This exhibition features more than 30 large - and medium - scale works on paper with
largely personal references exploring love, loss, death and identity.
The issue here, as with last season, is that The Crown seems to acknowledge Elizabeth's royal position as a
largely passive object, sprinkled with a few
references to her never speaking her mind, but forgoes actually examining the
personal consequences of that inactivity; of the idea of a monarch in a democratic society being so purposefully left such little feeling of control over their own destiny.