Sentences with phrase «large white cross»

Not exact matches

The car's sensor system was not able to distinguish a large white truck and trailer crossing the motorway and attempted to drive full speed under the 18 - wheeler.

A large cross outside at a church nearby was draped with white fabric, symbolizing «Resurrection» while the local paper ran pictures of rescuers working around the clock to recover the dead in the rubble of the bombed building.

She's a white base with large yellow sunburst shapes, and a yellow criss - cross feature under bust.

Two tone white and gray bathroom is clad in large white hex floor tiles fixed beneath a white pedestal sink accented with a polished nickel cross handle faucet kit positioned in front of white shiplap trim.

-- White button down shirt — Black skinny jeans — Black trousers — Trainers — Ballet flats — Black trench coat — Striped tee — Long sleeve grey tee — Large black bag — Small black cross body bag

Walsh crossed German Angoras to larger commercial breeds and developed an all - white rabbit that had some ear and head furnishings with exceptional high - quality wool.

Costa Rica has some of the most diverse wildlife in the world: from stunning scarlet macaws to large green iguanas and red eyed frogs to white - faced and howler monkeys to five species of sloth, you need not venture far beyond the city to find exotic creatures crossing your path.

When discussing art depicting a maritime subject, romantic images of a large boat with billowing sails, breaking through white - capped waves and being battered by the ocean breeze, may cross one's mind.

In the following year he began Hoarfrost, a series of nonobjective large - scale paintings on hardboard characterized by all - over white colour and criss - crossed patterning.

In the photograms, white curves cross large, vertical fields of uniform color.

Highlights from the show include Royal College of Art graduate Jodie Carey's eight foot chandeliers made out of fluff from a hoover, Tom Price's animated, small scale sculpted plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic sculptures of everyday objects sculpted using traditional marble and stone carving skills, Doug White's majestic palm trees crafted from thousands of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs of people she transforms into characters caked in thick paint, which have sold out in her second solo show only a year after graduating.

♦ Dominique Levy: sold a 12 by 12 inch Frank Stella geometric abstraction, «Delaware Crossing» from 1961, for $ 1 million, as well as a major suite of eight large - scale paintings by German artist Gunther Uecker, «Weisse Bilder (White Pictures)» from 1989 - 92, that went to a European foundation for $ 5 million.

On the two side walls the viewer can engage with Mosset's monochromes and symbolic geometries: on one side an immersive blazing large orange canvas painted in the early 2000s, on the other a lengthy white surface Patricia's Pillow (1985), where a long bright yellow line harshly yet lightly crosses a white surface.

Highlights include a circa - 1800 barn that was adaptively repurposed into a charming residence, the Eliphalet Sturges / George Hand Wright house, which was originally built in 1764 as a simple two - room farm house and extensively remodeled in the colonial revival style by the dean of Westport artists, George Hand Wright, in 1910; «Duck Haven,» a house and cottage on the Saugatuck River adjacent to the historic low - tide crossing point; the David Judah House, circa 1760, which has gone through a meticulous restoration by its owner, who preserved every nail, piece of timber and window; a circa 1840 Italianate house whose owners uncovered an original back staircase hidden by 20th century renovations; Westport's first one - room schoolhouse west of the Saugatuck River, which includes a large collection of signed prints by abstract artist Frank Stella; a reproduction saltbox circa 1966 designed and built by well - known architect George White, which won a Historic Preservation Award this year.

Vital to the group is a large cross, painted in a brilliant red and leaning against a flat white background.

The white American Ku Klux Klan terrorists dressed in white robes, with white hoods, and gathered around large burning crosses and held up small burning crosses and hung black Americans from trees because of the color of their skin.

A large cross sat above the casket, which was covered with lavender flowers and white lilies.