The lines and dots became
large penciled grids, exactingly and laboriously handcrafted, overlaid with dabs of paint or gold leaf.
Not exact matches
It present works in different media and formats that used found objects and geometric shapes, before she began making her visionary
pencilled grids on
large, square canvases.
LeWitt is best known for his
large - scale «Wall Drawings,» rigorous arrays of designs, shapes,
grids, and colors rendered in
pencil and paint in coherence with strict instructions and diagrams to be followed in executing the work.
Throughout the 1950s and «60s, she developed a signature
grid - pattern method consisting of horizontal and vertical lines hand drawn in
pencil on
large square canvases that, at first glance, seem to appear blank.
In the early 1970s Barré returned to using brushes, embedding each composition in layers of transparent washes with subtle colors traversed by a
penciled grid, often laid out on a diagonal, implying a much
larger, potentially infinite composition.
By the time she painted The Tree in 1964 — the painting that Martin calls her first
grid, the lines and dots of these earlier paintings had became
large pencilled lattices, stringently and arduously worked.