Sentences with phrase «large wood sculpture»

[18] Also in 1975, she created and installed a large wood sculpture titled Bicentennial Dawn at the new James A. Byrne United States Courthouse in Philadelphia.

For his 2016 solo exhibition Inner Conflict in Bremen, the artist produced this large wood sculpture which takes the test picture into the three - dimensional room.

Not exact matches

Categories at larger fine arts fairs usually include drawing, sculpture, ceramics, glass, wood, fabric, photography, jewelry and mixed media.

Large and small - scale sculptures in wood,

It will present about 10 new wood sculptures including a large figure of a girl and others with motifs such as a boy, deer and duck.

Throughout her long career, Butterfield has been assembling large and small - scale horses from found objects — specifically different kinds of wood, which are then cast in bronze to create freestanding sculptures, each with a unique structure and personality.

Comprising 10 large - scale environments from over the past decade, alongside two newly commissioned multicoloured polycarbonate sculptures in the grand entrance hall of the Manchester Art Gallery, the works in the exhibition show Darbyshire's dedication to the processes of making — and faking — it, with materials ranging from felt to wood to Perspex.

There are two large sculptures studios linked to two smaller project rooms, including a welding room, kiln and areas for plaster, stone, and wood working.

Featuring several large - scale paintings and a monumental sculpture in wood and bronze, these exhibitions represent a key moment in A.R. Penck's oeuvre.

The expansive Longside Gallery featured the artist's large, bright, graphic canvases immaculately rendered in acrylic paint, alongside towering sculptures in fibreglass and wood.

Born in San Antonio, Texas, Curry studied in Chicago and in Los Angeles where he still resides.Known Primarily for his large, flashy sculptures made of painted wood and aluminum, Curry's work is a puzzling exploration of popular culture as well as consumerism, and it features a rather dense range of aesthetic references — from graffiti and comics to Cubism and Pop Art.

Along with the artist's large - format wood sculptures and reliefs, paintings from the later Remix series are also featured, as well as a new group of works, which is publicly displayed here for the first time.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.

The expansive Longside Gallery will feature the artist's large, bright, graphic canvases rendered in acrylic paint, alongside towering sculptures in fibreglass and wood.

Installed among a number of large, monochromatic pictures, now known as the White Paintings (1951), and a few Elemental Sculptures (ca. 1953)-- objects combining stone, wood, rusted metal, and found objects — was a selection of his Black paintings, an imposing series of large canvases layered with newspaper and dark paint of varying finish and consistency.1 Among the works on view was this untitled canvas, now known as Untitled [black painting with portal form](1952 — 53), which the artist is believed to have begun in early 1952.2 This painting was one of several compositions that originated at Black Mountain College near Asheville, North Carolina (fig. 2), where Rauschenberg studied intermittently between 1948 and 1952.

Contorting and twisting the contoured lines of the human face, these contemporary large bronze, steel or wood sculptures take on a malleable and supple appearance.

Also included will be a large sculpture of hematite and wood resembling an abstracted African headdress with hints of bondage found in the metal and black leather detailing.

There were many surprising passes: Lot 87 was a thunderbolt design of fluorescent tubes by Dan Flavin that was one of his finest works in that it was an appropriate concept; Lots 122 and 130, large and excellent paintings by Sandro Chia (b. 1946); Lots 203 and 205, a good painting and a superb sculpture by Nancy Graves (1940 - 1995); Lot 223, a good gouache on paper by Sam Francis (1923 - 1994); Lot 242, a very good wood and paper collage by Louise Nevelson (1899 - 1988); Lots 279, 281A, 293, and 309, works by Andy Warhol, and Lot 299, «Fast Sketch Still Life With Abstract Painting,» a 60 by 90 inch oil on cut - out aluminum by Tom Wesselman (b. 1931), shown below.

(Nevelson with her elaborate wood sculpture remained through the many decades of obscurity for Bontecou and De Feo the turbaned grande dame - magus among the New York boys» club, her dark eyelids and brows as dramatic as her large - scale work.)

Entering the gallery the viewer is almost walking into Map of China, a large sculpture made out of Iron wood (Tieli wood) that Ai Weiwei has collected from dismantled temples of the Qing Dynasty (1644 - 1911).

Other featured artists include Anita Arliss, whose mixed - media canvases are included in the permanent art installations at Hartsfield - Jackson Atlanta International Airport; Bethany Collins, who recently completed a residency at the Studio Museum in Harlem; and Justin Rabideau, who salvages wood from new construction sites and houses on the verge of collapse to create scaled pieces — from very tiny wall pieces to very large installations and large - scale sculptures — for his brightly - colored «Shim» series.

This exhibition reveals the broad scale of Ross» work from the large, free - standing, colorful metal sculptures whose simple forms evoke the totemic monuments of an ancient world to the smaller lyrical wall reliefs composed of wood veneers that create a visual extravaganza when placed next to one another.»

World auction records were also set for Gordon Matta - Clark (1943 - 1978), Lot 21, «Bronx Floors: Threshole,» 1972, $ 222,500; Matthew Barney (b. 1967), Lot 5, «Cremaster 4,» 1994 - 5, $ 387,500, more than double its high estimate; Mariko Mori (b. 1967), Lot 6, «Red Light,» 1994, one of an edition of three, $ 101,500, well over its high estimate of $ 60,000; Christopher Wool (b. 1955), Lot 35, «Untitled (Fool),» 1990, $ 420,500, seven times its high estimate; John Currin (b. 1962), Lot 2, «Untitled,» 1990, $ 46,000; Jeff Koons (b. 1955), Lot 14, «Buster Keaton,» 1988, a large polychrome wood sculpture, one of an edition of three, $ 409,500; Andreas Gursky (b. 1955), Lot 11, «Atlanta,» 1996, a large Cibachrome print from an edition of six, $ 90,500; and Richard Serra (b. 1939), Lot 22, «Sign Board,» 1969, $ 431,500.

Among the works that did well were Lot 16, a charming small sculpture, one of three examples down in 1945 - 6, by David Smith, shown above, that sold for $ 220,000 (not including the buyer's premium) and had had a high estimate of $ 150,000; Lot 5, «Atantolone,» a gloss household paint on canvas of colored dots on a white field that sold for $ 170,000 (not including the buyer's premium), well over its high estimate of $ 120,000; Lot 14, a large 1943 painted wood and wire sculpture, «Constellation,» by Alexander Calder (1898 - 1976) that sold for $ 1,982,500 (including the buyer's premium), more than double its high estimate, and Lot 24, a larger Calder sculpture, «Trepied,» that sold near its low estimate for $ 1,542,500 (including the buyer's premium); Lot 20, a large and very interesting and abstract but not very colorful 1953 Francis Bacon (1909 - 1992), «Two Figures at a Window,» that sold above its $ 1.2 million high estimate for $ 1,542,500 (including the buyer's premium); Lot 27, «Tour III» by Brice Marden (b. 1938) that sold within its estimates for $ 1,487,500 (including the buyer's premium), tying the artist's record; Lot 41, «Grillo,» by Jean - Michel Basquiat (1960 - 1988) that sold for $ 1,102,500 (including the buyer's premium), also within its pre-sale estimates; and Lot 31, «Vierwaldstätte See,» a large black and white 1969 landscape by Gerhard Richter (b. 1932) that sold for $ 1,047,500 near its low estimate of $ 1 million.

His large - scale sculptures made from wood, cardboard or aluminum seek to blur the lines between two dimensions and three dimensions.

The exhibit also includes a wall installation with multiple individual fragments, a very large 3 - panel abstract painting on canvas with fabric, paint, and collaged newspaper clippings about UFO sightings, a ceiling — hung mobile and a stabile (sculpture) on a pedestal made with wood, string and found metal.

In this context, Public presents Phil Wagner's diptych of opposing chairs, large - scale sculptures by Mark di Suvero and Oscar Tuazon, and two urban structures built from concrete, wood, and metal mesh by Santiago Roose.

The exhibition «Read Me a Story, Daddy», features ceramic sculptures including three large pieces, wood sculptures and a video work.

This exhibition by Toronto artist John McCartney will feature a series of large, robotic sculptures incorporating carved wood, industrial debris, found objects, production line pieces and welded, cast and painted metal.

The show, comprised of large and small paintings by Haldeman and various free - standing and tabletop sculptures made of wood and silicone by Rieger, will be on view through June 17th, 2018.

East Gallery: Sculpture This exhibition by Toronto artist John McCartney will feature a series of large, robotic sculptures incorporating carved wood, industrial debris, found objects, production line pieces and welded, cast and painted metal.

«This Must Be The Place» 2016 acrylic on wood panel 16 inches tall, 7.5 inches wide This painting is part of a larger sculpture.

Alongside these photographs, Lutz Bacher will show «Bison», a group of 4 large sculptures made of wood, burlap, clay, paper and wire.

Sculpture with Colour (Oval Form) is a larger, wood version of Hepworth's first sculpture with strings, the coloured plaster maquette made just before the outbreak of the war, Sculpture with Colour, White, Blue with Red Strings (BH 113A), which was the only sculpture she took with her to St Ives on 25 AugSculpture with Colour (Oval Form) is a larger, wood version of Hepworth's first sculpture with strings, the coloured plaster maquette made just before the outbreak of the war, Sculpture with Colour, White, Blue with Red Strings (BH 113A), which was the only sculpture she took with her to St Ives on 25 Augsculpture with strings, the coloured plaster maquette made just before the outbreak of the war, Sculpture with Colour, White, Blue with Red Strings (BH 113A), which was the only sculpture she took with her to St Ives on 25 AugSculpture with Colour, White, Blue with Red Strings (BH 113A), which was the only sculpture she took with her to St Ives on 25 Augsculpture she took with her to St Ives on 25 August 1939.

Ranjani Shettar creates large - scale, abstract sculpture by combining manmade and natural materials such as wood, beeswax, cloth, thread, rubber, PVC pipe, wire, steel, and beads.

In addition to large - scale sculpture and hand - painted, stenciled works on wood, the show contains images such as Day of Discovery, seen here.

Little Women2016mm Polypropylene cord, wood and painted metalFranconia Sculpture Park, MN17 x 9 x 20 feetI had always wanted to make a semi-permanent outdoor sculpture with a very large hanging fiber element oSculpture Park, MN17 x 9 x 20 feetI had always wanted to make a semi-permanent outdoor sculpture with a very large hanging fiber element osculpture with a very large hanging fiber element or fringe.

At the time, the artist Martin Puryear, who is known for large, delicate sculptures made of wood, had a retrospective at MoMA, and one day Ms. Sims went to go see him in conversation with John Elderfield, then a curator at the museum... Click here to read on.

Look for: large - scale wood sculpture by Deborah Butterfield at Danese / Corey; photos influenced by Edward Hopper at Fraenkel; optic and kinetic art at Maxwell Davidson and Haim Steinbach's whimsical «Bear With Me,» a shelf with bocce balls, statuette and rubber dog chew, at Barbara Krakow.

His first solo show in six years, THE BEASTS OF ENGLAND / Animal Farm was an installation heavy reinterpretation of Animal Farm by George Orwell, including a mash - up of large painted works, wood sculpture and creative retail.

He's now best known, perhaps, for large - scale sculptures of trees in bronze and wood which reveal the similarities between them and the human body — skin becomes bark, limbs branches, the torso the trunk.

Working in a stunning variety of materials — including wood, stone, metal, plaster, resin, acacia thorns — the artist makes palpable and present the analogous processes of nature and art: carving large trees along their growth patterns to reveal the sapling contained within; elaborating the interior space of his closed hand into a large - scale sculpture that both contains his hand and enlarges the space it contains; rendering the swirling mists of his breath in the cold in tactile clay forms that contain the impression of his body.

Large and small - scale sculptures in wood, charred wood, bronze and iron in addition to pigment works on paper, explore the breadth of Nash's established practice with a focus on his three primary materials: wood, metal and pigment.

Often using wood, bronze, graphite to create rough, expressive figures that seemingly defy physics, the artist is a legend in the realm of large - scale public sculpture.

Large and small - scale sculptures in wood, charred...

Hepworth's use of elm relates to the size of the sculpture as, before the outbreak of Dutch Elm Disease in Britain in the 1970s, it was the largest indigenous wood available to the sculptor, growing to a diameter of up to 8 feet.

Dionisis» Kavallieratos flexible artistic practice includes small and large - scale sculptures in wood, clay or mixed media and drawings in pencil and charcoal.

, 1899, Kiev, Russia [now Ukraine]-- died April 17, 1988, New York City, New York, U.S.), American sculptor known for her large monochromatic abstract sculptures and environments in wood and other materials.

This exhibition will include four works: a Giacometti painted bronze sculpture, Standing Woman, 1948; a large Mark di Suvero sculpture in metal and wood, entitled The A Train, 1966; a large - scale color photograph by Jeff Wall, A ventriloquist at a birthday party in October 1947, 1990; and a suite of seven carved wood sculptures by the American folk artist Edgar Tolson, entitled The Fall of Man.

The museum also has a large collection of African art, including ceremonial objects, furniture, and wood sculptures.