Sentences with phrase «larger flooring installation»

He created a large floor installation for the Venice Biennale in 2009, and in recent years has been included in numerous international exhibitions and biennials.

Not exact matches

The finishes are luxurious and include parquet flooring, air conditioning and heating, 2 shared bathrooms including one with Jacuzzi whirlpool,... Read more video installation, lift, large closets.

For the Art Center, Lozano used the two floors of the entrance area to compose a double - decker large installation of wall paintings wrapping seductive glimpses of bodies and bedrooms in drapes of rich color.

The primary eye / hand candy is Campo di Grano (Wheat Field, 2003), a large floor - installation by Italian artist Piero Gilardi, an Arte Povera «dissident» now in his seventies.

Responding to MASS MoCA's massive and light - filled first - floor galleries, Fernández has created a trio of large - scale, landscape - informed installations, which embody this expression, and is united through the show's elaborately detailed exploration of graphite and gold.

The Museum's collection also includes a large installation of art glass by Dale Chihuly, featured in the third floor galleries.

In her artistic practice, recent works include the large - scale sculptural installations Raked at Spencer Brownstone Gallery in New York (2014), and Floor / Ceiling at The Aldrich Contemporary Art Museum, Connecticut (2013).

Presented as a large - scale installation in first floor Atrium gallery this work is the culmination of a 12 - month process involving research in The Tetley archive, interviews with ex Tetley's Brewery workers, collaboration with screenwriter Joe Hepworth and workshops with women from Justice for Domestic Workers (Leeds) supported by curator and writer Amy Charlesworth, J4DW (London), Gill Park, Director of visual arts organisation Pavilion, artist Jo Dunn and seminal women's collective Leeds Animation Workshop.

Out of the three rooms their installations will occupy at the event at PACE in London, the largest will include six works and feature Universe of Water Particles, Transcending Boundaries, a virtual waterfall that extends beyond the gallery wall onto the floor, flowing through the space and around the feet of the viewer.

The museum's top floor will be taken up entirely by a large installation of his transparent fabric structures.

The exhibition occupied BALTIC's two largest floors, with four installations to be navigated by four interpretive paths or roads.

Highlights of the installation include the diptych slide projection Dispossession (2013), which explores Attia's research on the Vatican's collection of ethnological artifacts; Artificial Nature (2014), a floor sculpture constructed of many antique prosthetic legs; and a work composed of two large - scale reproductions of historical paintings depicting Catholic masses, Émile Jean - Horace Vernet's The First Mass in Kabylia (1854) and Victor Meirelles's The First Mass in Brazil (1861).

On view from February 22 through April 7, 2018, the exhibition introduces Liu's latest major works, including a large - scale video installation in the first floor gallery, a series of six photography works in the second floor main gallery and a felt - carpeted room installation in the project space.

Filling the museum's expansive first - floor galleries, Simon's exhibition features large - scale immersive works — ASSEMBLED AUDIENCE + A COLD HOLE — as well as the first - ever major museum installation of the artist's bookwork.

Opening one floor of the biennial is a large installation by the Occupy Museums group, part of their ongoing «Debtfair» series which began in 2015 (Debtfair Whitney, 2017); amongst other elements, it includes a slideshow featuring testimonies from artists across the country describing the financial straits they are in, and what jobs they do to get by.

Among the highlights of the show are The Sun (1990), a floor installation of 360 triangular elements of white marble forming a grand circle, and the witty Self - Portrait (c. 1959) in which the artist's head is but a small ball of paper resting on a larger - than - life wooden torso with incredibly elongated legs (both works at Perry Rubenstein); the ethereal The Angel (1989) made of 125 spheres of thin clear Venetian glass delicately resting on the floor at Michael Werner; and at Mary Boone the five Concave Figures (1994), one of Byars» final works.

Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), by California Light and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery space.

A quick way to orient oneself in the space is to identify nine large paintings, more or less traditionally hung in the front and rear galleries, and note how the paintings are conceptually tethered to an array of installation elements on the floors, walls, and internal areas.

The artists» large - scale works are representative of a future line of installation exhibitions to take place in the first floor gallery.

Recent large - scale installations combine tactile paving slabs with heart - shaped protrusions which rise up from the floor into lampposts and other street - based structures, some of which take on human proportions, scaled to the heights of Dean's family members.

On the occasion of Berlin Art Week, Farmer will present two large - scale, site - specific installations — in the Pavillon's rotundas in the souterrain and in the glass pavilion on the first floor.

On the occasion of this presentation, Biggers will create a large site - specific installation of a floor rug composed of loose sand poured unaffixed to the floor in colorful patterns that evoke prayer rugs or quilts — objects frequently referenced in Biggers's works for their aesthetic and cultural associations.

This exhibition revisits for the first time the large - scale floor installation Pages I and II, which she created almost 40 years ago for her first solo museum show in 1978 at the Detroit Institute of Arts.

Based on images of part of the large site - specific painting created directly on our walls and floor, she has created a completely new installation of printed fabric that hangs where the original used to be, now hidden under many years of layers of wall paint.

The exhibition will occupy the 10,000 sq. ft. second floor of 548 West 22nd Street with large - scale installations, serial sculptures, wall works and videos that traverse the political aspect in art, integrating performative methods and autobiographical, familial content in ways that established a new discourse around identity and dissent at the end of the 20th Century.

Polly Apfelbaum (b. 1955) is best known for her large - scale installations and «fallen paintings,» compositions of dyed synthetic fabrics that she places directly on the floor.

Artist Alex Da Corte uses homemade multicolored soda as the sole medium in his large site - specific floor installation.

Also, for the first time in nearly a decade, Asia Society's large second floor wall of windows facing Park Avenue will be uncovered to reveal one of Sze's installations that lives outdoors.

The Zimbabwean artist is known for his large works on paper that spill out of their two - dimensional frame and into larger installations on the floor around them.

For his latest site - specific installation, Daniel Arsham dug a large, circular trench in this gallery's floor and filled it with nearly three thousand sculptures.

The space bridging the two large exhibition spaces draws the exhibition together both spatially and through colour, but simultaneously functions as an independent installation of new compositions on both the walls and the floor.

This fall at DiverseWorks in Houston an exhibition opens of three large installations made with the Eternit material plus rubber casts of floor plans that I produced in New York.

On view on the second floor will be a large - scale architecture installation:

Turner Prize - winning artist Martin Creed takes over Park Avenue Armory's entire first floor — from its expansive Wade Thompson Drill Hall and adjacent bunkers, to its historic period rooms and corridors — with the largest U.S. survey of his work and the most extensive single - artist installation at the Armory to date.

The artworks were printed on aluminum and bronze plaques and their short messages were accompanied by paintings of Peter Nadin, whose portraits of people attached to Holzer's messages emphasized the emptiness of both life and communication in the digital age.The multimedia extravaganzas of Holzer's later installations, such as the 1989 Guggenheim exhibition, are exemplified by a 535 - foot running electronic signboard spiraled around the core of Frank Lloyd Wright's architecture, flashing garish lights on the monumental stone benches arranged in a large circle on the floor below.

The Museion show opens with the wall screen - print Prisoner of yourself (1996/2012) and continues on the fourth floor of the museum, where it has been conceived as a single large installation: the layout reflects the artist's metaphoric, associative modus operandi, which rejects academic classifications and timelines.

This was an early example of what is now called site - specific installation, featuring large unframed canvases standing directly on the floor and arranged in two parallel zigzags to suggest a maze, which visitors would be obliged to negotiate - thereby becoming «participants» rather than passive spectators.

The Whitney presents Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), a large - scale installation by Robert Irwin that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery space.

There are also a number of significant new commissions in the ICA's ground floor gallery and surrounding sculpture garden, including a new installation of paintings by Chris Ofili, a large scale sculpture including a defunct crane by Puerto Rico - based duo Allora and Calzadilla and a bent telephone pole - star by local Miami artist Mark Handforth.

Satoshi Ohno has often transformed the whole exhibition spaces with installations, including large paintings of several meters wide, sand drawings on the floor, or wall paintings.

The Real Estate Show, Installation view (At the center, drawings by Joseph Nechvatal; Photograph to the right by James Casabere; Large black and white mural by Mike Glear; small collages and cigarette packs on floor by Bobby G. — Robert Goldman), 125 Delancey Street, New York, January 1980, Courtesy of Becky Howland.

The most impressive parts of the installation are the large - scale wall paintings of bricks on the north and south walls of the gallery, painted flush with the floor and ending just a few feet below the high gallery ceiling.

When MoMA PS1 shut the doors to James Turrell's Meeting (1986), a large installation work in a former classroom on the third floor of the Queens institution, in 2013, it meant visitors could no longer experience the artist's first - ever public skyspace — the name he... Read More

Called «Other Side», the large - scale installation consumes Towner's upper gallery, presenting a façade of five wooden doors caught in a dense dark tangle of thousands of metres of black yarn extending from wall to wall, and from ceiling to floor.

The exhibition spans all levels of the Hong Kong Arts Centre's Pao Galleries, with paintings, sculptures and a large - scale installation suspended from the ceiling on the top floor, accompanied by studies and reference materials tracing the evolution of Lee's practice on the lower level.

The installation, which was originally created for Documenta IV in Kassel, Germany, in 1968, consists of an entirely white labyrinth, including ceiling and floor, which surrounds a large plaster cut.

«Our larger program is the demystification of art,» he said, «and with our new space, on the ground floor of the temporary City Hall, along with the CitySite space for outdoor installations next to our old building and the window installations we do in our old gallery, we are well - equipped to do that job.»

In a carefully created installation, the visitor is led around the space from small scale drawings, to a large scale floor based work, to new drawings made especially for Manchester.

For Habitat at The Contemporary Austin — Jones Center, Sosnowska's largest monographic exhibition to date at a U.S. museum, the artist has created an immersive, two - floor installation of dystopic domesticism.

The 12 artists included in the show, ranging from young artists with emerging careers like Paulo Nimer Pjota and Marina Rheingantz to established, veteran figures of the Brazilian art scene like Sonia Gomes, occupy the entire ground floor of the Rubell's giant space with often larger - than - life paintings, photographs, and sculptural installations.