Sentences with phrase «larger cultural movement»

And Artforum was still the locus of formalist criticism, which was proving increasingly unable to account for art that contributed to larger cultural movements, like Civil Rights, women's liberation, anti-war protests, and more.

Not exact matches

While the character of certain movements and groups is to a large extent defined by sociological criteria, such as the earlier so - called Frontier religion or now the Buchmean (Oxford group) Movement, which Allan Eister has recently analyzed in his book Drawing Room Conversion, we find that the more definitely a religious group is a religious group — as distinct from an economic, political, or cultural association — the more important, both for members of the group and students of it, will become its worship and its theology.

The communal movement of the past ten years has contained much cultural arrogance in its assumption that the small intentional community, withdrawn from the larger society, is the only worthy form of common life.

will feature artists including Melvin Edwards, Fred Eversley, David Hammons, Maren Hassinger, Senga Nengudi, John Outterbridge, Alonzo Davis, Dale Brockman Davis, Noah Purifoy, Betye Saar, and Charles White, connecting their work to larger movements, trends, and ideas that fueled the arts during this important era of creative, cultural, and political ferment.

Featuring a boyish animatronic figure reminiscent of literary and pop cultural characters such as Huckleberry Finn, Howdy Doody, and Alfred E. Neuman, the mascot of Mad magazine, the work is suspended with heavy chains from a large mechanized gantry, which is programmed to choreograph its movements.

It also involved the Cultural Olympiad, hailed as the «largest cultural celebration in the history of the modern Olympic and Paralympic MovementsCultural Olympiad, hailed as the «largest cultural celebration in the history of the modern Olympic and Paralympic Movementscultural celebration in the history of the modern Olympic and Paralympic Movements».

Consisting of sixteen large - scale silver, black, and white flags encircling Collins Park, the flags further Pendleton's «Black Dada» project, a long - term exploration pairing two previously unrelated concepts: Dada, the early twentieth - century absurdist cultural movement, and the notion of «black» as an open - ended signifier.

The social network of Pan Yuliang's early career as a modernist artist and an art educator in the period of the Republic of China resonated with larger social - political movements at that time: from the cultural construct of «New Woman» and the New Culture Movement, to the revolution and reform launched by the Nationalist Party and early Communists and the rise of modern nationalism in China, and from the end of World War I to the Japanese Invasion in 1937.

For «Human Traffic», Rina Banerjee has specifically produced a series of artworks (sculptures, wooden panels, large format drawings) illustrating her reflections on the theme of movement, which she interprets in a positive (journeys that generate a great cultural diversity and richness) as well as a more abrupt way, with the forced physical circulation of bodies due to war, terrorism and poverty, thereby implicating migrations of every kind.

The musical style of Tropicália, which takes its name from Oiticica's eponymous 1966 - 67 installation, became a larger artistic and socio - cultural movement in Brazil.

Once that scale of measure has been established, the elite classes of society can no longer deny the populist cultural impact, refined intellectual value, and large economic rewards created by the influence of Graffiti and Street Art, which finally can be classified as the two most prevalent styles and art movements of the late twentieth and early twenty - first centuries.

Becoming Imperceptible is the largest solo presentation of the artist's work to date and it features works that layer aesthetic and cultural movements such as Minimalism, Dada, concrete poetry, and Black Lives Matter.

Presented in alignment with Art Design Chicago and the Terra Foundation for American Art, the program will trace select artistic and design legacies produced in the city, spanning from 1968 — 2018, as well as their impact on the larger social, aesthetic, and cultural movements from the twentieth - century to the present.