Sentences with phrase «large pigment prints»

The show will include three large pigment prints made from computer - generated scenes,...

«David Alekhuogie is represented by a large pigment print on cotton, «Pull - Up K / W / R» (2017), which is a close - up view of low - slung red pants, white underwear, and a black t - shirt — three stacked horizontal bands of color.

A large pigment print depicting one of his recognizable motives, Cadillac, can be found at the fair, at the Widewalls booth, right in the corner of the ground level of Kraftwerk, the Urban Art section for the price of $ 15.900.

Not exact matches

LX2000e features large ink tanks for lower cost per label, fast print speeds and pigment ink for better water and UV resistance.

Julian Charrière Nutmeg - First Light, 2016 large format color photograph, double - exposed through radioactive material, archival pigment print on Hahnemüle Photo Rag, mounted on aluminum Dibond, Red Palmira veneered frame, Mirogard anti-reflective glass paper: 59 1/8 x 73 7/8 inches (150.2 x 187.7 cm) framed: 60 1/2 x 75 5/16 x 2 inches (153.7 x 191.3 x 5.1 cm) JCh - 237

BOB ADELMAN (1930 - 2016) Roy Lichtenstein demonstrating how to view the dancer in «Large Interior with Three Reflections» photograph 1993 (printed later) archival pigment print, AP, signed paper size > 17 x 10 inches

BOB ADELMAN (1930 - 2016) Roy Lichtenstein at work on his painting «Large Interior With Three Reflections» photograph 1993 (printed later) archival pigment print, AP, signed paper size > 22 x 20 inches

BOB ADELMAN (1930 - 2016) Roy Lichtenstein in front of «Bauhaus Stairway; Large Version,» a mural for I. M. Pei's new building for the Creative Artists Agency, Inc, Los Angeles photograph 1989 (printed later) archival pigment print, edition 1/20, signed paper size > 30 x 22.25 inches

Drawing inspiration from the rawness and decay of the urban landscape, McCloud creates rich, large - scale abstract paintings and sculptural objects by fusing unconventional industrial materials — tar, bitumen, aluminum sheeting and oxidized steel plates — with traditional pigment and woodblock printing techniques.

The large abstractions mix lively brushwork with bold spray painted areas, while the works on paper (inspired by the body prints of David Hammons) capture the imprint of Ms. Ferris» clothed body with pigments and oils over a network of brushed, linear forms.

An exhibition with the same title, featuring signed contemporary silver prints and large archival pigment prints of images from the book, is on view through the end of February 2016 at Howl!

Following Long Line, installed on the far right is Mars, a large red pigment print.

«Tarnished Trees» is a large 36 x 36 inch multi layered work made with an archival pigment print of silhouetted bare tree branches on film, loosely nailed over salvaged copper on wood p...

The highlight of this year's exhibition will be the debut of Aten Reign (2015), James Turrell's large - scale archival pigment print in vibrant shades of blue.

«Every image that I post, or have posted in the past, is available as a unique print, 8 inches by 8 inches, pigment on paper, the exact same way I make the larger works at the Lower East Side Print print, 8 inches by 8 inches, pigment on paper, the exact same way I make the larger works at the Lower East Side Print Print Shop.

To the unsuspecting viewer, these large, monochromatic pigmented inkjet prints in various shades of blue are a post-Minimalist answer to Color Field Painting.

The exhibition will feature 12 large scale archival pigment prints on silk that are sure to provoke questions of your own self discovery in the 21st century.

While Eggleston historically chose to work with the dye transfer process for the intense saturation of colour it provided, the technique is no longer available, so the artist has turned to printing with pigment - based inks, which allows for larger formats.

We offer Archival Pigment Print editions printed to the same size as the originals, but larger sizes are also available on request.

New Digs for Adamson Gallery David and Laurie Adamson inaugurated their brand - new 14th Street NW gallery last Saturday night with a show of large - scale pigment prints by photographer Victor Schrager and a small selection of prints by Washington legend William Christenberry.

«Synthesis» is a series of large scale pigment prints created by combining darkroom chemistry with more exotic elements in solutions and using a 4 × 5 view camera to photograph the often unpredictable reactions that unfold.

«Tarnished Trees» is a large 36 x 36 inch multi layered work made with an archival pigment print of silhouetted bare tree branches on film, loosely nailed over salvaged copper on woo...

On view at the gallery's Chelsea and Lower East Side locations, Prager has produced a series of large - scale pigment print photographs depicting elaborately staged crowd scenes and a companion piece, an immersive three - channel film installation starring the actress Elizabeth Banks.

Some standouts included Davy and Kristin McGuire's whimsical holographic video sculpture from their Fairies series (Muriel Guépin Gallery); Chris Dorosz's Stasis 97 (Riot), an intriguing series of figures painted on a sculptural installation of acrylic rods, structured so the grouping conveyed a sense of three - dimensionality and movement (Scott Richards Contemporary Art); Lalla Essaydi's Les Femmes du Maroc: Harem Beauty # 1, a large chromogenic print triptych of a recumbent «harem beauty» in a full - length gown, rendered exotic with ink inscribed text over the surface of the figure (Jenkins Johnson Gallery); and Lava Thomas's Cloudscape Portrait 9401, a luminous laminated pigment print (Rena Bransten Projects).

«LIMINAL GROUND: Adam Bartos Long Island Photographs, 2009 - 2011» presents 16 evocative pigment prints in a large - scale format revealing often overlooked places because of their off - the - grid locations or ordinary nature.

Isola di San Giorgio Maggiore II, 2011 Archival pigment print Large, edition of 7, 40 5/8 x 53 1/8 in.

The show features signed contemporary silver prints and large archival pigment prints from Resnick's photographic tour de force of what some call the counterculture's final climax, with portraits of read more here»

Developed by Jon Cone of ConeEditions Press, the large format printing makes use of seven shades of carbon pigment black ink that are packed tightly and don't require gray to be part of the printing process.

They developed the Ecological Paper Printing and Ink Collector (EPPIC) system recycles and reuses printed - paper and its ink created by binding an organic renewable pigment to a graphene sheet with a large surface area made using nanotechnology.