors, Front and Rear Parking Sensors with Parking Camera, Large Goldrake Racing Seats, Racing Seat Lifter, Passenger Display, Satellite Navigation, Apple CarPlay, Bluetooth Telephone Preparation and High Power HIFI System.

There are important works in the permanent collection (almost always on view) by Mondrian, Chagall, Picasso, and Warhol, as well as a large number of abstract paintings by Makevich, which are well - worth seeing if you have an interest in Russian avant - garde.

We viewed the spacious double bungalow and (less spacious) single room, and both semi-outdoor style ensuite bathrooms were almost as large as the rooms themselves with moss - covered coral walls and pretty hand - painted details on the stone washbasins.

Recent paintings by Freud, on view this month at New York's Acquavella Galleries, are priced between $ 2 million and $ 5 million, not far below the auction - record $ 5.8 million paid for the 1981 — 83 Large Interior W11 (After Watteau) in 1998.

More than 20 large - scale oil paintings will be on view alongside 50 never - before - exhibited works from the 1930s, which show the artist working in watercolor and gouache on paper.

Limitations in some templates; too much wasted white space (would love my work to be displayed much larger); integration of pages to sell prints and / or products with my work on it in pages with the original artwork (lower priced or alternative options for folks who aren't yet ready to invest in fine art); room setting view where customers can see the size / shape of a painting / print in an actual room like over a couch or bed, in a kitchen, etc; greater options in template layout (social buttons and email NL signup at top of page, etc).

Thus, an exhibition now on view at Lori Bookstein Fine Art in New York that showcases a number of Müller's mature, large - scale paintings is a welcome, if short lived, opportunity to see his monumental Abstract Expressionist allegories.

On view until February 18, 2018, the work uses sculptural reliefs to enhance large - scale photographs of the artist standing in front of oil paintings from the permanent collection of the Metropolitan Museum of Art: Otto Dix's The Businessman Max Roesberg, Dresden (1922) and Balthus's Girl at a Window (1957).

This summer, I made four visits to Roland Reiss» studio to discuss his new Floral Paintings — which will be on public view in his upcoming retrospective at Begovich Gallery, California State University, Fullerton in November and a large exhibition in Los Angeles at Diane Rosenstein Fine Art in December.

The Manchester Art Gallery presents Raqib Shaw's largest solo exhibition to date, featuring 28 recent recent paintings, sculptures, and works on paper, many on public view for the first time.In addition, Shaw has created a floral installation that fills the galleries, lending an otherworldly, paradisical atmosphere to the space.

Contributed by Sharon Butler / Digital screens, halftone dot patterns, emoticons, and other typographic symbols comprise the imagery in Jacqueline Humphries's new series of large - scale paintings on view at Greene Naftali through June 20.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

The earliest painting on view in Wolf Kahn: Six Decades is a large landscape - derived abstraction from 1960 titled «Into a Clearing.»

We view this space as a temporal solo exhibition, with each large work staying on the wall for at least 6 months, before being painted over and recommissioned for the next show.The site specific installation pushes the artists craft and practice to create something beyond their normal scale — the wall being 20 foot long and 14 foot high.

Join us this fall for a conversation between the artist and Gary Garrels, Elise S. Haas Senior Curator of Painting and Sculpture, about this large - scale commission, on view starting September 2, 2017.

On larger works Mr. Kim's initials «Y» and «G» and the last two numbers of the year in which the painting was produced are painted in red somewhere in plain view on the canvas surfacOn larger works Mr. Kim's initials «Y» and «G» and the last two numbers of the year in which the painting was produced are painted in red somewhere in plain view on the canvas surfacon the canvas surface.

Deontological Pictures, an exhibition of ten new large - scale paintings by Keith Coventry, is on view at the East London exhibition space PEER until 1 December.

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

On view here are a series of twisting glass brick sculptures and her largest painting to date, a breathtaking cloud - like triptych that measures more than 25 feet wide and conveys her interest in science, poetry, and metaphysical realities.

Across two rooms offering 400 square metres of exhibition space, 20 paintings by Krauskopf, including large format works, are on view at G2 Kunsthalle.

Among the work on view will be mural - scale oil paintings from the Power Play series (1982 - 86) and a large free - standing stained glass Rainbow Shabbot from The Holocaust Project (1985 - 1993).

This is the perfect starting point for an appreciation of the works on view in the current exhibition, which rely on white in so many ways, from background to foreground, canceling the blacks and greys underneath and providing the Mark Tobey - like highlights of the large - scale paintings.

The fact that Terence Haggerty's large site - specific wall paintings in the main space will remain on view during Greet Billet's exhibition, will provide the public with an excellent opportunity to reflect on the state of digital - based research and its application in the field of non-objective art today.

In the selected items on view, the developments of American artistic traditions can be traced through the early interests in portraiture, the rise in prominence of landscape painting in the 19th - century, the popularity of genre scenes, as well as the academic traditions of history and large - scale society paintings.

That thesis, never before displayed in a museum exhibition, is now on view at the Mead, alongside Mazur's vibrant pastels, large - scale gestural paintings and well - known prints, including Dante's Inferno.

Also on view will be several new large - scale paintings by Kelsey Brookes including a new series called One Continuous Line.

The exhibition will feature new large - scale paintings and is on view at both gallery locations at 11 Rivington Street and at 195 Chrystie Street from April 17 — May 18, 2014.

«Joan, Gordon, and Rufus [their dog] in Front of the S.F. Opera House,» painted two years later and the largest work on view, is, in her mature style, another quite impressive painting — dignified yet intimate, simple yet subtle.

On view will be later works by Milton Resnick (1917 - 2004), a first generation Abstract Expressionist known for his large, heavy «walls» of paint made during the late 1970s and»80s.

Currently on view at Gallery 16, San Francisco is «From the Sky Rivers Look Like Snakes» a solo exhibititon by Jason Jägel presenting three bodies of work; large oil paintings, works on paper and smaller...

A new large - scale multicolored wall painting by Bridget Riley is on view at the Chinati Foundation in Marfa, Texas.

At 44 x 72 inches, the painting is one of the large - scale works on view.

The exhibition, on view from November 29 — January 12, will include a dozen large - scale paintings made over the past year, using oil, acrylic, and hand - made spray - paint.

On view in the large gallery will be Radiation Explorations paintings (1994), which are characterized by blue backgrounds with the occasional incorporation of white.

A permanent installation of her large paintings can be viewed at the Prudential Building of Chicago, and her paintings on paper, «Color Scores» are currently on view at the University Club of Chicago.

Mr. Sharif was best known as a Conceptual artist, but his command of color is on full view in a large - scale work made with pieces of painted cotton rope, titled simply «Colours» (2016).

With the several large paintings and stack - cardboard - box sculptures on view, Toren looks to find in the quotidian ample evidence of the supramundane... read more

A maximalist, or complex visual aesthetic, seems to loom large over much of the painting and installation on view, although quiet nods to art's minimalist past appear throughout the galleries.

[17] With its large expanse of blue, simplicity of design and emphasis on pure feeling the painting was enormously influential to American artists who viewed it at MoMA in New York City.

The 63 large - format paintings, reliefs, sculptures, and models on view fully represent each phase of Stella's career, from his work prior to the Black Paintings, to the Irregular Polygons, to the first metal reliefs, to the architectonicpaintings, reliefs, sculptures, and models on view fully represent each phase of Stella's career, from his work prior to the Black Paintings, to the Irregular Polygons, to the first metal reliefs, to the architectonicPaintings, to the Irregular Polygons, to the first metal reliefs, to the architectonic designs.

This exhibition includes two new groups of paintings: a selection of self - portraits and a series depicting the Million Man March on Washington, D.C. Displayed as counterpoints in two separate galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks — large, unstretched canvases screenprinted with mass - media images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.

Brunswick, Maine, March 1, 2018 — On view April 19 through September 16, the Bowdoin College Museum of Art (BCMA) will present Richard Pousette - Dart: Painting / Light / Space, an exhibition that offers new considerations of Pousette - Dart's large, non-representational paintings from the 1960s and early 1970s.

Also on view are maquettes used to develop Calder's large - scale works, including Cafritz Fountain [maquette](1966), a sheet metal and paint study for the iconic Gwenfritz (1968) currently at the Smithsonian's National Museum of America History.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

Ten large paintings are installed in the main gallery of the Tower, including four major diptychs that are on view for the first time: Master of the Universe (2010), Oh Well (2010), Amazing!

Taking inspiration from Warhol's late prints on view in the museum's Andy's Toy Box gallery, Rudnick created three new large - scale abstract paintings, installed in The Warhol Store's street - facing windows.

Bureau 178 Norfolk Street May 3 — June 18, 2017 What's On View: Seven large, colorful abstract oil paintings from Patricia Treib.