Recently, an acquaintance wondered about
the larger cultural meaning of so many films in which cities are annihilated.
Not exact matches
He offers particularly compelling documentation for his central contention that childhood is a social construct whose
meaning changes to accord with changes in the
larger cultural definitions of human nature.
In suggesting that the evangelical subculture is simply a socially constructed reality, does Balmer
mean to imply that the «
larger world»» the world, presumably, of academia and the
cultural elite» is not so constructed?
The range of concrete materials with which the conference deals is suggested by the titles of the five sections into which the delegates were divided for simultaneous sessions of intensive discussion: «The Church and the Community» (
meaning by «community» what the Germans
mean by Volk, society in its
larger units viewed with reference to its
cultural and racial coherence rather than its political organization); «Church and State»; «The Church and the Economic Order»; «Church, Community and State in Relation to Education»; «The Universal Church and the World of Nations.»
Several characteristics of its Protestant community help to account for this: the doctrinal emphasis (more favorable to the use of impersonal
means of communication than sacramental traditions); the evangelistic imperative; and the impulse towards alternative socialization, creating a range of
cultural activities parallel to those of the
larger society.
I'm by no
means saying we should apply a polling system to accurately measure a person's value and accomplishments to the
larger cultural and political landscape.
The resolution
means the stateâ $ ™ s
largest school district wants the Texas Education Agency to include this kind of
cultural class in the stateâ $ ™ s new graduation plan.
In addition to protecting the book as a
cultural good, it is also
meant to protect smaller book stores from being outcompeted by
large chains offering big discounts.
A
large majority of Mexicans have been classified as «Mestizos»,
meaning in modern Mexican usage that they identify fully neither with any indigenous culture nor with a Spanish
cultural heritage, but rather identify as having
cultural traits incorporating elements from indigenous and Spanish traditions.
Reflective game design describes games designed to trigger critical reflection in their players, particularly concerning what game actions may
mean in a
larger socio -
cultural frame.
In Encampment — a multi-part 30,000 square foot installation occupying MASS MoCA's
largest gallery — Clemente's transitory experience of changing geographies, diverse
cultural climates, and indeed consciousness itself infuses his imagery and art with a particularly rich range of references and
meaning.
Her later works deal with profound and basic artistic questions where she investigates the processes of perception and attribution of
meaning, at times in the light of
larger cultural and existential thematics like colonialism, faith and posthumanism.
If optimism fueled the impulse to create
large, permanent works in the «60s and «70s, the artists in this exhibition are more likely to rechannel that optimism into collaborative and collective experiences; to dwell on memory and the ephemeral by charting the traces of the just - happened; and to embrace the rich social,
cultural and political
meanings of their throwaway materials.
Fernández's experiential,
large - scale works are often inspired by a rethinking of the
meaning of landscape and place, and by diverse historical and
cultural references.
The result is images imbued with poetic and evocative personal significance — a sort of displaced self - portraiture — that resonate with
larger cultural and historical
meanings.
Hal Foster states that neo-expressionism was complicit with the conservative
cultural politics of the Reagan - Bush era in the U.S. [50] Félix Guattari disregards the «
large promotional operations dubbed «neo-expressionism» in Germany,» (an example of a «fad that maintains itself by
means of publicity») as a too easy way for him «to demonstrate that postmodernism is nothing but the last gasp of modernism.»
This multipart presentation of interconnected «
cultural exercises» will investigate the significance and
meaning of staging a
large - scale international triennial in the contemporary context.
In «Encampment» — a multi-part 30,000 square foot installation in MASS MoCA's
largest gallery — Francesco Clemente's experience of changing geographies, diverse
cultural climates, and consciousness itself infuses his imagery and art with a rich range of references and
meaning.
Conceived by FRONT's Artistic Directors Michelle Grabner and Jens Hoffmann, this multipart presentation of interconnected «
cultural exercises» will investigate the significance and
meaning of staging a
large - scale international triennial in the contemporary context.
Omni - tasking, schizophrenic and full of contradictions, this position brings a myriad of possibilities: Questioning not only the understanding what is
means to be an artist today, it also triggers a
larger discourse about the lack of distinction between labor and leisure (the very base of
cultural production) while reaching its most paradoxical and therefore contemporary state only through positions similar to that of Cassani.
A 2000 graduate of the Whitney Museum Independent Study Program, Geyer works with photography, video and performance, using both fiction and documentary strategies in order to address
larger concepts such as national identity, gender, and class in the context of the ongoing re-adjustment of
cultural meanings and social memories.
Conceived of by FRONT's Artistic Directors Michelle Grabner and Jens Hoffmann, this multipart presentation of interconnected «
cultural exercises» will investigate the significance and
meaning of staging a
large - scale international triennial in the contemporary context.
SAWCC's seventh annual visual arts exhibition features the works of fourteen South Asian women artists who use their art to navigate through private and public space, making
meaning within
larger political, social, and
cultural frameworks.
Five major ones are: • Having opposed the candidate who ends up winning appointment as one's dean or chair (thereby looking stupid, wicked, or crazy in the latter's eyes); • Being a ratebuster, achieving so much success in teaching or research that colleagues» envy is aroused; • Publicly dissenting from politically correct ideas (
meaning those held sacred by campus elites); • Defending a pariah in campus politics or the
larger cultural arena; • Blowing the whistle on or even having knowledge of serious wrongdoing by locally powerful workmates.
Living in Beaumont, Texas
means close access to all types of entertainment and museums,
cultural events, and even houses the second
largest state fair in Texas.
On the other hand, Triandis (2002) posited how
cultural differences would overcome
large cultural differences and also that different
meaning had to be attributed to the measures of these differences.