Sentences with phrase «large square paintings»

Large square paintings with imagery that seems to evoke bacteria and plant life, or optical «floaters», are dated 2014 - 16.

Bacon: In the mid-to-late -»60s, when these large square paintings with pseudo-architectural forms were well underway, you were in New York a lot more, and you showed most often with Fischbach.

I was particularly struck and moved by the fortuitous juxtaposition of two large square paintings, one by Helen Frankenthaler, the other by Grace Hartigan.

Each larger square painting is titled with the names of artists that Mosset has felt to be influential figures or peers in the five decades he has been involved in the New York and international art community.

Another of these larger square paintings is titled «Breer» (2014), in a lighter blue, and is in homage to artist and filmmaker Robert Breer.

Not exact matches

Before I go, a quick source list for you: - wall color: Barcelona Beige by Sherwin Williams - rug: Overstock.com - lamp: Homegoods - birdcage: Hobby Lobby - small square frame: Pottery Barn - large frame: family antique, but here are some suggestions if you'd like to paint a similar one - all the rest (books, box, large frame, chandelier) are antiques... sorry I don't have sources for those!

Sources: Main Room Paint color — Benjamin Moore «Winds Breath», mixed at 75 % saturation Striped Rug - Dash and Albert Yacht Stripe (3 rugs sewn together to get the large square size) Lantern - Urban Electric Co, custom finish («seaside bronze» washed in a white to soften it up) Bedroom paint color — Benjamin Moore «Fanfare» Blue Quilt and Shams — Pottery Barn Sheets — Pottery Barn Seagrass Lamps — Arteriors Home

Significantly refreshed, the midsize sedan gets a couple of new shades of paint, a larger mesh grille, a longer and squared off hood, wing design embellishments, and a more powerful engine plucked from a Mazda CX - 9 SUV.

Located near popular San Francisco destinations like Fisherman's Wharf, Union Square, and Golden Gate Park, the Queen Anne Hotel on Sutter Street is from the days of large Painted Lady Victorian mansions.

Today, he paints in a contemporary realism style, combining large, big - brush impressionist strokes and subtle squares juxtaposed with highly defined focal points.

When you charge by the square inch, the price difference between a small painting and a larger one can become astronomical.

I've been charging per square inch but am totally afraid to paint larger... because of how much I would have to charge per sq..

Very small pictures, if painted by gifted artists and installed in an adequate version of what Dave Hickey once dubbed a «clean, well - lighted place,» can produce exhibitions just as ambitious and adventurous as larger - scale projects... these canvases address significant issues related to their respective genres while averaging little more than a square foot apiece.»

Terre verte also figures in two single - panel monochromes whose composition — a large rectangle or square resting on a smaller rectangle — recalls Marden's early paintings and drawings, particularly their disclosure, in the lower rectangle, of the many layers used to build up the painting.

In 1972 Davis created Franklin's Footpath, which was at the time the world's largest artwork, by painting colorful stripes on the street in front of the Philadelphia Museum of Art, and the world's largest painting, Niagara (43,680 square feet), in a parking lot in Lewiston, NY.

A large square of linen is dominated by white strokes like big curving thumbprints dragged through paint, with deep reds, purples, and yellows showing through in between.

Across two rooms offering 400 square metres of exhibition space, 20 paintings by Krauskopf, including large format works, are on view at G2 Kunsthalle.

Compositionally, the painting shifts rather jarringly from the narrow bands to the black ground occupied by a large green square and a smaller blue rectangle.

With a rectilinear box placed within a larger rectilinear box, it's reminiscent of Josef Albers's square - within - square paintings — Rauschenberg studied with Albers at Black Mountain College — but the work comes across as self - consciously arty, or a one - liner.

Events are also taking place internationally, with an image of a large Mandela painting by South African artist Paul Blomkamp featured in New York's Times Square.

Most recently, her large - scale gestural paintings capture one movement within a square canvas.

Gerhard Richter initially produced one large - scale painting on one canvas, which he later cut into nine almost identically square pieces.

Abstract painting large pink, abstract art print, abstract painting print, large square abstract art, pink and grey, abstract canvas art

Opening this book is a series of exquisitely produced color plates of brightly colored, large - format square paintings.

In the exhibition, Andy Warhol's Flowers are echoed in the graphic florals of a Christopher Wool painting; a monumental Concentric Square painting by Frank Stella faces off with a large Donald Judd stack; and the cracked - earth surface in Alberto Burri's Cretto finds its literal counterpoint in the crumbled asphalt bed of a David Hammons Basketball Drawing.

Printed on large, square panels that have been primed with gesso, they stretch the notion of the photographic and blur the boundaries between photography and painting.

His twenty - eight paintings in Chelsea, like his appearance at the 2018 art fairs, start with his latest — in part to give the largest and squarest early paintings enough space in back.

His two large paintings, Yesterday, of colored moundlike shapes atop one another and receding in scale, and Carrying, ultramarine squares divided by a white grid accentuated with red squares (sound familiar?)

His last paintings, before his death in 1967, may well look like large, uniform black squares — until the very moment one tries to turn away.

Gerhard Richter's new project, «4900 Colours,» comprises 196 square panels of 25 coloured squares that can be reconfigured in a number of variations, from one large - scale piece to multiple, smaller paintings.

For example in the large painting Untitled (It Means It Means; Beuys, Square Gasket), he dipicted Joseph Beuys giving a lecture about his 1964 «action» Das Schweigen von Marcel Duchamp wird überbewertet.

In the exhibition, Deauville is shown adjacent to several Irregular Polygons and a large double concentric square Parodoxe sur le comediene (1974), and works from the Polish Village series (1971 - 74), which represent Stella's first constructed relief paintings, his attempt to build a painting and then paint it.

For her current exhibition, her first at the gallery, she has created two new «infinity rooms» and an impressive collection of large, square - format paintings.

The artist drips and meticulously builds layers of thick oil paint in her modestly scaled works, the largest of which measure three feet square and the smallest seven inches square.

The verso of PH - 191 has an inscription that reads, «Cut from large canvas approximately 10 x 13 ft. Painted in 48 Cooper Square, New York after version # 1 - 1950».

The collage - like paintings from the 1960s, which clearly reflect Rosenquist's background as a painter of enormous billboards on Times Square, will be shown along with biographically motivated paintings from the 1970s and interpretations of cosmic phenomena in his later large - scale paintings.

The book includes large - scale reproductions of rare early drawings, photographs, stained - glass assemblages, Structural Constellations, and a range of abstract paintings, including examples from his Homage to the Square series.

Composed of 196 panels, each consisting of 25 coloured squares that can be arranged in 11 core configurations, this work pursues the artist's early investigation of colour field paintings which he began creating in 1966 by replicating, in large scale, industrial colour charts produced by paint manufacturers.

Influenced by the emergence of abstract expressionism, the New York School, Color Field Painting and the Washington Color School, Gilliam's early style developed from brooding figural abstractions to large paintings of flatly applied color and paintings of diagonal stripes on square fields.

Close begins his paintings with a photograph, grids the image and methodically transfers the information, square by square, to a larger format.

[69] The largest solo exhibition Hockney has had, with 397 works of art in more than 18,000 square feet, was curated by Gregory Evans and included the only public showing of The Great Wall, developed during research for Secret Knowledge, and works from 1999 to 2013 in a variety of media from camera lucida drawings to watercolors, oil paintings, and digital works.

The Chunk series consists of three, six - foot - square acrylic paintings plus two smaller paintings where large portions of the canvas contain black or brown blocky figurative structures accompanied by explosions of straight lines of bright colors with soft round forms capping the ends.

The exhibition will include large single and double canvasses from Stella's Concentric Square and Mitered Mazes series, as well as the seminal «New Madrid» painting from his Benjamin Moore series.

One piece that especially stood out — a large work made up of twenty white paper squares divided by a thin wooden frame on which much smaller squares and rectangles painted in oil had been arbitrarily placed — is a visual testimony to the love of music and poetry that informs the creative work of this painter.

The reaction to Harvey's painting in London has been compared to that received by Andy Warhol's 36 - feet - square mural Thirteen Most Wanted Men, which comprised large copies of photographs from a «most wanted» booklet published by the New York Police Department, and was installed in the New York State Pavilion at the 1964 World's Fair.

By 1974, increasing his painting production, Warhol moved his office to a larger space on the 3rd floor of 860 Broadway on Union Square.

Some paintings feel better large, some smaller, and my canvases range in size from 36 to 72 square inches.

However, Close continued to paint with a brush strapped onto his wrist, creating large portraits in low - resolution grid squares created by an assistant.

This marks the beginning of his «color chart» paintings, in which he systematically applied square hues of solid color to large canvases.

In his sunlit top floor studio in Manhattan, under a wide, square skylight, a large canvas on the working easel, others in progress on the walls nearby, and a paint covered and stained work table beside them, Kahn continues to invent landscapes of often unlikely color combinations and expressive brushwork.