Sentences with phrase «large white object»

Where I am going to store this large white object is beside the point - it is happy being part of the Holiday Season right now!!!

Not exact matches

We once thought that dark matter might be made up of large objects such as black holes or exotic types of faint stars — neutron stars or white dwarfs — that are nearly invisible to our telescopes.

Maybe it was just large accumulations of dim but familiar objects, like extremely faint red stars or white dwarfs, some astronomers speculated.

For this activity you'll need a marker, white paper, black construction paper, oil pastels, scissors, glue, and a large circle object to trace -LSB-...]

This is the period of her most recognisable works, the Accumulation sculptures, in which paint ceases to be an object and finds itself in the domain of sculpture, with an abundance of phallic appendices, and the Infinity nets, large extensions of polka dots that continue to make use of white monochrome.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

For his first solo show, White will exhibit a series of large - scale works derived from patterned textiles, as well as several smaller scale still lifes of household objects.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.

The Patron Saint of White Guys That Went Tribal and Other Works, the first solo museum exhibition of work by Pittsburgh artist Nick Bubash features a recreation of the artist's studio which focuses on a large group of found object sculptures.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

In their different ways, John Coplans's large black - and - white photographs of his body up close and Sarah Sze with her piles of household items create self - portraits as objects of decay.

These are situated atop large, white - plaster sculptures that have been alternately modeled after iconic works from the Greco - Roman era, including the Farnese Hercules and the Esquiline Venus, or after such quotidian objects from the contemporary residential landscape as a rustic mailbox, a birdbath, and an inflatable garden snowman.

Highlights from the show include Royal College of Art graduate Jodie Carey's eight foot chandeliers made out of fluff from a hoover, Tom Price's animated, small scale sculpted plaster heads, Emma Puntis's mesmerizing miniature portraits, Tatsuya Kimata's ironic sculptures of everyday objects sculpted using traditional marble and stone carving skills, Doug White's majestic palm trees crafted from thousands of abandoned car tyres retrieved from road sides in Belize, Michael Lisle - Taylor's army uniforms crossed with straight jackets, which play to his 19 years in the Navy, and Boo Ritson's large - scale photographs of people she transforms into characters caked in thick paint, which have sold out in her second solo show only a year after graduating.

Counts further conveys the symbolic depth of objects with her two most figurative sculptures in the exhibition, Moment A, a massive candle dripping with satisfying layers of blue, white, gray, and silver glazes, and Moment B, a colorful vase full of large ceramic roses.

«The show puts together large works, in white, whether they're new or older works, with his more object - like paintings, which are [the] corner paintings.

He adds, «The show puts together large works, in white, whether they're new or older works, with his more object - like paintings, which are [the] corner paintings.

Typically, this involved the creation of large wooden structures - often taking up an entire wall - which consisted of numerous compartments filled with arrangements of «found» objects, commonly fragments of furniture, painted in flat uniform colours - black, gold or white.

Some of his most celebrated work includes the formative piece An Oak Tree (1973), sensationally colored paintings of mass produced objects, and large - scale black and white wall drawings.

The objects on the table are everyday items of a cup and saucer, a large black pot, two bottles, a spoon, a white cloth and two pieces of fruit.

Relying on the found object, Richter started to create large - scale photorealist copies of black and white photography which he rendered in a range of grays with a characteristic blurred effect.

Other galleries commissioned site - specific objects, including White Curve, Kelly's largest wall sculpture, for Renzo Piano's Modern Wing at the Art Institute of Chicago (2005).

Indicative of her personality and proclivity, the work emphasized stark contrasts as in the near - perfect transitions from white to grey, large expanses of deep dark voids and the juxtaposition of bold colors, which the combination created not only a vibrational glow, but an optical effect that enhanced the notion of these emblematic objects floating in space.

This section features five distinct sensibilities: Michael Dee with his large star sculptures made from heated plastic cups; David Kiddie collaborating with Michael Reafsnyder creating ceramic platters, and Reafsnyder alone, crafting mermaid goddesses out of clay; Heimir Björgúlfsson sees nature and culture as inseparable in his enigmatic found object works; and Wayne White continues to confound us with his unique brand of humor and skill in new ceramic work (PORKGREASE) and painted wood sculptures.

Pearlstein turns 92 in May yet he continues to work on large - scale paintings where the nude figure is juxtaposed with a diverse range of objects: from crashed model aeroplanes to marionettes, a model of the White House that is in fact a birdcage, and richly patterned rugs and fabrics.

Saltillo Tile Imports: all marble tile, flooring, mosaic Elmwood Kitchens: custom vanity with makeup table Taps / Hansgrohe: axor montreux faucets / shower systems / towel bars Taps / Alcove: cosmos freestanding tub Taps / DXV: seagram toilet Taps / Kohler: verticyl K - 2881 sink Rehau: in floor heating system Metrie: Interior doors, trim Crystal Tile: counter top & jambs Decorum: mirrors Residential Lighting: vintage italian sconce Sarah Richardson for Kravet: drapery fabric (SKU 4223 - 101, cream), footstool fabric - quilt dot (SKU 34266 - 1, cream) Kravet / Cole & Son: wallpaper - cow parsley (SKU 95/9049, lilac) Vintage Fine Objects: wheatsheaf chair, tub chair Sarah's own: foot stool The Door Store: glass pendants, vanity hardware & hooks Wayfair: bungalow rose annahada end table (SKU BNGl4487), kassatex spa bathrobe (small / medium)(SKU KTX1020), kassatex spa bathrobe (large / extra large) silver sage (SKU KTX1020) Dulux: wall paint (70BB 73/020 white wisteria)

I pulled a few blue and white objects from my own store (this pagoda candle, these cache pots and this fun ceramic pineapple) and added it to some pieces I already owned (this large bowl, this vase, this box and a few vintage items).