Sentences with phrase «larger drawings and sculptures»

I have learnt at the Studio School to push myself to do bigger, larger drawings and sculptures, and to think more critically about what I do and why and especially, not to fear failure.

Not exact matches

Categories at larger fine arts fairs usually include drawing, sculpture, ceramics, glass, wood, fabric, photography, jewelry and mixed media.

Hamdani and other archeologists fear that Assur, nearly 100 kilometers south of Mosul, is next, although that site lacks the large sculptures that have previously drawn Daesh's attention.

The Museum is located opposite the Japanese American artist's former home and workplace for most of his career, where he created drawings for many installations, beautiful large sculptures, and projects for gardens, furniture, and other forms of art.

With nineteen new sculptures and a selection of new drawings, this is Nagle's largest Los Angeles exhibition to date.

All of the works featured in the exhibition — ranging from video games, single channel video, kinetic sculpture, and prints, to pen plotter drawings — have been created by means of technological tools with an emphasis on the mixing and matching of both professional and amateur technologies, as well as the vernaculars these technologies encourage within culture at large.

These concepts have been explored through drawings, large - scale sculptures, photo - based work, and prints.

Jim Dine (American, b. 1935) is major post-war artist whose work ranges from vibrant, large - scale paintings to exquisitely - rendered, romantic drawings and bronze sculpture.

Entitled «Bruce Nauman: Disappearing Acts» the exhibition chronologically presents Bruce Nauman's video works, drawings, photographs, sculptures, neon pieces, and large - scale installations.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

These complex and varied interests form the foundation of his larger - scale sculptures and installations, which draw on a long and rich tradition of Belgian Surrealism.

McCall regards these works as occupying a place somewhere between sculpture, cinema, and drawing: sculpture because the projected volumes must be occupied and explored by a moving spectator; cinema because these large - scale objects are not static, but structured to progressively shift and change over time; and drawing, because the genesis of each installation is a two - dimensional line - drawing.

Bunikyte's large paper sculpture, Zero Point Field (2015), is a remarkable piece that speaks to the meditative process by which it was created: it features tiny, hand - drawn markings to form overlapping blocks of color — red, blue, and black, of course.

The first part, MANIC / LOVE, featured Wolfson's most recent large scale animatronic installation Colored sculpture (2016), whose red hair, freckles, and boyish look draw associations with such literary and pop cultural characters as Huckleberry Finn and Howdy Doody.

Highlights of the exhibition include a Katharina Fritsch sculpture of a bright orange octopus; two complex new abstract paintings by Terry Winters completed this summer; a Robert Gober sculpture of a sink sprouting contorted children's legs; new portrait and landscape photographs from Paris and New York by Nan Goldin; a Martin Honert sculpture based on his childhood drawings of toy soldiers; a large - scale painted white relief by Charles Ray of his two nephews; and a photograph of Germany's largest soccer stadium by Andreas Gursky.

In addition to Serra's has a forthcoming large - scale sculpture, which is set to be unveiled in May 2015, the artist will have a show of drawings with Zwirner next month --» Richard Serra: Vertical and Horizontal Reversals, and currently has a display at Gagosian Davies Street London to coincide with the artist's Britannia Street show.

This large - scale survey presents Chaimowicz's work in painting, drawing, collage, sculpture, installation, furniture, lighting, ceramics, textiles, and wallpaper made between 1978 and 2018, including never before exhibited pieces and three new commissions.

The Birmingham Museum of Art is proud to present Third Space, the first large exhibition of contemporary art from the Museum's own collection.Third Space features over 100 works of art in a variety of mediums, including painting, sculpture, drawing, photography, and...

Chris Ofili @ New Museum, New York Oct. 29, 2014 - Jan. 15, 2014 (extended to Feb. 1) One of the most anticipated exhibitions of the season, «Night and Day,» Chris Ofili's first major solo museum show in the United States opens Wednesday, Oct. 29 and will feature more than 30 large paintings, watercolor portraits, Afro Margin drawings, and sculpture produced over the past two decades.

He made the ugly pretty, the worthless priceless, and the tragic redemptive; he also helped cement Los Angeles's reputation as an international art hub, especially thanks to his installations that included large - scale drawings and paintings, as well as sculptures, videos, and his own writing.

The booth will exhibit the full range of Greenbaum's practice, uniting large - scale paintings with drawings, sculptures, and artist books.

Echoing the linear qualities of both drawing and human limbs, a large cast - aluminum sculpture will also be installed within the gallery.

Carel Visser studied architecture as well as Drawing and Sculpture at The Hague and throughout his career has been an extremely popular and well respected artist in The Netherlands having had a large retrospective of his works at The Stedelijk Museum in Amsterdam in 1960 at 32 years of age, as well as having a number of museum and gallery presentations, Bienniale participations and commissions in graphic design.

The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising painting, sculpture and print; Amy Stephens, whose practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.

In the fall of 2010, the Asia Society presented Yoshitomo Nara: Nobody's Fool, the first major New York exhibition of his work, featuring more than one hundred works spanning from his early career in the 1980s to his most recent paintings, drawings, sculptures, ceramics, and large - scale installations.

When he died in 2010, the German artist left behind five decades of wildly diverse and formally innovative paintings, prints, sculptures, films, photographs and drawings, many of them large scale.

Other works featured in LIVESupport include «Church State,» a two - part sculpture comprised of ink - covered church pews mounted on wheels; «Ambulascope,» a downward facing telescope supported by a seven - foot tower of walking canes, which are marked with ink and adorned with Magnetic Resonance Images (MRIs) of the spinal column; «Riot Gates,» a series of large - scale X-Ray images of the human skull mounted on security gates and surrounded by a border of ink - covered shoe tips, objects often used by the artist as tenuous representation of the body; «Role Play Drawings» a series of found black and white cards from the 1960s used for teaching young children, which Ward has altered using ink to mark out the key elements and reshape the narrative, which leaves the viewer to interpret the remaining psychological tension; and «Father and Sons,» a video filmed at Reverend Al Sharpton's National Action Network House of Justice, which comments on the anxiety and complex dialogue that African - American police officers are often faced with when dealing with young African - American teenagers.

The entire show consists of six different chapters, each showing different relation between the body and the space, from a large 8x2 meter charcoal studies depicting football hooligans fighting, four paintings of the skaters in a modern art museum breaking a series of paintings by Ellsworth Kelly, six black paintings representing the infinite space beyond the surface of the abstract paintings, a cast resin sculpture and a drawing of Colonel Kurtz from Apocalypse Now, all the way to the interactive app that allows viewers to interact with the works on view.

Working across large - scale woodcuts, gouache paintings, so called «typewriter drawings» and ceramic sculptures, their uniquely carnivalesque visual language combines influences from traditional folk art and abstract art from the early 20th century European avant - garde.

She creates work ranging from sculpture and drawing in an intimate scale to conceiving and realizing large - scale earthworks and installations around the globe.

At Art Cologne 2015, the gallery Ben Brown Fine Arts (London and Hong Kong) presented works by the Cuban sculptor Yoan Capote: a large floor sculpture and drawings that preview future works.

In addition, the artist's Sagaponack property features an outdoor «gallery» of large - scale sculpture as well as a drawing studio and two large buildings for cutting and welding steel.

The two large - scale installations reuse discarded paper and cardboard and fabric to create an immersive environment of paintings, drawings, papier - mâché sculpture, and handmade books.

Its large sculpture works on its own terms — and as blown - up models of the woodblocks used to execute equally intriguing drawings.

In «Petrit Halilaj: RU,» Halilaj presents a new video work, several large fabric sculptures, and an extensive environment that draws on his research into the flight patterns and habitats of migratory birds.

He draws his inspiration from existing paintings that he likes, and then reinterprets fragments of them — usually faces — as large - scale paintings and sculptures.

The Geoffrey Young Gallery is pleased to present «How Bad Do You Want It,» a large group show featuring the work of 21 artists — including local standouts Joan Griswold, Morgan Bulkeley, Walton Ford, Warner Friedman and Bart Elsbach — whose drawings, paintings, photographs and sculpture will open Friday, September 16th, 2005.

The exhibition comprises a total of 12 large - format paintings, 24 drawings and two sculptures that the artist has produced together with artisans and artists from the city of Seville.

This large - scale survey features work from across an array of mediums and includes sculptures, drawings, prints and a series of immersive full - room installations.

Magazzino's inaugural exhibition is «Margherita Stein: Rebel With a Cause,» 71 works by 16 artists: sculptures, drawings, paintings, prints, mixed - media assemblages and large - scale installations dating from the early 1960s to the present, most never previously exhibited.

Alternating sculpture — the medium in which he develops a broader spectrum, ranging from small three - dimensional creations to large - sized installations and hybrid objects — with photography, drawing, and mural painting, Irazu's work addresses the problems that occur in the relationships established between our bodies, objects, images, and spaces.

In addition to work from the past 10 years — including Shaw's large painted backdrops, drawings, and sculpture — Entertaining Doubts, features a new site - specific installation.

The show premiered at the San Francisco Museum of Modern Art in the fall, but its installation at the Whitney is slightly larger, bringing together over 150 paintings, sculptures, photographs, and drawings by the artist.

In 1969, she worked on large multi-part, figurative clay sculptures, drawings and monoprints, which remained the major focus of her work throughout the 1970s and «80s.

Bringing together almost two decades of sculpture, film, drawings, large - scale installations and photography, Emily Jacir: Europa focuses on Jacir's dialogue with Europe, Italy and the Mediterranean in particular.

Some — a large painting by Peter Max, silkscreens by Biasi & Landi and small sculptures by Vasa — shed light on the Pop era; others — a charming Milton Avery drawing of croquet players, a beach scene by American Impressionist Edward Henry Potthast — demonstrate Peg Bradley's affection for bright yet intimate works.

The artist created a large body of work that also included drawings, prints, photographs, sculptures, and films before he passed away in 1987.

The artwork of Edgar Heap of Birds includes multidisciplinary forms of public art messages, large - scale drawings, Neuf Series acrylic paintings, prints, works in glass, and monumental porcelain enamel on steel outdoor sculpture.

Gert and Uwe Tobias» large woodcuts, gouache paintings, typewriter drawings and ceramic sculptures combine influences from traditional folk art and abstract art from...

Harmonic Distortion is comprised of an eponymous series of large - scale sculptures, a further series of wall - based works, and a performative piece inspired by Shibari, a ritualised form of erotic bondage that will incorporate drawing and original music.