Toyota FJ Cruiser Click for
larger image in gallery Two years ago, Toyota unveiled the retro - styled FJ concept and is now promising to bring it to the market within a year.
2006 Buick Lucerne Click for
larger image in gallery The»06 Lucerne is more than a reworking of the full - size LeSabre, it points to a bolder styling direction in general for Buick as well as marks the return of V - 8 power to its passenger car line.
2006 Cadillac DTS Click for
larger image in gallery The debate over whether Cadillac's largest car should be front - or rear - drive is over for now, as the DeVille has been reskinned and renamed, while retaining the transverse - mounted 4.6 - liter Northstar V - 8 driving the front wheels.
Dodge Nitro Concept Click for
larger image in gallery Inspired by the Dodge M80 concept pickup truck that debuted in Detroit two years ago, Dodge has decided to take another pass at youth market this time with an SUV based on the Jeep Liberty.
Hyundai Portico Click for
larger image in gallery The Portico concept is yet another attempt by an automaker to cross breed a minivan with a sport wagon.
2006 Honda Civic Si concept Click for
larger image in gallery Despite spy shots showing the next generation Civic as a hatchback, Honda intends to launch the car as a two - door coupe and four - door sedan.
Not exact matches
decorative wall mirrors for bedroom view
in gallery large curtains target decor cheap floor liam payne lyrics, bedroom curtains on sale ideas contemporary bathroom design with decorative wall mirror
large furniture sets full, bedroom floor lamps wall mirrors decorative unique design mirror lyrics ideas for kids, bedroom sets on sale curtains blackout decorating tips surprising design ideas wall mirror mirrors decorative, bedroom furniture stores curtains target decorative wall mirrors for great
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image of bedroom wall mirrors for sale modern amazing eyes meme furniture ideas sets full.
This November, the symbiote psychopath and most dangerous serial killer
in the Marvel Universe is back
in Carnage # 1, and we've got a first look preview for you right here; click on any of the
gallery images for
larger versions... Legendary writer Gerry Conway (Amazing Spider - Man: Spiral) and artist Mike Perkins (Deathlok) take you -LSB-...]
Click on any of the
gallery images for
larger versions... «The X-Men aren't the only ones getting
in on the «92 action,» says Marvel -LSB-...]
The four documentaries, cinematography featurette, and poster
gallery are all new to this edition, as are some of the
images in the
larger gallery.
Welcome to the first,
largest and number one fan site for all things Jane Levy including the most exclusive
in news content, multimedia and the best and most updated
image gallery for Jane
images.
A resident since 1977, his library of digital
images has grown to more than 100,000 and his downtown
gallery in Village Centre features giclee prints,
large and small, on canvas and paper.
In the museum's tallest
gallery, for example, Ross's Harmoniums — small details extracted from the
large Mount Sopris
image and then accentuated with bright hues — are made visible to visitors through their smartphones.
Elsewhere
in the
gallery, Demand's
large format photographs include an
image of the control room of Japan's Fukushima Daichi power plant after the tsunami.
For Bernstein, this piece, presented
in counterpoint to her
large - scale
images within the
gallery, proclaims her presence and confronts egotistical posturing of artists within the art world and society.
Brisley's solo exhibition at the Serpentine
Gallery in 1987 included a row of
large images of the IRA activist Mairéad Farrell during the «Dirty Protests»
in Armagh prison
in the early 1980s — these were displayed behind a forbidding metal grille or cage which immediately suggested connotations of imprisonment and surveillance.
Be sure not to miss booths by Benrubi
Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
Gallery from New York, a leading
gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
gallery with a focus on 20th Century and contemporary photographs; Blindspot
Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
Gallery from Hong Kong, a
gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
gallery with a primary focus on contemporary
image - based works; Bryce Wolkowitz
Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
Gallery from New York, a
gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a
gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
gallery representing emerging, mid-career and established artists from around the world; Fraenkel
Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
Gallery from San Francisco exploring photography and its relation to other arts; Gagosian
Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons
Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
Gallery from London, one of the world's foremost
galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a
larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace
Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
Gallery; Richard Saltoun
Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
Gallery from London specialising
in post-war and contemporary art with an interest
in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized
gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
gallery of 20th and 21st century works on paper; Taka Ishii
Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among
Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.
On March 5, 2015, Moving
Image art fair will open again
in New York to offer its visitors a unique viewing experience and the vitality of a fair by featuring a selection of international commercial
galleries and non-profit institutions presenting single - channel videos, single - channel projections, video sculptures, and other
large video installations.
The paintings, works on paper, mixed - media collages, and photographs feature a number of purchases, including Audrey Flack's
large oil and acrylic canvas, World War II (Vanitas); two elaborate mixed - media collages by Mickalene Thomas; textile artist Sonya Clark's Unraveling; photographs of performance artist Cassils» Becoming an
Image; photographs related to Leah Modigliani's Morris
Gallery exhibition The City
in her Desolation; and works on paper by Fernando Orellana.
A new video, Son (2018), presented as a
large - scale projection
in the main
gallery, interweaves appropriated and handmade still
images into a long - duration animation.
This exhibition includes two new groups of paintings: a selection of self - portraits and a series depicting the Million Man March on Washington, D.C. Displayed as counterpoints
in two separate
galleries, the self - portraits offer discrete views of the artist as a private individual with a public persona, while the Million Man March artworks —
large, unstretched canvases screenprinted with mass - media
images — portray arrays of anonymous individuals brought together at an epochal moment for the African American community.
In galleries one and two, two large - scale granite sculptures entitled Deposition 1 and Deposition 2 are simulacra of oversized framed pictures, in which the frame, passé - partout, and image are created from the same materia
In galleries one and two, two
large - scale granite sculptures entitled Deposition 1 and Deposition 2 are simulacra of oversized framed pictures,
in which the frame, passé - partout, and image are created from the same materia
in which the frame, passé - partout, and
image are created from the same material.
Instead of a digital camera, Imasaka used 2 1/4 - inch film for the
image, Sea, located
in the
gallery's entry space, and for the two photos
in this third space he used a vintage,
large - format Deardorff camera.
The
large - scale photographic
image, depicting a figure standing behind gauzy window curtains, is installed
in the
gallery and moves throughout Savannah on the side of university buses.
Further on, Gregory Crewdson's alluring,
large - scale ink jet Untitled (Cement Canal)(2007) conjures a mysterious world of post-industrial decay and moral isolation, while across the
gallery, Doug Rickard's # 82.948842, Detroit, MI, 2009 (2010) appropriates a Google Street View
image in an implicit exposé of urban poverty that serves, equally, as an indictment of societal indifference.
He has produced solo exhibitions
in Montreal, Toronto, Vancouver and Barcelona and is represented by Division
Gallery in Toronto, and is currently working on «the
largest digitally printed
image in the world» for Metrolinx
in Toronto.
At the Gagosian
Gallery, Richard Prince has been getting it
in the neck for taking
images from Instagram feeds, reprinting them on
large canvases and presenting them as a new body of work.
Traveled to: Denver Art Museum, January 25 — March 22, 1992; Joslyn Art Museum, Omaha, April 9 — March 31, 1992; Pittsburgh Center for the Arts, July 5 — August 23, 1992; The Goldie Paley
Gallery, Moore College of Art and Design, Philadelphia, September 5 — October 11, 1992; Telfair Academy of Arts and Sciences, Inc., Savannah, Georgia, January 5 — February 21, 1993 (Catalogue) Group exhibition, Paula Cooper
Gallery, New York, September 7 — 28, 1991 Portraits on Paper, Robert Miller
Gallery, New York, June 25 — August 2, 1991 Portraits, Linda Cathcart
Gallery, Santa Monica, May 1991 Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, Academy and Institute of Arts and Letters, New York, May 15 — June 9, 1991
In Sharp Focus: Super-Realism, Nassau County Museum of Art, Roslyn Harbor, New York, April 14 — July 7, 1991 (Catalogue) 1991 Biennial Exhibition, Whitney Museum of American Art, New York, April 2 — June 30, 1991 (Catalogue) Selected Prints from Spring Street Workshop, Tomasulo
Gallery, Union County College, Cranford, New Jersey, March 8 — 28, 1991 Academy - Institute Invitational Exhibition of Painting & Sculpture, American Academy and Institute of Arts and Letters, New York, March 4 — 30, 1991 Louisiana: The New Graphics Wing, Louisiana Museum, Humlebæck, March 3 — 31, 1991 (Catalogue)
Large Scale Works on Paper, John Berggruen
Gallery, San Francisco, February 21 — March 16, 1991 (Catalogue)
Image & Likeness: Figurative Works from the Permanent Collection, Whitney Museum of American Art, Downtown at Federal Reserve Plaza, New York, January 23 — March 20, 1991 Artist's Choice — Chuck Close: Head — On / The Modern Portrait, The Museum of Modern Art, New York, January 10 — March 19, 1991.
The first
image a visitor sees after climbing up the stairs to the second - floor
galleries is a
large - screen video of the Trisha Brown Dance Company
in performance.
In 1999 the Ubu Gallery in Manhattan organized a revelatory exhibition of his so - called Prose Poems from the mid-1960s — large, colorful word - strewn collages that combined elements of Concrete poetry and Pop Art and presaged image - text artists like Barbara Kruge
In 1999 the Ubu
Gallery in Manhattan organized a revelatory exhibition of his so - called Prose Poems from the mid-1960s — large, colorful word - strewn collages that combined elements of Concrete poetry and Pop Art and presaged image - text artists like Barbara Kruge
in Manhattan organized a revelatory exhibition of his so - called Prose Poems from the mid-1960s —
large, colorful word - strewn collages that combined elements of Concrete poetry and Pop Art and presaged
image - text artists like Barbara Kruger.
Victoria Sin explores consumer culture's proliferation of
images and representations of gender and nature within advance capitalism by creating a forest of
larger - than - life plastic banana balloons, which she will inflate
in the entrance of the
gallery.
Artwork featured
in gallery: This
image shows a carved wood very stylized African female figure seated with a
large head..
But
in this
large Chelsea
gallery The Hellfire Club was set up with black walls, broken chandeliers, photocopied
images, quiet sound accompaniment — and a lot of empty space, which allowed visitors to drift back and forth, tapping into their nostalgia for the British television series, while perusing Kilimnik's recent photographs and paintings, crafted with her signature loose, colorful, thrift - shop style.
Works include the nudes Orpheus Street (2008) and Ducie Street (2008) and stop - motion animations (Man 8)(2005) and (Man 9)(2005)--
in which
images of
large clay heads blink silently from the
gallery wall.
Images of everyday things like eyeglasses and cigarette packs appear
larger - than - life, creating cinematic inversions of foreground and background
in which otherwise unremarkable objects take on a looming (and often sharply comical) significance.Info: David Kordansky
Gallery, 5130 W. Edgewood Pl., Los Angeles, Duration: 9/9-21 / 10/17, Days & Hours: Tue - Sat 10:00 - 18:00, http://davidkordanskygallery.com
British artist Hannah Collins takes over the Camden Art Centre
galleries for the summer and fills them with her renowned
large scale photographs, creating installations that embrace visitors and transport them
in a captivating voyages, with the aid of sound and moving
image.
I Love You with My Ford (1961), Look Alive (Blue Feet, Look Alive)(1961), Tube (1962), and Morning Sun (1963) are included
in The Popular
Image Exhibition, a
large - scale compendium of Pop and Fluxus art curated by Alice Denney, at the Washington
Gallery of Modern Art, Washington, D.C. Rosenquist's painting Vestigial Appendage (1962) is included
in the group exhibition De A à Z 1963: 31 peintres americains choisis par The Art Institute of Chicago, one of the first European exhibitions to include his work, presented at the Centre Culturel Américain, Paris.
The main
gallery space at Mercer Union's new head quarters at King and Spadina is dominated these days by a
large projected
image of Mao TseTung's head bobbing
in the sea.
Gomez, now a full - time painter, was frantically putting the finishing touches on paintings for his third solo exhibition at Charlie James
Gallery in Los Angeles, a series of
large - scale works that place
images of manual labor among the high - end retail of Melrose Avenue.
Mesmerising
images of
large clay heads blink silently from the
gallery wall
in the artist's stop - motion animations Man 8, 2005 and Man 9, 2005.
A
large - scale presentation of her texts and
images has embellished the facade of the Art
Gallery of Ontario
in Toronto this summer, while the temporary Stedelijk Museum
in Amsterdam (filling
in during the main museum's overhaul) opened on Saturday with a Dutch - and - English Kruger installation on prominent display, and the Sprüth Magers
Gallery in Berlin is preparing a solo show of her video work («The Globe Shrinks,» to open Friday).
A few days ago, we stopped by New
Image Art
Gallery in Los Angeles to attend the opening of our buddy Yarrow Slaps «Get This Power», his first major solo exhibition.After an exclusive sneak peek
in his San Francisco studio, we were excited to discover his most recent body of work which includes
large and small
In something of a change from the artist's typical displays of found photographs, here images will be incorporated into large scale collages, multi-channel video projections (which worked so well in The Visitors by Ragnar Kjartansson at Luhring Augustine), and moving screens which will zip around the gallery space on a custom - built trac
In something of a change from the artist's typical displays of found photographs, here
images will be incorporated into
large scale collages, multi-channel video projections (which worked so well
in The Visitors by Ragnar Kjartansson at Luhring Augustine), and moving screens which will zip around the gallery space on a custom - built trac
in The Visitors by Ragnar Kjartansson at Luhring Augustine), and moving screens which will zip around the
gallery space on a custom - built track.
Taking up the
largest wall
in the
gallery space, the viewer is met with floor - to - ceiling luminous
images,
in Burdis's signature sexually deviant style, of fleshy, lumpy characters conjured up from the artist's daily observations and encounters.
In the exhibition the two books will be shown surrounded by a large scale new wall work in via incognita (2017), a frieze of images that will circle round the galler
In the exhibition the two books will be shown surrounded by a
large scale new wall work
in via incognita (2017), a frieze of images that will circle round the galler
in via incognita (2017), a frieze of
images that will circle round the
gallery.
When he drew a life - size
image of a car on a
large, white cardboard box
in the center of the main
gallery at the New Museum, then proceeded to smash the «windows» with a crowbar, shattering a «door» and climbing into the «vehicle» to cause more damage from the inside, the effect of this fake violence was not fake at all.
Opening during Frieze week this October, this ambitious exhibition — featuring a range of historical and recent works by Nathalie Djurberg and Hans Berg, Ryan Gander, Rodney Graham, Susan Hiller, Shirazeh Houshiary, Richard Long and Stanley Whitney (among others to be announced)
in a variety of media, as well as many commissioned works on a
large scale — will be staged at London's most dynamic new space, The Store Studios, 180 The Strand, host of last year's blockbuster exhibition jointly staged by the Hayward
Gallery and The Vinyl Factory, «The Infinite Mix: Contemporary Sound and
Image.»
For his first major institutional solo exhibition Daniel Kiss (b. 1984, Roth; lives
in Cologne) has created a series of new works that occupy the
large gallery hall of the Kunstverein as a sequence of cut - out forms and silhouette - like
images.
On the
gallery walls, a series of
large collage panels with Weimar - era references will hang among photographs bearing the
image of a 60 - foot stone monument to soldiers killed
in World War I, from Worpswede
in northwest Germany, the rural town where Ms. Meckseper grew up.
Earlier this month, a 2010 series of Polidori's photographs depicting the interior of the Convento di San Marco
in Florence went on display at Paul Kasmin
Gallery in New York, allowing audiences the chance to enjoy the full power of the
image - maker's
large - scale works
in person.