Sentences with phrase «larger flat brush»

I used the filbert brush but I may have been quicker using the larger flat brush:

Not exact matches

Smashbox Photo Finish Hydrating Foundation Primer Lumene Bright Now Blur Line & Pore Minimizer Tarte Wipeout Color - Correcting Palette IT Cosmetics Bye Bye Under Eye Anti-Aging Concealer Tarte Rainforest of the Sea Marine Boosting Mist Tarte Rainforest of the Sea Water Foundation Tarte Maracuja Oil Tarte Rainforest of the Sea Aquacealer Concealer La Mer The Powder Anastasia Beverly Hills Dipbrow Pomade Beautycounter Precision Brush MAC Soft Ochre Paint Pot Tarte limited - edition Swamp Queen Palette MAC 224 Tapered Blending Brush MAC 217 Blending Brush Bdellium Tools Tapered Contour 944 Brush MAC 135 Large Flat Powder Brush Tarte Tarteist Contour Palette NARS Kabuki Ita Brush Morphe M164 Small Flat Angle Contour Brush Morphe M501 Pro Pointed Blender Brush Beautycounter Crease Eye Brush Anastasia Beverly Hills Clear Brow Gel Tarte Tarteist Double Take Eyeliner MAC 219 Pencil Brush Morphe M432 Flat Line Definer Brush Tarte Tarteist Lash Paint Mascara Koko Lashes Amore MAC Soar Lip Pencil Tarte limited - edition @grav3yardgirl Lip Paint in Texas Toast

Basically, the larger and flat style of this brush gets my hair dried in half the time.

After blow - drying with a large round brush, roll the ends slightly under, then flat iron one - inch portions.

It consists of (1) a large foundation brush to apply both powder or liquid foundation, (2) An angled concealer brush to help highlight the undereye area, (3) A precision brush that is flat to help with contouring and highlighting, (4) An angled liner brush, (5) an allover shadow brush, and an angled foundation / powder brush for bronzer and highlighting.

The Pokémon set includes nine brushes in total: a fan brush for highlighting, a flat shader brush for eyeshadow, a large blending brush, a pencil brush for eyeliner, a small blending brush, eyeliner brush, lipstick brush, a small flat shader brush, and a small pencil brush for even more precision.

B27 — Badger Flat Bronzer Brush — I don't know if I would use this for bronzing since it's so large and I typically don't like applying bronzer to large areas of my face.

Malin + Goetz Mojito Lip Balm It Cosmetics CC + Cream (Medium) It Cosmetics Airbrush Complexion Perfection Brush It Cosmetics Bye Bye Under Eye Anti-Aging Concealer (Neutral Medium) Hourglass Ambient Lighting Powder (Diffused Light) It Cosmetics Airbrush Flat Top Kabuki Brush Tarte Amazonian Clay 12 - Hour Blush (Exposed) Real Techniques Blush Brush Becca Shimmering Skin Perfector Pressed (Opal) Sigma F35 Tapered Highlighter Brush It Cosmetics Brow Power Universal Eye Pencil Anastasia Beverly Hills Brow Duality (Matte Camille / Sand Shimmer) Bobbi Brown Longwear Cream Eyeshadow (Beach Honey) Sigma E60 Large Shader Brush Butter London Natural Charm Shadow Clutch Palette (Camel, Camo & Linen) Urban Decay Dual - Ended Brush (from Naked 2 Palette) Lancôme Drama LiquiPencil (Embrase) Too Faced Better Than Sex Mascara Dose of Colors Liquid Lipstick (Stone)

Sometimes I do use a foam roller, if I am doing a flat large surface to ensure there are hardly any brush strokes and the finish is nice and smooth.

The high level of pigment also means you can use it in lieu of foundation by squeezing out a tiny bit more and blending it over larger problem areas with a damp makeup sponge or a big synthetic makeup brush (I find brushes that are angled or domed work better than than the traditional flat ones, which make it streaky).

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

Brushes: 3 - 5 good quality synthetic and 3 - 5 bristle (or hog) long handled brushes, in various shapes (round, flat, long flat, filbert and riggers) and a range of sizes (2 to 12 i.e. small medium andBrushes: 3 - 5 good quality synthetic and 3 - 5 bristle (or hog) long handled brushes, in various shapes (round, flat, long flat, filbert and riggers) and a range of sizes (2 to 12 i.e. small medium andbrushes, in various shapes (round, flat, long flat, filbert and riggers) and a range of sizes (2 to 12 i.e. small medium and large)

Brushes: Rounds (Sian uses Da Vinci Maestro sable series 35) in sizes 4 and 2, Pro Arte swordliners, large, medium and small, One stroke / flat brush (3/8»)

Brushes: Rounds (I used Da Vinci Maestro sable series 35) in sizes 4 and 2, Pro Arte swordliners, large, medium and small, One stroke / flat brush (3/8»)

Reinhardt describes these paintings as: «A square (neutral, shapeless) canvas, five feet wide, five feet high, as high as a man, as wide as a man's outstretched arms (not large, not small, sizeless), trisected (no composition), one horizontal form negating one vertical form (formless, no top, no bottom, directionless), three (more or less) dark (lightless) no - contrasting (colorless) colors, brushwork brushed out to remove brushwork, a matte, flat, free - hand, painted surface (glossless, textureless, non-linear, no hard - edge, no soft edge) which does not reflect its surroundings — a pure, abstract, non-objective, timeless, spaceless, changeless, relationless, disinterested painting — an object that is self - conscious (no unconsciousness) ideal, transcendent, aware of no thing but art (absolutely no anti-art).»