Sentences with phrase «largest costume design»

Not exact matches

Later, explore the nearby Country Music Hall of Fame, the world's largest museum of popular music, whose vast collections of recordings, instruments, costumes, and memorabilia are presented in artfully designed exhibits that capture the colorful history of country music and the artists who've shaped it.

«Cinderella» is filled with beautiful, and rather large, costumes, gorgeous set design (there's an extravagant and effervescent ballroom sequence) and a lovely score.

We're talking hundreds of extras, large detailed set designs, delightfully spot - on choreographed dance numbers, distinctive costuming, original songs, a creative humorous yet touching script, and lead actors that shine.

«The Many Colours of Mr. Turner» (31:50) also considers the visuals, but as part of a larger discussion of production and costume design, characters, and so on.

Target offers 29 costume styles for dogs, including five rider styles (a stuffed character rides on the back of the pet) designed for larger dogs and 10 partial costumes for the pet that won't tolerate a full costume, said Kristy Welker of Target Communications in Minneapolis.

This costume is designed for large dogs and includes a red and green bodysuit, attached yellow cape and black eye mask.

Oka Doner's work ranges in scale from jewellery and furniture to set and costume design for the Miami City Ballet, and she has undertaken a number of large - scale public art commissions as well, including Radiant Site at New York's Herald Square underground station and A Walk on the Beach at Miami international airport.

In addition to paintings, Nora McGuinness executed a large number of book illustrations, theatre sets and costume designs during her career.

First appearing as a figurative element in his works on paper in the mid-1990s, and since incorporated into his large - scale drawings, paintings, and films, masks were most recently featured in the artist's critically - acclaimed stage and costume design for the New York City Ballet's The Most Incredible Thing in 2016, a performance choreographed by Justin Peck and based on Hans Christian Andersen's fairy tale.