Sentences with phrase «large walls of the gallery»

The first of these will occupy the three large walls of the gallery with a colour palette of red, yellow, blue, orange, purple and green with the second in a strict tonal palette of black, grey and white.

For Which We Can, Pendleton has created a collection of 30 silkscreen on Mylar works that will be installed in a grid formation stretching from floor to ceiling across the largest wall of the gallery.

There, white cosy duvets are scattered around the floor and everyone is free to use them as they please and relax while watching the video installation projected on the two large walls of the gallery.

Not exact matches

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And like a gallery wall, you can do a mix of photography prints, abstracts, and typographic art... If the thought of accumulating enough framed pieces to pull off the look scares you, just take it one piece at a time (like the last photo), start out symmetrically (like the first photo) and work your way ledges and large groupings (all the photos in between!).

Just a suggestion: rather than purchasing a large piece of art to hang above your couch, you could try a gallery wall.

A large gallery wall has different types of art in black and white, including a trio of framed butterfly prints to complement the space's color scheme.

Easily the largest religious monument in the world covering a rectangular area of 500 acres, hours could be swallowed exploring the incredible galleries, grand towers and extensive walls displaying impressive bas reliefs.

Long stuffed with uranium magnate Joseph Hirshhorn's tabletop bronzes, the Brutalist doughnut's interior corridor gallery is now the site of large - scale, long - term wall works.

Overlapping with his first solo museum exhibition in New York, which opens at the Studio Museum in Harlem on July 16 (see below), the show includes five large canvases and a wall of dozens of small - scale studies displayed gallery style.

site specific installation directly on the gallery walls; a further three large scale works and a number of smaller scale works, enjoy learning more about the collaboration between artist, curator, and institution as well as the artist's vision, process, and creativity.

This show was by Jacob Hashimoto, an artist whose constructed paper installation fills the front gallery like a cumulus forest and whose multilayered installation of small, kite - or parasol - like shapes hugs the walls in the large central galleries.

Large plaster sculptures embedded within the gallery walls extend the scope of the exhibition to fill the entire space.

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As the artist explains,» The space will be filled with sinuous, large, sprawling structures on two opposing walls (units composed of weaving of metal grid and clear, iridescent,» edge glowing» Plexi glass), which transmit, reflect, and refract light while the painted dark walls of the gallery are enclosed with images that echo the shadows and reflections of the gleaming sculpture.

Out of the three rooms their installations will occupy at the event at PACE in London, the largest will include six works and feature Universe of Water Particles, Transcending Boundaries, a virtual waterfall that extends beyond the gallery wall onto the floor, flowing through the space and around the feet of the viewer.

The work recollects Scarpa's cubic gallery at Castelvecchio (1956 - 73), where the wall is made up of many small cubes within the larger one, inspired by the work of Josef Albers.

Her first solo exhibition at Sean Kelly gallery invites visitors to walk through a large architectural structure made of marble and steel, and be immersed in a series of pastel toned paintings that almost cover the height of the walls.

This will be the artist's third solo exhibition at the gallery and features a large - scale wall installation, «Where I Leave Off and You Begin», alongside a series of new «floating line» -LSB-...]

She has exhibited her large - scale abstract paintings and wall drawings throughout the United States and Europe, including Corbett vs. Dempsey in Chicago; the Nerman Museum of Contemporary Art in Overland Park, Kansas; the Rhona Hoffman Gallery in Chicago; The Rose Art Museum at Brandeis University in Waltham, Massachusetts; and Saatchi Gallery in London.

Over the course of three days, the artist created a large drawing on the gallery entrance wall, entitled Once upon a time she said, I'm not afraid and her enemies became afraid of her The End.

Throughout his residency in Toronto, U.K. artist Mark Titchner developed a series of billboards, posters and large - scale wall - drawings that were installed throughout the city and in the AGO's Community and Toronto Now galleries.

Bringing together a selection of recent cut - out paper figures, mixed media works on paper, collage paintings in beehive frames, a large - scale painted sailcloth and hand - painted texts on the gallery wall, the exhibition will showcase Anna Boghiguian's raw and expressionistic oeuvre that explores economics, philosophy, literature and myth.

The audacious roominess of the galleries, where paintings are plopped carefully onto large white walls, allows each portrait — or person — to exist both alone and in relation to those nearby.

Susanne Vielmetter Los Angeles Projects offered both a large - scale painting and a wall installation made from 28 stacks of plastic cups and wooden shelves by Pope.L (b. 1955), while Goodman Gallery featured an installation by Zimbabwean artist and activist Kudzanai Chiurai (b. 1981).

Still, the inevitable question loomed: how do we plan a large - scale exhibition without the quintessential white walls of a museum gallery?

For his fourth solo show at the gallery, Wynne will exhibit work across a range of mediums, including large - scale poured and mirrored glass wall abstractions, canvases of baroque imagery embroidered with text, and collaged prints of a magic act.

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A quick way to orient oneself in the space is to identify nine large paintings, more or less traditionally hung in the front and rear galleries, and note how the paintings are conceptually tethered to an array of installation elements on the floors, walls, and internal areas.

Eagle - eyed visitors to «Hot Cottons,» Magali Reus's first solo presentation in Scandinavia — and the London - based Dutch artist's largest exhibition to date — will have noticed a short column of numbers, ascending in regular intervals, discreetly incised into the plastered walls at the gallery's threshold.

For this show, Andro Wekua transforms the London gallery by installing a wall constructed of rough breeze blocks behind the large bay window of the gallery.

The projected images scroll across the large windows and walls of the gallery space to create an immersive environment.

Kydd's mural prints — large - scale photographs adhered directly onto the gallery walls — obliterate the materiality of the photograph, leaving only the image.

The gallery walls of Tate Britain have been taken down so turning a warren of interlinking rooms into a large, uncluttered space in which Rachel Whiteread's sculptures are arranged as a single installation.

For instance, Untitled (2015), a painting so large that two more centimetres would cause it to exceed the gallery wall, is one of van Genderen's self - described Manufactured Paintings.

The walls of the gallery are composed of seven large - scale paintings that feature geometric forms creating a panoramic sanctuary for the viewer.

Running the length of these galleries is a sloping sort of gangway that gradually brings the visitor into the largest exhibition spaces and, combined with glassed - in ceiling and window walls, rather gives one the feeling of being on a cruise ship — especially on an appropriately dark and stormy night like the one that witnessed the opening of Gray Matters, the maiden voyage of newly appointed Senior Curator Michael Goodson.

The center piece of the exhibition is a large 5 ft. x 4 ft. wall drawing created on site especially for the gallery.

This Artwork is represented by FRED.GIAMPIETRO Gallery, New Haven, CT I make both large - scale patterned wall murals and smaller abstract paintings of forms and rhythms.

Twenty - one large paintings on newspaper, containing hundreds of small images, hung salon - style on the gallery's thirty - foot back wall.

The large installation wall spans the width of the entire gallery and is flanked by two smaller parallel walls.

Recent exhibitions include: Jancar Gallery, Los Angeles, CA; Cue Art Foundation, New York; LAXART, Culver City, CA; and large scale wall works for the Hagga Gallery in Descanso Gardens, La Cañada Flintridge, CA, and collaborations with Kim Schoenstadt, for the Urban Institute of Contemporary Art, Grand Rapids, Michigan and the Los Angeles International Airport.

Susanne Vielmetter Los Angeles Projects offered both a large - scale painting and a wall installation made from 28 stacks of plastic cups and wooden shelves by Pope.L, while Goodman Gallery featured an installation by Zimbabwean artist and activist Kudzanai Chiurai.

Each wall of a Chelsea gallery's largest room holds a single changing projection.

On Aug. 2, an exhibition of Abstract Expressionist painting and sculpture from the National Gallery of Art in Washington will open in the Clark Center's other galleries, which are below grade but get some natural light from large window wells (though the larger gallery is marred by a diagonalGallery of Art in Washington will open in the Clark Center's other galleries, which are below grade but get some natural light from large window wells (though the larger gallery is marred by a diagonalgallery is marred by a diagonal wall).

Behind that wall, Suspension plays with the rest of the gallery's large, central space.

The ingeniously designed Picture Gallery has walls composed of large «moveable planes» (like large cupboard doors) that allow it to house three times as many items as a space of this size could normally accommodate (the original hang in this room was reinstated in January 2011).

Here, three large vertical columns of ultramarine have been placed at specific locations on the gallery walls according to the same astronomical orientation.

A large podium building below the pavilion accommodates most of the museum's total built area with conventional white - walled art gallery spaces and support functions.