Sentences with phrase «large pieces of steel»

He used assistants on his large pieces — to try different compositions often involving large pieces of steel, weld or bolt them and then treat their surfaces in various ways.

Not exact matches

To place this piece of steel in a place of prominence, to hang on it all of the emotional response, all of the tears and gut - wrenching loss of a large number of people who believe, without also acknowledging the other faiths, and those of no faith, who lost their lives, does, in fact, send the message that this was US vs THEM, Islam against Christianity, rather than the truth... that it was an attack against US, the United States of America, melting pot that we are... at least that's the way I see it.

A power rack is a large, rectangular cube - shaped piece of equipment made from steel (see a pic of mine, on the right), which allows you to efficiently and safely perform any number of heavy barbell exercises.

Lashed together with an intricate webbing of steel cables and trusses, cantilevered with the help of a structural engineer, the largest piece, measuring 17 by 42 by 24 feet and weighing ten tons, loomed ominously overhead.

[17] He later began using Cor - ten steel in the 1980s for a small number of large - scale outdoor pieces, and by 1989 would create single and multi-part works with the material.

Marcel Wanders» total environment will include several bodies of work: large abstract figural mirrors, such as Dysmorphophobia 1, 2 and 3, with carved details and cutouts, create an illusion of a character or ghostly figure; Self 2 is a steel cabinet and kinetic piece, balancing a sculptural ovoid form that abstracts a human head and physically rocks on the top surface; Tempter, an over-sized adult rocking unicorn is cast in bronze with metal chain stirrups; Shiqule Nuhai, two ceramic vases, monumental in height, reference Marcel Wanders» Delft Blue collection with a darker sensibility, using black glaze.

The artist best known for his flattened approach to the human figure takes his signature aesthetic into sculpture with «Cut Outs,» a solo exhibition of four works depicting Katz's wife Ada, the full set of his nine - piece «Black Dress» series, and one larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.

Alex Katz «Cut Outs» Paul Kasmin 515 West 27th Street CLOSES: April 12 The artist best known for his flattened approach to the human figure takes his signature aesthetic into sculpture with «Cut Outs,» a solo exhibition of four works depicting Katz's wife Ada, the full set of his nine - piece «Black Dress» series, and one larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.

In Daphne and Apollo — a tight arrangement of solid red steel tubing wrapped around large pieces of found steel from a scrapyard — one material seems to morph into another with an allusion of movement similar to the Baroque sculpture of the same title by Bernini.

These same elements are reused in the three larger pieces currently showing in the main space, Arrangement, Arrangement II and Arrangement III, less - uniform structures with multiple shelves that also feature a scented candle on a steel pole, a floral arrangement in a blown - glass vase and a QuickTime movie (an aerial view of a simulated modernist building) on a flatscreen.

Sculptures and Site - Specific Installations Kapoor has produced a large number of works including Taratantara (1999, Baltic Flour Mills in Gateshead, England), a 35 - metre tall piece; and Marsyas (2002) a gigantic work of steel and PVC that was installed in the Turbine Hall of the Tate Modern Gallery in London (see below).

This exhibition at The Hepworth Wakefield explores how Caro incorporated architectural features into his work, from the large - scale painted steel sculptures made in the 1960s to his final pieces created using large sheets of perspex.

His large, floor - based works make use of a variety of materials, from wood to rope, though he is best known for his monumental rusted steel pieces.

On the other side of the gallery, large - scale aluminum and stainless steel letters spell the world Future, part of an iconic bodywork made of text pieces.

Artist Matthew Barney says he remembers the first time he saw Serra's arc pieces in the 1980s, large steel plates Serra rolled into wave shapes and half - moon shapes and arranged, without anchors or buttressing, in the compressed space of Leo Castelli's Greene Street gallery in New York.

The large suspended pieces, each called «Bird Song,» in her third solo at Talwar, are based on armatures made of stainless - steel tubing bent into curves.

There are five pieces in the Mark di Suvero exhibition at Paula Cooper: three elegant, welded - steel sculptures from the artist's recent «Totems» series (1998, 2005, and 2006); a large (7 ’10 1/2» high, 16» wide), joyfully colored acrylic abstraction from 1978 — 82; and the enormous «Nova Albion,» a reconstruction of a work built on a northern California beach in 1964 — 65.

However, he was to abandon their organic and bright shapes for clean geometric lines and the signature, uniform, black finish of his large - scale, steel, three - dimensional pieces, first exhibited in 1964.

The artist often paints on large pieces of stone, steel and slate, allowing the organic marks and colors inherent in the base materials to guide her hand.

Visitors to the English Gardens can also encounter an over-sized snake ring in polished concrete by Kathleen Ryan (François Ghebaly, Los Angeles); a large marble form by Tony Cragg (Lisson Gallery, London); an anthropomorphic bronze by William Turnbull (Offer Waterman, London); a work from the «Signal» series by Takis (Axel Vervoordt, Antwerp); Dominique Stroobant's elegant geometric composition (Axel Vervoordt, Antwerp); a new solar - powered light and sound piece by Haroon Mirza (Lisson Gallery, London), developing from his intervention at the Museum Tinguely, Basel, earlier this year; a large painted and lacquered metal piece by Gary Webb (The Approach, London); an oversized beaten steel shoe by Aaron Angel (Rob Tufnell, London); a new ceramic «totem pole» by Jesse Wine (Limoncello, London); a colony of rabbits made from plastic bags by Leo Fitzmaurice (The Sunday Painter, London) and Seung - taek Lee's monumental balloon model of the earth, which will gradually deflate across the course of the fair (Gallery Hyundai, Seoul).

Many of her pieces are executed on small, square, enamel - coated steel plates that are combined in grid formations to create very large works.

House Version, 2005, a large stainless steel piece, raises the issue of scale within the gallery space.

Several Konkel pieces feature large areas of brushed aluminum whose glistening surfaces mirror Binder's shiny steel.

So the minimills invested in equipment to make the larger pieces and worked to improve the quality and consistency of their steel.

But most of the buzz so far has been around the Moto 360, a large, round piece of glass and stainless steel that actually sort of looks like a traditional watch.