Cannes is a notoriously tricky (and often
well - nigh impossible)
contest to predict: partly because the voting body is an ever - changing template, but
largely because there's been no time ahead of the festival for any kind of critical or popular consensus to build around the mostly unseen films on the shortlist.
For reasons that escape me, ESSA's required federal filings, which have been assembled by hordes of
well - meaning state officials and consultants, have been treated not as
largely meaningless paper exercises but as something deserving of breathless notice from education advocates and press (including American Idol - style
contests and foundation - funded independent review boards).