Sentences with phrase «large woodblock»

I think he commented favorably about the incorporation of large woodblock printing.

Installed across both galleries are a number of large woodblock prints based on seven distinct body poses.

The special display will also feature some memorabilia and artwork including large woodblock country music concert prints by Hatch Show Prints of Nashville and Print Mafia of Bowling Green, various pieces of country music memorabilia and autographed items.

Not exact matches

In his main studio, a kind of square box with tall ceilings, were his woodblocks — both the abstraction shown here and large prints of vintage punk album covers.

Then, I returned to the Print Studio, cut a similar set of stencils to those used in the Blue Lagoon sculptures, and used them to make a series of large - scale woodblock prints editioned on a traditional press.

Its large sculpture works on its own terms — and as blown - up models of the woodblocks used to execute equally intriguing drawings.

Drawing inspiration from the rawness and decay of the urban landscape, McCloud creates rich, large - scale abstract paintings and sculptural objects by fusing unconventional industrial materials — tar, bitumen, aluminum sheeting and oxidized steel plates — with traditional pigment and woodblock printing techniques.

Now at Chelsea's David Nolan Gallery, «Mel Kendrick: Woodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywooWoodblock Drawings» reassembles a series of large - scale woodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywoowoodblock prints created in 1992 and 1993 along with a single spidery wooden construction.4 What from far away resemble surrealist drawings are revealed, upon closer inspection, to be enormous paper sheets printed with equally enormous plywood stamps.

Hugo McCloud (b1980, Palo Alto, California) is known for his large - scale abstract paintings that use materials such as tar paper and metal, and engage with traditional woodblock printing techniques.

More recently, his work has addressed social and political controversies through large - scale narrative paintings that combine elements of the Japanese woodblock print with inspiration from Renaissance church art.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

To create a sheet of paper this large is a feat, and to complicate it further by adding twenty - one woodblocks illustrates Frankenthaler's willingness to push the boundaries of the medium.

In 1963, Judd's father, Roy C. Judd, created the woodblocks for what became Judd's first large - scale series of prints.

The Norton Simon collections include: European paintings, sculptures, and tapestries; Asian sculptures, paintings, and woodblock prints; and sculpture gardens displaying many sculptors» work in a landscape setting around a large pond.

Dirty Fingers is a large group exhibition focusing on various forms of printmaking which include silk - screening, etching, stenciling, stamp and woodblock printing.

Dirty Fingers is a large group exhibition focusing on various forms of contemporary print making which include silk - screening, etching, rubbing, stenciling, stamp and woodblock printing.

For example «Beggar» (2016), a series of nine, large, black woodblock prints, offers simple iterations of a hooded kneeling figure with arms outstretched.

This large - scale survey covers Maiolino's extraordinary oeuvre from the early 1960s to the present, bringing together expressive woodblock prints, visceral cement sculptures, politically - charged films and performances, fluid drawings, and monumental installations of unfired clay.

The Tobias brothers have become known most prominently for their large - scale woodblock prints on paper and canvas, where they utilize the ancient stamping technique of black - and - white small scale illustrative printmaking in anachronistic, elaborate, and oversize chromatic compositions.

The period is also noteworthy for its technical innovations, including joined woodblock construction, which allowed for the creation of larger sculptures, and rock crystal inserts for the eyes on wooden figures, which made the depicted deities more realistic and thereby more commanding.

Group large scale woodblock print exhibition.

Fascinated to explore new ways of creating texture, Milhazes masterfully mixes silkscreen and woodblock techniques in these new works, her largest prints to date.

Marking the artist's third solo exhibition at the gallery, featured works include large - scale ceramic sculptures and one woodblock print.

This large - scale installation will show alongside two new series of editions, his renowned Woodblock Inlays series as well as a group of new sculptures, all combining to create a homogenous environment.

This large - scale installation will show alongside two new series of editions, his renowned Woodblock Inlays series as well as a group of new sculptures, all combining to create a homogenous -LSB-...]

Represented South Africa at the Venice Biennale 1959 Solo exhibition of woodcuts at Wittenborn Gallery, New York Represented SA Touring exhibition, South and North America Painting and Sculpture, National Arts Club, New York Represented South Africa at Sao Paulo Biennale Represented on The National Arts Club International Exhibition of painting and sculpture, New York 1960 Represented South Africa at Ljubljana, Yugoslavia International graphic exhibition Exhibition of incised woodblock paintings at the Egon Guenther Gallery, Johannesburg 1961 Large mural, the Apocalypse, in Our Lady of the Rosary Roman Catholic Church Motsethabong, Welkom, Orange Free State Represented South Africa at Sao Paulo Biennale Made Stations of the Cross for Our Lady of Lourdes Roman Catholic Church, Rivonia, Sandton 1962 Guest Artist of the year at the Transvaal Academy Exhibition of Rock Faces, Egon Guenther Gallery, Johannesburg Designed tapestry St. Anne, woven by Marguerite Stephens, and carved the Stations of the Cross for St. Anne's Anglican Church, Piggs Peak, Swaziland 1963 Appointed President of South African Council of Artists in succession to Walter Battiss Principal witness against State at the Harold Ruben blasphemy trial Represented South Africa at International Conference of Plastic Arts at UNESCO, New York Became founder member of the Amadlozi Group consisting of Eduardo Villa, Sydney Kumalo, Cecily Sash and Guiseppo Cattaneo.

The exhibition features large - scale woodblock prints that Kendrick created in the 1990s, monumental prints that assert the presence of wood within their organic, mysterious lexicon.

The Wooster Street space contained several of the Tobias» large - scale woodblock prints for which they are best known, as well as a series of ceramic sculptures, whereas the Grand Street space was mostly filled with collages, -LSB-...]