The museum also stages recreations of original works from early land art exhibitions, includingthe British artist Richard Long's A Line the Same Length as a Straight Walk from the Bottom to the Top of Silbury Hill (1970/2012)--
a large white clay spiral drawn on the gallery floor that corresponds to the number of steps Long took to reach the top of the largest prehistoric man - made hill in England.
Not exact matches
This
large bulbed ceramic yarn bowl was hand thrown on the wheel with
white stoneware
clay.
In Colorado House History Museum, a
large log cabin, its edges lined with a
white wooden trim, peers bashfully towards the audience amidst a curtain of Coloradan tree leaves, standing upon a carpet of
clay and stone.
«La Inocencia de los Animales» is a
large theater space with adjoining rooms, fashioned in concrete and mixed with unfired
clay, ash -
white, all cracked and fissured.
Cezanne communicates his struggle as an artist, that we all go through, with such candour, I felt extremely moved by the paintings, all portraits, altho I am not a figurative artist.I must say I got off on the furniture, draperies and organisation of the whole, as much as the expression in the faces.An exception is the Courtauld picture with the
white clay pipe, a masterpiece if there ever was one.I breathed in the Cezannes and haven't digested them yet, except to say since the Matisse at the RA, I think this show is second to none.The Cohens were very good also, working across a
large room.
Recent exhibitions include
White Blues at Kunstvereniging, Diepenheim, The Netherlands (2010); The House in my Head at Kunsthallen Brandts, Odense, Denmark (2010);
Larger than Life, Stranger than Fiction at The 11th Fellbach Small Sculpture Triennial, Germany (2010); Luc Tuymans: A Vision of Central Europe, Bruge Central, Belgium (2010); The Magic of
Clay, GI Holtegaard, Copenhagen, Denmark (2011); and SFMOMA's New Work Series (2011).
Other works include a sculpture of standing stones made of Delabole slate from Cornwall, accompanied by a new series of
large, gestural mud works using
white Cornish
clay and tidal river mud gathered from the banks of the Avon in Bristol.
This section features five distinct sensibilities: Michael Dee with his
large star sculptures made from heated plastic cups; David Kiddie collaborating with Michael Reafsnyder creating ceramic platters, and Reafsnyder alone, crafting mermaid goddesses out of
clay; Heimir Björgúlfsson sees nature and culture as inseparable in his enigmatic found object works; and Wayne
White continues to confound us with his unique brand of humor and skill in new ceramic work (PORKGREASE) and painted wood sculptures.
Large table lamps made from rustic vintage Chinese
clay wine storage jars with a mottled black and
white pattern and en relief ribbing circling the tops.
that was a purchase from Michaels, but I did sculpt the
large bloom mounted on the front out of the
white stone
clay with my very own fingers.