Flux hosts over 40 artists annually from around the world, who share a labyrinthine building that houses 16 studios, 7 common workspaces, and
a large public exhibition space.
Not exact matches
The Manchester Art Gallery presents Raqib Shaw's
largest solo
exhibition to date, featuring 28 recent recent paintings, sculptures, and works on paper, many on
public view for the first time.In addition, Shaw has created a floral installation that fills the galleries, lending an otherworldly, paradisical atmosphere to the
space.
The fact that Terence Haggerty's
large site - specific wall paintings in the main
space will remain on view during Greet Billet's
exhibition, will provide the
public with an excellent opportunity to reflect on the state of digital - based research and its application in the field of non-objective art today.
LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning
public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of
spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are
large - scale, multi-artist, multi-site
exhibitions and single - site group
exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists
Bela Shayevich's
large - scale drawings here, in the compact
exhibition «Serial Killer Land,» suggest off - kilter cityscapes and
public spaces like restrooms, airports and parking lots.
For the third consecutive year,
Public will transform Collins Park into an outdoor
exhibition space with
large - scale sculpture, video, installation and live performance.
We see the responsibility of the gallery as threefold: to work for the long - term development of each artist's career, acting as a liaison to international galleries and museums as well as placing works in collections; to create an historical archive for each artist; and to act as an accessible
public space in which the
exhibitions become an exemplary gesture of the power of subjectivity to the audience at
large.
Celebrated for her
large - scale sculptures in
public spaces and museums in the United States and abroad, von Rydingsvard's
exhibition will contain works built from experimentation in cedar, paper, bronze, and resin.
Organized by Kultura Medialna and curated by Maria Veits for their annual Construction Arts Festival, the
exhibition draws on the current political and cultural concerns of Dnepr, the
largest city in proximity to the occupied Ukrainian territories and Crimean annexation and addresses disputable territories, belonging and ownership of the
public space and its reshaping by various social groups, urban planning and attempts to create a dialogue in and about
public spaces between communities, governments and activists.»
Fourteen weeks of
exhibitions, performances, films and events, across the city's
public spaces, unused buildings and galleries: this is Liverpool Biennial, the
largest contemporary art festival in the UK, running from 9 July to 16 October 2016.
Showing here in London for the first time in a
public institution, Carlos Garaicoa reflects upon «the city» — its limitations, potential and possibilities — as a physical infrastructure, social network and political
space in this
exhibition comprised of
large - scale installations, sculptures, video and photography.
The wide - ranging responses enacted throughout Lower Manhattan highlighted in the
exhibition include the institutionally - supported erection and eventual removal of Richard Serra's
large - scale sculpture Tilted Arc; Keith Haring's radiant subway drawings in the
space of everyday transit and their lasting impression on street art culture; and Jenny Holzer's conceptual texts focusing on social and political commentary wheat pasted in heavily populated
public spaces, among others.
Over the past 16 years, the organization has remained faithful to this early intention and continues to grow and expand access for artists, curators, and the
larger arts community through an
exhibition program at Cuchifritos Gallery + Project
Space, the Lower East Side Studio Program residency and a newly established commissions program,
Public Works.
They see the responsibility of the gallery as three fold; to work for the long term development of each artists career, acting as a liaison to international galleries and museums as well as placing works in collections; to create an historical archive for each artist; and to act as an accessible
public space in which the
exhibitions become an exemplary gesture of the power of subjectivity to the audience at
large.
For the
exhibition, YBCA commissions local, regional and international artists to use the literal aspects of YBCA's architectural
space, built in 1993 by acclaimed architect Fumihiko Maki, as a starting point to create new
large - scale works directly on the walls of both its galleries and its
public spaces.
Public Matter features rotating outdoor exhibitions of large - scale paintings by the most recognized and celebrated names in contemporary art, with a particular focus on those artists who have developed their skills and visual art in public s
Public Matter features rotating outdoor
exhibitions of
large - scale paintings by the most recognized and celebrated names in contemporary art, with a particular focus on those artists who have developed their skills and visual art in
public s
public spaces.
Forde is the Artistic Director at
Large for Borusan Contemporary, a collection - based
space for media arts
exhibitions, commissions and
public programming in Istanbul.
Still, the eight
large paintings in The Chapel, Armitage's new
exhibition at South London Gallery, his first major solo show in a
public institution, which he says was inspired by the chapel - like qualities of its principal
space, are what we might call «museum - ready».
Curated by the Director and Chief Curator of
Public Art Fund, Nicholas Baume, for the second time, Art Basel will transform Miami Beach's Collins Park into an outdoor
exhibition space with 26
large - scale and site - specific installations by leading and emerging artists from 13 countries.
His
large - scale works — shown in
exhibition spaces as well as
public space and nature — often seem like functional do - it - yourself structures which were once inhabited or will be made inhabitable soon.
In May 2011, Emin's
largest major solo
exhibition in a
public space was held at Hayward Gallery, London titled Love Is What You Want.
SAWCC's seventh annual visual arts
exhibition features the works of fourteen South Asian women artists who use their art to navigate through private and
public space, making meaning within
larger political, social, and cultural frameworks.
I did think about including work that also explored publicly positioned images of Black women, however, as with images of Black men in the
public sphere is it a very
large topic, one that I feel needs a
space and
exhibition dedicated exclusively to it.
Under his leadership the
exhibition programme has become hugely dynamic, with explorations of the collection,
large - scale solo
exhibitions, international exchanges, presentations by young artists, a series of film and video
exhibitions and projects in Ghent's
public space.
Given the museum's straitened financial situation, Zugaza has had to put on hold a plan to incorporate the nearby 17th - century Salón de Reinos palace into the Prado's constellation of
exhibition spaces; the construction of a state - of - the - art storage facility; the
public - ation of a glossy magazine; and certain planned
large - scale
exhibitions, such as a Lucian Freud show.
Placing
large abstract paintings in these kinds of
spaces was the specific aim of an
exhibition at the Royal Academy in 1969 called Big Paintings for
Public Places.
Included in Donovan's first
large - scale solo
exhibition in the United Kingdom is Untitled (Plastic Cups) installed in The Ballroom at Bonnington House - a
space never before open to the
public.
Alex Prager's new
exhibition Face in the Crowd, showcases
large - scale color photographs of elaborately - staged crowd scenes and a film by the same name that explore the notion of the individual within the masses, the boundary between
public and private
space and the psychological complexities of human interaction.