The nine artists represented take
a largely conceptual approach using a diverse collection of materials and media.
Not exact matches
DONAL:
Approaching this with my students in Northern Ireland is tough because our classrooms are
largely segregated (between Protestant and Catholic), so empathy can be a
conceptual thing with little purchase on reality or something fragile that breaks upon contact.
Drawing on the legacies of
conceptual and commercial photography, these artists pursue a
largely studio - based
approach to still - life photography that centers on the representation of objects, often printed matter such as books, magazines and record covers.