Sentences with phrase «large selection of paintings»

This exhibition features a large selection of paintings, drawings, small prints, and sketchbook reproductions by Harvey Breverman, Bruce Jackson's photographs, and the entire Federman Series created by Terri - Katz Kasimov.

Not exact matches

These pots are large enough for more than one painting session, and have a selection of colored caps, making it easy to choose the colors you need.

Find the perfect original paintings, fine art photographs and more from the largest selection of original art in the world.

Differentiating it from the standard car is the bright blue paint scheme, yellow headlights, and a selection of aerodynamic improvements such as a new front splitter, side skirts and a larger rear wing.

(«We are excited to bring one of the largest selections of fine art direct from galleries to our customers...») Though it still makes me laugh when paintings with a multi-million dollar price tag are listed with the same buttons as other Amazon products — like «Add to Wish List» and «Add to Cart».

Opening at Mana Contemporary in Jersey City on Saturday, May 10 and continuing to August 1, 2014, the exhibition will present work from Resnick's entire six - decade career, including a rare 1937 portrait; quintessential Abstract Expressionist paintings from the 1940s and»50s; a selection of the large allover paintings of the 1960s through 1980s for which Resnick is best known; and a group of late figurative works.

Here, a selection of new and recent paintings set the scene for the premiere of the Russian - born artist's new animation film, his largest cinematic venture to date.

In addition to his paintings, the exhibition will present a large selection of Scully's sketches from 1967 - 1969, which still provide the artist with inspiration to this day.

This exhibition features a selection of large - scale works on paper that combine collage, painting, drawing, printmaking.

Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.

In an impressive selection of 14 large - scale paintings, Winters» patterned canvases display brilliantly pigmented tessellations in an array of lattice structures.

In the Brooklyn location, Smith compiles a much different selection of work, including a large series of tropical sunset / palm tree paintings, coupled with shelves of quick, aggressive ceramic works.

The exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces that help the viewer to understand his course in the art world.

This selection of tough and tender, large - scale works of oil on canvas are so much about painting that we could call Eisler a painter's painter, and yet they use painting as an added layer of mediation.

This selection of works on paper is a foundation for the large - scale paintings of the mid-80s - paintings with southwest - tinged titles like Mariposa, Hot Morning, Sun Belt and Red Disc, several of which will be included in the exhibition.

The exhibition will comprise a focused selection of large - scale paintings by these artists from the late - 50s to the early - 70s, covering the first wave of stained canvas techniques that would come to be referred to as «Color Field.»

A selection of Castellani's large - scale shaped relief canvases, Superfici bianche (White Surfaces), are presented in juxtaposition with recent angular metallic paintings titled Biangolare cromato (Bi-angular Chrome) and Angolare cromato (Angular Chrome), the latter of which Castellani installs in corners.

A selection of recent work will be shown, including three, new large - scale acrylic paintings, intricately beaded punching - bag sculptures and wall hangings that incorporate textual statements.

This exhibition comprises a selection of large paintings by Helen Frankenthaler, focusing on nature as a longstanding inspiration and including the full range of styles and techniques that she explored over five decades of work.

The exhibition will comprise a selection of small, loosely painted landscapes, some of which were created as studies for larger paintings.

Bringing together a selection of recent cut - out paper figures, mixed media works on paper, collage paintings in beehive frames, a large - scale painted sailcloth and hand - painted texts on the gallery wall, the exhibition will showcase Anna Boghiguian's raw and expressionistic oeuvre that explores economics, philosophy, literature and myth.

Allegories of Nature: Organic Abstractions 1945 - 1949 includes a selection of paintings and large - scale watercolors from Stamos's formative years.

Yayoi Kusama's oeuvre is presented by a rich selection of paintings, drawings and sculptures, along with large - scale spatial installations and material from her happenings and performances in New York in the «60s.

1977 Security Pacific National Bank: «Large Scale Paintings From the Collection of the Security of Pacific National Bank» Los Angeles (catalogue) Charlotte Crosby Kemper Gallery, Kansas City Art Institute: «Spectrum «77 (Painting - Sculpture)» Kansas City, Missouri (catalogue) Otis Art Institute: «Corporate Art Collection» Los Angeles, California Laguna Beach Museum of Art: «Selections from Private Collections» Orange County, California Douglas Drake Gallery: «Laddie John Dill / Gary Sutton» Kansas City, Missouri Seattle Art Museum: «Recent Acquisitions «77» Washington

JACK PIERSON @ Maccarone A selection of ten large - scale paintings made between 1997 and 2002 bring together familiar motifs for the artist from celebrity imagery to the flora of the natural world.

This exhibition will feature paintings ranging from small to very large - scale, and a selection of sculpture meticulously carved from elemental materials such as graphite, pewter and salt.

The exhibition at Lisson Gallery includes a selection of paintings from this series, including a large - scale «Lo Wooster» (a variation of the aforementioned shape, hung close to the ground) as well as works on paper, archival material and photographs.

Herrera's paintings were the subject of a large - scale survey at the Whitney Museum of American Art in New York City, USA (September 2016 — January 2017) and prior to this, a selection of Herrera's recent paintings inaugurated Lisson Gallery's recently - opened New York exhibition space (2016).

The current exhibition presents a selection of Riopelle's large - scale paintings from the early 1950s through the 1970s in addition to four monumental works on paper from the 1960s.

This exhibition, Fraser's first solo museum show, introduces a selection of large and small - scale paintings, drawings, and «cut - outs.»

The artist painted a large wooden sign with a selection from the Book of Revelations and placed it on the melting ice of rural Canada as a portent of the oil and natural gas concerns that will descend once global warming makes the region's resources easier to reach.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and conPaintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and conpaintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.

This exhibition includes two new groups of paintings: a selection of self - portraits and a series depicting the Million Man March on Washington, D.C. Displayed as counterpoints in two separate galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks — large, unstretched canvases screenprinted with mass - media images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.

Spanning three spaces in the Gallery, the exhibition includes large - scale paintings commissioned for the Corcoran's Atrium, a focused selection of work from the past nine years, and in the Corcoran's Rotunda through August 28, a dense assemblage of small paintings from the last 25 years.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

The show opens with a small selection of early paintings and works on paper by each of the artists, and then flows into a large gallery teeming with art created during the Gutai period.

«David Shrigley: Brain Activity», curated by Cliff Lauson of the Hayward Gallery, London, is the largest survey of the artist's work to date, and features groupings of drawings and paintings on paper, a variety of sculptures, several installations, sets of photographs and a selection of animations.

Recent projects underwritten by the collection include a site - specific performance by Japanese choreographer Saburo Teshigawara; a selection of 10 drawings, paintings, and an artist's book by Italian - born, New York - based artist Luisa Rabbia; and a large - scale, laboratory - like installation by Czech sculptor Krištof Kintera.

Consisting of over 40 works, with important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces.

In tandem with an independently organized retrospective at the Neuberger Museum of Art, Purchase College, State University of New York, this hometown survey of Fishman's fifty - year - long career features the painter's esteemed large - scale gestural abstractions alongside a selection of intimate studio investigations — an assortment of miniature paintings, sketchbooks, and small sculptures — that share the same physicality and unapologetic emotional punch as her bigger, iconic works.

In Keep Out, Jay Heikes» new exhibition at Marianne Boesky Gallery, the Minneapolis - based artist displays his large - scale copper installations that consist of wire, iron, steel, and wax, as well as a selection of paintings and multimedia works.

In the project space, Yvonne Estrada will present a large selection of recent drawings and paintings in a free form installation that highlights their similarities and differences.

There was a large selection of the bird paintings that were gut wrenching and raw.

The exhibition brings together a selection of John Baldessari's (b. 1931) paintings from 1966 - 68 and includes examples of the experimental, small canvases and the larger Text and Photo - Text Ppaintings from 1966 - 68 and includes examples of the experimental, small canvases and the larger Text and Photo - Text PaintingsPaintings.

A more focused presentation, «Mastry» brings together the largest - ever selection of his paintings — the artist's greatest strength and the medium in which he has been the most highly regarded, ambitious and mission driven.

Her New Museum exhibition brings together a selection of recent cutout paper figures, mixed - media works on paper, collaged paintings in beehive frames, a large - scale painted sailcloth, and hand - painted texts on the gallery walls.

1956 - 1968 Sioux City Art Center, Sioux City, IA, Marilyn Monroe, Life as a Legend HVCCA — Hudson Valley Center for Contemporary Art, Peekskill, NY, Size Matters — XXL - recent Large - scale paintings Galerie Leu, Munich, Group Show Museum Dhondt - Dhaenens, Deurle, Belgium, Verzameling Roger en Hilda Matthys - Colle Vonderbank Artgalleries — Berlin, Berlin, Prime Time — Idols and Icons Mireille Mosler Ltd., New York, Tease Walker Art Center, Minneapolis, MN, Picasso and American Art CeSAC (Centro Sperimentale per le Arti Contemporanee) Caraglio, Italy, Le cinque anime della scultura Woodward Gallery, New York, When Art Worlds Collide; The 60's CeSAC (Centro Sperimentale per le Arti Contemporanee) Caraglio, Italy, Collectors 1 — Collezione La Gaia Oklahoma City Museum of Art, Oklahoma City, OK, Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961 - 1968 Burkhard Eikelmann Galerie, Dusseldorf, News on Paper The Dayton Art Institute, Dayton, OH, Marilyn Monroe; Life as a Legend Maxwell Davidson Gallery, New York, The Painted Lady Stiftung Schleswig - Holsteinische Landesmuseen — Schloss Gottorf, Schleswig, Schönwahnsinnig The Columns, Seoul, Temptations Galerie Hafenrichter & Flügel, Nuremberg, New Arrivals and Classics Princeton University Art Museum, Princeton, NJ, Pop Art at Princeton; Permanent and Promised Bank Austria Kunstforum, Vienna, Fondation Beyeler: EROS in der Kunst der Moderne Josef Lebovic Gallery, Sydney, NSW, International & Australian Works on Paper Contessa Gallery, Cleveland, OH.

Kusama's original artistic output is represented by a rich selection of paintings, drawings and sculpture, along with large spatial installations and material from her happenings and performances in 1960s New York.

With a complete selection of over 90 works in different media such as painting, industrial design, animation and fashion, the exhibition, curated by MOCA Chief Curator Paul Schimmel, reveals this artist's personal universe: from his early works in the 1990s, in which he explored his own identity, to his large - scale sculptures created after 2000, veritable icons of this artist, and ending with his gallery of manufactured objects, his animation projects, his connection to the world of fashion, and his compelling works of recent years.

The painting and sculpture section spans in time from the Renaissance to present day and is further sub-divided in chronological sections: Late Gothic painting; Dutch and Flemish painting, including works by Rembrandt, Rubens, van Dyck and Jan Brueghel the Elder; Italian Baroque and Venetian 18th century, including works by Domenichino, Canaletto, Guardi and Bellotto; Swiss painting, including Hodler, Segantini, Vallotton, Giovanni and Augusto Giacometti; Impressionism and Post-Impressionism, with masterpieces by Géricault, Manet, Monet, Cézanne, van Gogh and Bonnard; Nordic Expressionism, including a large selection of works by Edvard Munch and Oskar Kokoschka; Modern art, with works by Mondrian, Klee, Chagall, the Surrealists, Léger, Matisse and Picasso; the Giacometti section comprehends the most important museum selection of works by the Swiss artist Alberto Giacometti; the Art since 1945 collection includes works by Tinguely, Twombly, Beuys, Kiefer and Baselitz.