Sentences with phrase «larger woodcuts»

The show, made up of larger woodcuts, wall paintings, and smaller drawings (some include collage, some were made by typewriter), features a striking juxtaposition of elements.

«People were really into Rockin» Rollin» Prints» — an annual day - long event in which participants use a two - ton steamroller to print large woodcuts — «and PrintHouston, but we were self - funding that,» Rhodes Fields says.

Gert and Uwe Tobias» large woodcuts, gouache paintings, typewriter drawings and ceramic sculptures combine influences from traditional folk art and abstract art from...

Large woodcuts, however, harking back to German expressionism feel deliberately clunky (but still clunky), while a photo - display on the philosopher Simone Weil, borrowed from Berlin's Peace Library, is highly intriguing, but it's not her work.

There's a lot to read and look at before we even get to Büttner's large woodcuts — a bare black silhouette of a hill, jaunty potatoes floating in a field of colour, a number of simplified images of a beggar, a body humped over, arms extended in supplication.

Arriving from Koln are three large woodcuts from the studio of Gert & Uwe Tobias.

For Kentridge, this meant one large woodcut, while for Webster it meant drawing on mostly small pieces of paper.

Not exact matches

The larger piece called «Ghost Birds» is a woodcut.

Working across large - scale woodcuts, gouache paintings, so called «typewriter drawings» and ceramic sculptures, their uniquely carnivalesque visual language combines influences from traditional folk art and abstract art from the early 20th century European avant - garde.

Team will present a curated selection of new work by several artists of the gallery, including a large - scale woodcut print on canvas by Gert & Uwe Tobias, an atypical Photoshop gradient by Cory Arcangel, and a recent mixed - media sculpture by Ross Knight.

Patrick is well known for his large, high key colour canvases in acrylic, often in series and in a vertical format, but he also works on a smaller scale on paper, continually experimenting with small groups of paintings, acrylics on paper, collage, studies for larger paintings or prints, groups of etchings, silkscreen prints and woodcuts.

Katz's very latest large - figure paintings and landscapes were on display at PaceWildenstein's new branch in Chelsea, and the Peter Blum Gallery in Soho mounted a complete survey of Katz's woodcuts and linocuts.

Frankenthaler has worked with Pace Prints to create four Ukiyo - e plus woodcuts, including «Geisha» (2003), a twenty - three color Ukiyo - e woodcut printed from 15 woodblocks on Torinoko paper and mounted onto Fabriano Classico, as well as «Book of Clouds,» a large - scale print using a combination of aquatint, woodcut and pochoir techniques.

The artists will present a new series of large - scale handmade woodcuts on canvas, mixed media works on paper, and unique ceramic vases.

The Phillips Collection holds the largest collection of Knaths» work, which represents his entire oeuvre; it is comprised of thirty - five oils, four watercolors, four woodcuts, three collages, and one lithograph.

From her large abstract sculptures to her pillow pitchers to her woodcuts, Woodman's work glides flawlessly between form, function, and art.

This woodcut depicts a marble fluted column with the title in large letters as...

Lines / Edges: Frank Stella on Paper features a range of Stella's experiments on paper including early translations of his Black series and shaped canvases, magnificent color woodcuts and screen prints from the 1980s, and the Moby Dick Deckle Edges, an impressive nine work grouping of large - scale prints from the early 1990s based on Herman Melville's Moby Dick.

Wissemann is known for his large - scale improvisations and transformations of Japanese woodcut prints.

The series of large - scale woodcut prints will be exhibited locally and internationally, to bring attention to the impact rising sea levels due to global warming are having in Hawaii.

I took a gamble in entering my woodcut print, which is part of a larger series based on Cornish shipwrecks inspired by the Gibson family archive.

During his time in Paris (1886 — 88) he became fascinated by ukiyo - e, nineteenth - century Japanese colour woodcuts, and began to collect them on a large scale.

In his newest woodcut, Axis (2016), the artist harnesses the reductive printmaking process, altering marks on the matrix with each pass — in this case, drilling successively larger holes in the block.

His artwork for the streets is grounded in myth, symbolism and poetry and is primarily executed in woodcut, stencil or large - scale charcoal drawings.

He not only fondly recalls working with Frankenthaler, but also describes in detail the collaborative process involved in creating her large - scale woodcut prints.

In the exhibition Sol och stål — krigarens väg / Sun and Steel — The Warrior's Path, a tension is created between Söderberg's violent, meticulous watercolours based on Japanese woodcuts and the serenity of large - scale abstract oil paintings.

Created in several discreet bursts of activity from 1889 until his death in 1903, these remarkable works on paper reflect Gauguin's experiments with a range of mediums, from radically «primitive» woodcuts that extend from the sculptural gouging of his carved wood reliefs, to jewel - like watercolor monotypes and large, mysterious transfer drawings.

This presentation is dedicated to his prints and features woodcuts and etchings made in the 1960s and since 1999, and is being presented in conjunction with «Big Bling,» Puryear's largest public art work, which is currently on view on Kelly Drive in Philadelphia.

Our good friend Dennis McNett has carved out a vast body of work with his signature woodcut prints: from gallery walls and large - scale museum installations to skateboard decks and graphics.

These new works include a major painting by the midcareer African American artist Glenn Ligon; a select group of 51 works by American artist James Castle; a spectacular baroque silver relief by Giovanni Antonio Fornari; outstanding Dutch paintings by Jan Asselijn, Jan van der Heyden, and Aelbert Cuyp; important collections of photographs by Linnaeus Tripe, Mark Ruwedel, and Robert Frank; a fine copy of the illustrated book the Hypnerotomachia, containing the most important series of woodcuts in the Italian Renaissance; and a large pastel by Italian artist Francesco Paolo Michetti.

Sandow Birk, a guest artist from Los Angeles, is flying here to Dallas and giving an ART TALK at the McKinney Avenue Contemporary (The MAC) about his work and his notable suite of fifteen, large - scale woodcut prints on sekishu paper (each measuring 48 x 96 inches!).

To work through issues of race, identity and community, Yashua Klos employs techniques like woodcutting and etching to produce innovative, large - scale collages, expansive figurative portraits of friends and fellow artists rendered in a quasi-cubist, bricolage style.

In March 2016 Tom Hammick will complete an Artist Residency at Peacock Visual Arts, Aberdeen to publish two large reduction woodcuts.

On Wed, July 6 at 7 pm, Cruz will perform How To Order A Chocolate Cake, in addition to performances by artists Jaamil Olawale Kosoko and David Thomson.To work through issues of race, identity and community, Yashua Klos employs techniques like woodcutting and etching to produce innovative, large - scale collages, expansive figurative portraits of friends and fellow artists rendered in a quasi-cubist, bricolage style.

Represented South Africa at the Venice Biennale 1959 Solo exhibition of woodcuts at Wittenborn Gallery, New York Represented SA Touring exhibition, South and North America Painting and Sculpture, National Arts Club, New York Represented South Africa at Sao Paulo Biennale Represented on The National Arts Club International Exhibition of painting and sculpture, New York 1960 Represented South Africa at Ljubljana, Yugoslavia International graphic exhibition Exhibition of incised woodblock paintings at the Egon Guenther Gallery, Johannesburg 1961 Large mural, the Apocalypse, in Our Lady of the Rosary Roman Catholic Church Motsethabong, Welkom, Orange Free State Represented South Africa at Sao Paulo Biennale Made Stations of the Cross for Our Lady of Lourdes Roman Catholic Church, Rivonia, Sandton 1962 Guest Artist of the year at the Transvaal Academy Exhibition of Rock Faces, Egon Guenther Gallery, Johannesburg Designed tapestry St. Anne, woven by Marguerite Stephens, and carved the Stations of the Cross for St. Anne's Anglican Church, Piggs Peak, Swaziland 1963 Appointed President of South African Council of Artists in succession to Walter Battiss Principal witness against State at the Harold Ruben blasphemy trial Represented South Africa at International Conference of Plastic Arts at UNESCO, New York Became founder member of the Amadlozi Group consisting of Eduardo Villa, Sydney Kumalo, Cecily Sash and Guiseppo Cattaneo.

And Galerie Chantal Crousel will present three large and complementary woodcuts recently completed by duo Jennifer Allora (b. 1974) and Guillermo Calzadilla (b. 1971).

These collage / sculptures are shown inside two large - scale vitrines that occupy the center of the space, while Team's second gallery will contain the «exhibition woodcut.»

The engravings are more precise and clearly more time - consuming; the largest prints are all woodcuts.