Sentences with phrase «larger piece titled»

It's all part of a larger piece titled Flora Treme.

Not exact matches

The complexity of title plants and the need to have records on most every piece of property in a given geographic area to be competitive in the market has led to the consolidation of the industry to a small group of large players.

Japan (Tajima) Silver Oban -LRB--RRB- Large fantasy piece with iconic Japanese design; Large size 128 mm x 13 mm; AU - UNC $ 685: Japan 1736 - 1818 (Genbun Era CHINA: ANCIENT (CAST) & SYCEE This is perhaps the largest for - sale offering of titles for ancient (cast, pre-machine) China.

But given the title, we're inclined to assume it's a science fiction tale with a Big Idea, possibly linked to a certain large piece of equipment over at CERN.

The pack includes: Colour pictures of Percy and the animals in the story Black and white pictures of Percy and the animals - great for colouring and art activities Percy's hut picture in the snow and without snow Snowy trees to add to adisplay to make a great snowy scene A number line to 50 on cute robins Alphabet bunting to hang in your classroom - each piece has a picture of one of the animals in the story and the lower case letter Winter clothing flashcards - great for discussion about clothes to wear when it is colder Word flash cards with words relating to the story - each card is decorated with a picture of Percy in the snow Question cards with questions about the story - great to add to a display A long display banner with the title and pictures of Percy and the animals A snowy board game to make and play A dice game to collect the pieces of each animal A worksheet to draw the scene from the window Photographs of snowy scenes - a great addition to any display Winter words - Words of snowflakes about winter A collection of rhymes and songs about winter Number rhyme about snowflakes with rhyme cards, face masks and props for singing the rhyme Snowflake alphabet jigsaws - find the two halves of the snowflakes with upper and lower case letters A collection of playdough mats linked to the story Dress Percy for winter - choose the appropriate clothes for Percy to wear in the snowy weather Colouring pictures of Percy and the animals and the snowy hut Stick puppets of Percy and the animals - great for retelling the story and for making up new stories Face masks in colour and black and white of Percy and the animals A colourful bingo game for the story «One Snowy Night» An A4 word mat with pictures and words relating to the story «Welcome to Percy's hut» large banner - great to use as part of a role play area of Percy's hut A game of snap to make and play Animals footprints in the snow - great to add to a display and for discussion Two different word searches with words and pictures relating to the story Please note: The art work used in these resources has been produced by ourselves.

On a large piece of poster board, the teacher writes the title of the book (e.g., Heat, Light and Sound) and asks students, «What was the most interesting thing you learned from today's lesson?»

Publishers wanted a larger piece of pie and managed to convince online retailers that they should be the ones who established the end cost and limited the ability for said retailers to discount the titles for a competitive advantage.

Viz is the largest manga publisher in the U.S., so naturally they have the largest selection of titles available digitally: Action stories like Naruto and One Piece, romances such as Vampire Knight and Hot Gimmick, classics like Neon Genesis Evangelion, and arty titles like Natsume Ono's Tesoro and Taiyo Matsumoto's GoGo Monster.

There's been a void in the market, and the larger publishers have been unwilling to put bestselling digital titles by Indie authors into print without taking a piece of the digital pie.

Despite the large and seemingly meaty title, this will be a short piece.

Installed Wednesday, February 21 and on view through the late - Spring, the outdoor sculpture titled Tunnel Vision is Stark's second largest and uses repeating rings to present both polychromatic and monochromatic visual systems in one dynamic piece.

The exhibition brings together over 100 works, including several large - scale illustrated books by Kiefer (b. 1945) made in homage to Rodin (1840 — 1917) from materials like plaster; a series of large paintings titled Cathedral Towers; and vitrines filled with assorted objects including molds, dried plants, stones, and pieces of fabric.

As the title denotes, the piece reflects a larger environmental dilemma.

Such a piece at Christie's was a large painting by the New Objectivity artist Georg Scholz, a satirical townscape titled Badische Kleinstadt bei Tage (1922 — 23).

Titled After Walker Evans, her piece is an intervention in the rigid construction of the photography canon and a critique of the commodification of art, at the same time leveling a feminist critique against the ingrained patriarchy of art history and society at large.

Also included upstairs in Gallery 2 is a large - scale structural piece by Haim Steinbach titled Backyard Story (1997).

Filling P3Studio with large - scale, untitled paintings of her alter - ego «Nu,» Uda will ask guests to express a title for their favorite piece.

Mr. Sharif was best known as a Conceptual artist, but his command of color is on full view in a large - scale work made with pieces of painted cotton rope, titled simply «Colours» (2016).

P.S. 1 presents the third installment of the site - specific series On - Site, a new large - scale wall piece by Mickalene Thomas titled Le Déjeuner Sur L'herbe: Les Trois Femmes Noires (2010).

In Daphne and Apollo — a tight arrangement of solid red steel tubing wrapped around large pieces of found steel from a scrapyard — one material seems to morph into another with an allusion of movement similar to the Baroque sculpture of the same title by Bernini.

The highlight of the section is a piece titled A Fashionable Marriage from 1987, featuring a large - scale tableau of painted wooden cut - outs characters, such as a Margaret Thatcher flirting with Ronald Reagan, blending pop art, caricature and theatre to destabilize notions of high art, ethnic stereotypes and political power.

However, Byars did create a few totemic golden sculptures throughout his life, the largest being a roughly 66 - foot - tall piece, titled The Golden Tower, which was realized for a group exhibition at the Martin - Gropius - Bau in Berlin in 1990.

The exhibition titled «Gated Community» showcased many familiar themes in the artists work as well as some larger installation pieces.

She cast the organic shapes large - scale in milky acrylic to create two translucent, radiant sculptures — a 15 - foot - long, wall - mounted horizontal piece titled Slug and a 13 - foot - tall floor - to - ceiling piece titled Egg, each lit from within and host to a lush universe of plant life.

In her current show at David Zwirner, titled simply Isa Genzken, the artist presents sculptures from her Shauspieler (Actors) series, two new large - scale architectural sculptures, pieces from her Nefertiti series, as well as panel works both on the floor and along the walls.

For the Biennale de Paris in 1975, he made the piece titled Conical Intersect by cutting a large cone - shaped hole through two townhouses dating from the 17th century in the market district known as Les Halles which were to be knocked down in order to construct the then - controversial Centre Georges Pompidou.

Like the title, the five large paintings and several smaller pieces, made with oil paint on linen, play with perception through form and color.

Many of these pieces bear mystical titles: Sky Cathedral (1958); Silent Music II (1964); Sky Gate — New York, one of her largest wall sculptures, World Trade Center, New York City (1978; destroyed September 11, 2001).

The second is larger - than - life - sized marker piece of a nude Ojih Odutola, originally titled What's on offer but is now called The Object is the Technique + The Technique is the Object (after a Francis Bacon quote).

So it makes sense that «Hello Walls,» which fills Gladstone Gallery's two branches in Chelsea, opens with another of Bochner's early works: the white - on - black text piece Forgetting Is the Only Continuum, originally from 1969, in which the title words appear scrawled in white on a black stripe that runs nearly the length of the 24th Street gallery's largest room.

The title was taken from a piece by featured artist Julia Wachtel — it reflects the larger theme of the show, exploring the irony of art world glamour contrasted with the often isolating experience of being a female artist working today.

«Is anybody home lol» is both the title of this large site - specific neon piece and of the latest exhibition by the Swiss artist collective!

Like many of Moore's abstract works, this piece subtly refers to the subject indicated by the title, with large bronze forms managing to refer to lightness and flight.

In addition to numerous display cases showcasing Wilson's diaries and notebooks, there is a large photo - text piece titled «Tipper Gore's Advice for the 90s» (1994), in which the artist, in the guise of Mrs. Gore, advises viewers to let her judge their works of art according to «family values.»

If the title of the piece refers to the phenomenon of large format photography used frequently to correct parallax divergence, often in architecture, Deschenes» work here inverts this possibility, creating of her prints an architecture of their own, necessarily viewed in perspective.

Synecdoche, an exhibition at Jessica Silverman Gallery featuring twelve works by five artists, borrows its title from rhetoric, with each work to be read as a smaller piece of a larger narrative or theme.

For his third show at the gallery, Paul Anthony Smith focuses on his photo - based works, featuring seven of the largest made to date accompanied by a suite of six smaller pieces titled «Blurr.»

I showed Free Will in a large group exhibition titled «Into the Light» at the Whitney Museum a few years ago — the piece presents on a monitor a live closed - circuit video view of the corner behind it.

A large piece of bronze cast from a slab of wood acts as the standard and displays the title, «IDIOTA» above a series of Spanish names («Carmen», «Romero», «Manuel Benitez,» etc.) inscribed on the cross and bronze flags that hang from each arm.

There's also a large piece of fabric inscribed in black lettering with a dozen lines of German insults by Sigmar Polke, titled «Cloth of Abuse,» from 1968.

While we will be featuring posts over the coming days on this award that dissect and analyze the award, its international legal significance, and its larger geopolitical consequences for all claimants to the South China Sea dispute and third - party actors (such as the United States), for now, a close read of all 479 pages of this arbitral award reveals it to be an extremely rich and fertile piece of international jurisprudence, one that will certainly have far - ranging doctrinal impacts as an international judicial decision that is also an authoritative subsidiary means for determination of the international law rules under UNCLOS, especially on questions such as the: 1) normative weight of «historic rights» and differentiating the same from «historic title» and «historic rights short of sovereignty», and clarifying what could still possibly amount to historic rights that States could still validly assert within the UNCLOS treaty regime;