With seven out of the gallery's ten David Chipperfield - designed spaces showcasing West's work, it's
the largest exhibition since the gallery opened three years ago.
Including twelve paintings and twenty - five drawings, it is the artist's
largest exhibition since his 2006 Museum of Modern Art retrospective.
Not exact matches
Since the
exhibition grounds opened in 1974, NürnbergMesse has become one of the 20
largest exhibition companies in the world.
There have been a
large number of international
exhibitions of his work
since his first solo
exhibition at the Frye Art Museum in Seattle, USA, 2012.
Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a
large newspaper ball down the streets of Turin, the
exhibition will include works from all decades
since the 60s and commission artists to create new work for 2017.
Jennine Culligan, Director of the Eleanor D. Wilson Museum, writes in the
exhibition catalog, «
Since 1987, the first floor of her home, her
large studio a few steps away, and the daily comings and goings of her family have been her main source for compositions based on observation and imagination.
Hirst unveiled the diamond skull «For the Love of God» (2007), at his
largest exhibition of new work to be held in London
since 2003.
With its highly regarded
exhibitions, archival holdings, numerous contributions to research and more than thirty - five (mostly volunteer) staff, the Schwules Museum * has,
since its founding in 1985, grown into one of the world's
largest and most significant institutions for archiving, researching and communicating the history and culture of LGBTIQ communities.
Rivas, who has worked in the museum sector
since 2002, has been involved with a
large number of major
exhibitions in the US, Europe, the Middle East, and Latin America.
To mark 800 years
since the sealing of this landmark document, the British Library hosts the
largest ever
exhibition devoted to the Magna Carta.
Who: Beep (Biennial
exhibition of Painting) has been running
since 2012 and is a not - for - profit
large scale celebration of contemporary painting.
The
exhibition will present a number of
large, heavily textured and abstract paintings, forming a contextual backdrop to the ceramic and bronze works which have played a crucial role in the artist's practice
since the mid-1990s.
Since 1993, Sharjah Biennial has commissioned, produced and presented
large - scale public installations, performances, and films, offering artists from the region and beyond an internationally recognised platform for
exhibition and experimentation.
To date, this is Neuman's
largest and most comprehensive
exhibition and is the first in his native state of Idaho
since 1969.
He added that Artists Space had already begun hunting for a new location, to lease long - term or to buy, that would be
large enough to accommodate its
exhibition programs and also the activities of its Artists Space Books & Talks program, which it has run out of a space at 55 Walker Street in TriBeCa
since 2012.
Jackson Pollock: Blind Spots is the first
large - scale
exhibition to be curated by Gavin Delahunty at the DMA
since he joined the Museum in May 2014.
This
exhibition brings together the artist's iconic black and white self - portraits, a group of colour photographs that have not been publicly exhibited
since 1983, rare sepia landscapes and, in collaboration with the artist's estate, introduces a group of his photographs in a
large - scale format for the first time.
He is the Founding Editor of The Exhibitionist: Journal on
Exhibition Making and
since 2012 Editor at
Large for Mousse Magazine.
Damien Hirst is going
Large for his first major
exhibition since 2004.
This show represents the
largest and most comprehensive survey in an American gallery
since Joaquín Torres - García curated his own
exhibition at The Sidney Janis Gallery in 1950.
That's Not Me marks his first
large - scale UK
exhibition since 2002.
Building on this
large exhibition, through the existing references to French art and culture in the Los Angeles art scene, it became pertinent to highlight the ties between France and the City of Angels, which has
since become a true cultural capital of the world.
Telling a story 500 years in the making, Botticelli Reimagined will be the
largest Botticelli
exhibition in Britain
since 1930.
The
largest exhibition of Albert Oehlen's work in the United States to date, Albert Oehlen: Woods near Oehle illustrates the depth and complexity of an artist who has been at the forefront of artistic innovation
since the late 1970s.
Ever
since MAM re-opened as an expanded museum in 2006 the
exhibition staff has sought out artists working in installation and
large - scale sculpture to create original works for the new beautiful spaces.
Large scale solo visual arts
exhibitions since this time have included work by Sebastian Buerkner, Phil Collins, Cerith Wyn Evans, Lara Favaretto and Subodh Gupta.
Both were automotive shops before being repurposed as
exhibition spaces — 2660 has been the main location for Anat Ebgi
since 2012, and was expanded in 2013 to incorporate a
larger exhibition space.
Curated by Dr. Xiaobing Tang, Helmut F. Stern Professor of Modern Chinese Studies at the University of Michigan and organized by UMMA with the assistance and cooperation of the China Academy of Art in Hangzhou, China, this
exhibition - the
largest examination of contemporary Chinese prints in the US
since 2000 - will provide an important framework for understanding both contemporary art from China and contemporary Chinese society.
With Western galleries continuing to open in Greater China (by and
large in Hong Kong) and Western museums attempting to introduce audiences to the development of contemporary art in the region (witness the Guggenheim Museum's current
exhibition), it's no surprise that Helbling, who has been promoting contemporary art in China
since he set up Shanghart in 1996, is the first port of call for advice and information.
Since his death in 2007, interest in Harper's artistic career has spread steadily, due in
larger part to the release of Todd Oldham's excellent publication Charley Harper: An Illustrated Life (2007) and a retrospective
exhibition held in his hometown of Cincinnati.
It is perhaps fitting, then, that curator Przemysław Strożek uses the work as a symbolic point of departure for an
exhibition that simultaneously serves as the first
large - scale retrospective of Prampolini's work
since the early 1990s and as a portrait of the international character of the Polish avant - garde, the centenary of which is this
In December 2011, Cai Guo - Qiang: Saraab opened at Mathaf: Arab Museum of Modern Art in Doha, Qatar - the artist's
largest since his 2008 retrospective at the Guggenheim Museum and his first solo
exhibition ever in a Middle Eastern country.
Of course, governments and local councils have been using the spectacular power of
large - scale or monolithic
exhibitions to boost the economic viability and cultural status of cities and countries
since the 19th century — an impulse that still drives biennial fever today.
Since 2000 the artist has held
large - scale
exhibitions surveying aspects of his work from 1968 - 2005 at the following museums and galleries: Kunstmuseum Singen, Germany; Kunstmuseum Baselland, Basle, Switzerland; Stiftung fur Konkrete Kunst, Reutlingen, Germany; Australian Centre for Contemporary Art, Melbourne; the Art Gallery of Western Australia, Perth; and works from 2006 - 2007 TarraWarra Museum of Art, Healesville.
Adding peripheral heat to the discussion is the spectacle of Christie's promoting this presale show as the
largest exhibition of Judd's work in this country
since 1988, the year of his second retrospective at the Whitney Museum of American Art.
The press release says the
exhibition presents the full scope of Freud's achievements in etching, including seventy - five examples ranging from rare, early experiments in the 1940s to the
large and complex compositions created
since... read more... «Fetching Freud's etchings»
The Royal Academy of Arts has elected the imprisoned Chinese artist Ai Weiwei as an honorary member on the eve of its Summer
Exhibition, the largest and oldest open art exhibition in the world and a fixture in the arts calender s
Exhibition, the
largest and oldest open art
exhibition in the world and a fixture in the arts calender s
exhibition in the world and a fixture in the arts calender
since 1768.
For her first
exhibition with Sean Kelly gallery and her first solo show in New York
since 2014, Sam Moyer has realized a vibrant series of
large - scale paintings as well as an architectural sculpture, and a range of drawings with oil on paper.
Questioning the effects of a rapidly evolving culture on «our sense of self and identity as well as on art's form and
larger social role» — as the
exhibition claims to do — has been a concern of varying degree within the arts
since the early modern period and will likely continue to have new permutations every generation.
After Hours: Murals on the Bowery, Bowery, New York, NY, United States New York Minute, The Garage: Center for Contemporary Culture, Moscow, Russia, (travelling
exhibition) At Capacity:
Large Scale Works from the Permanent Collection, Museum of Contemporary Art, Miami, FL, United States Psychedelic: Optical and Visionary Art
since the 1960's, Jepson Center, Telfair Museum of Art, Savannah, GA, United States, (travelling
exhibition), (cat.)
Print / Out is the third
large scale
exhibition organised by MoMA's Department of Prints and Illustrated Books
since 1980.
Opening on 17 March, That's Not Me marks the artist's first
large - scale UK
exhibition since his solo show at the Whitechapel in 2002.
In addition there are major curated
exhibitions that offer overviews of the state of art: in the Italy Pavilion, the
largest in the Giardini, which
since the demise of fascism has become an international survey; in the Arsenale, where generally hipper talents are showcased in a mammoth, historic rope factory, and in a cornucopia of «collateral» satellite events.
The
exhibition is curated by Ali Subotnick and it is her first
large - scale project
since she joined the curatorial team at the Hammer in 2006.
Since her 2010 retrospective at the Museum of Modern Art in New York — the
largest exhibition dedicated to performance in the institution's history — Belgrade - born, New York - based artist Marina Abramovic's name has become virtually synonymous with performance art.
Selected Group
Exhibitions — Invitational & Juried: 2010 «Best in Show» Taubman Art Museum, Roanoke, VA 2010 «11th Annual Juried Show» Nelson Gallery, Lexington, VA 2010 «Bath County Art Show» Hot Springs, VA 2010 «Art with a Twist» Logan Gallery, Roanoke, VA 2010 «Paintings from Provence» Westlake Library, Moneta, VA 2010 «The Painted Garden» Beach Gallery, Virginia Beach, VA 2010 «Best in Show» Taubman Art Museum, Roanoke, VA 2008 Westlake Library, Smith Mountain Lake, Moneta, VA 2008 «Chica's Choice» North Gallery PVCC, Charlottesville, VA 2008 «Paint Lexington» Nelson Gallery, Lexington, VA 2008 «Bath County Art Show» Hot Springs, VA 2008 «Academy of Fine Arts Juried Art
Exhibition» Lynchburg, VA 2007 «Pictorial Strategies» Andrews Gallery, W&M Univ., Williamsburg, VA 2006 — 2007 «Facets of Perception» Zeuxis traveling exhibition 2005 «The Black & White Show» Nelson Fine Arts Gallery, Lexington, VA 2005 «Bath County Art Show» Warm Springs, VA (H.M) 2005 «Mountains and Rivers» Warm Springs Galley, Warm Springs, VA 2005 «7 Views» Riverviews Artspace, Lynchburg, VA 2005 «Faces of the Fallen» Arlington National Cemetery, Washington DC 2005 «32nd Annual Juried Competition» Masur Museum of Art, Monroe, LA 2004 «Within Our Borders - The Virginia Landscape» Hermitage Foundation, Norfolk, VA 2004 «Past, Present, Future» Academy of Fine Arts, Lynchburg, VA 2004 «George Nick Selects» Concord Art Association, Concord, MA 2003 «Sense of Place» Art Museum of Western Virginia, Roanoke, VA 2003 «Bath County Art Show» Warm Springs, VA (Best in Show) 2003 «Light & Landscapes - Reflections of Italy» Wayne Art Center, Wayne, PA 2002 «Art Educators of Virginia» Jefferson Center Gallery, Roanoke, VA 2002 «3rd Annual Juried Art Show» Nelson Fine Arts Gallery, Lexington, VA 2002 «Plein - air Revisited» W&M Andrews Gallery, Williamsburg, VA 2002 «Larger than Life» Jefferson Center Gallery, Roanoke, VA 2002 «Bath County Art Show» Warm Springs, VA (H.M) 2002 «The Mountain Lake Hotel Workshop Exhibit» Lynchburg Fine Arts Center, VA 2002 «The Mountain Lake Hotel Workshop Exhibit» Jefferson Center, Roanoke, VA 2002 «Open Studio Tour» Roanoke, VA 2002 «Roanoke City Art Show» Roanoke, VA 2002 «Lynchburg Area Juried Art Show» Lynchburg, VA 2002 Staunton Augusta Fine Art Center, Staunton, VA 2002 «Artemis - Winter Lights» Roanoke, VA 2002 «Artists & Their Studios» Jefferson Center, Roanoke, VA 2002 «Since September 11, 2001» Jefferson Center, Roanoke, VA 2001 «Lynchburg Area Juried Show» Lynchburg Fine Arts Center, Lynchburg, VA 2001 «George Nick Selects» Concord Art Association, Concord, MA 2000 «Roanoke College Biennia», Roanoke College, Salem, VA 2000 «The Summer Show» Gross McCleaf Gallery,, Philadelphia, PA 2000 «Jane Piper & Philadelphia Colorists» State Museum of Pa, Harrisburg, PA 2000 «Landscape in Virginia&r
Exhibition» Lynchburg, VA 2007 «Pictorial Strategies» Andrews Gallery, W&M Univ., Williamsburg, VA 2006 — 2007 «Facets of Perception» Zeuxis traveling
exhibition 2005 «The Black & White Show» Nelson Fine Arts Gallery, Lexington, VA 2005 «Bath County Art Show» Warm Springs, VA (H.M) 2005 «Mountains and Rivers» Warm Springs Galley, Warm Springs, VA 2005 «7 Views» Riverviews Artspace, Lynchburg, VA 2005 «Faces of the Fallen» Arlington National Cemetery, Washington DC 2005 «32nd Annual Juried Competition» Masur Museum of Art, Monroe, LA 2004 «Within Our Borders - The Virginia Landscape» Hermitage Foundation, Norfolk, VA 2004 «Past, Present, Future» Academy of Fine Arts, Lynchburg, VA 2004 «George Nick Selects» Concord Art Association, Concord, MA 2003 «Sense of Place» Art Museum of Western Virginia, Roanoke, VA 2003 «Bath County Art Show» Warm Springs, VA (Best in Show) 2003 «Light & Landscapes - Reflections of Italy» Wayne Art Center, Wayne, PA 2002 «Art Educators of Virginia» Jefferson Center Gallery, Roanoke, VA 2002 «3rd Annual Juried Art Show» Nelson Fine Arts Gallery, Lexington, VA 2002 «Plein - air Revisited» W&M Andrews Gallery, Williamsburg, VA 2002 «Larger than Life» Jefferson Center Gallery, Roanoke, VA 2002 «Bath County Art Show» Warm Springs, VA (H.M) 2002 «The Mountain Lake Hotel Workshop Exhibit» Lynchburg Fine Arts Center, VA 2002 «The Mountain Lake Hotel Workshop Exhibit» Jefferson Center, Roanoke, VA 2002 «Open Studio Tour» Roanoke, VA 2002 «Roanoke City Art Show» Roanoke, VA 2002 «Lynchburg Area Juried Art Show» Lynchburg, VA 2002 Staunton Augusta Fine Art Center, Staunton, VA 2002 «Artemis - Winter Lights» Roanoke, VA 2002 «Artists & Their Studios» Jefferson Center, Roanoke, VA 2002 «Since September 11, 2001» Jefferson Center, Roanoke, VA 2001 «Lynchburg Area Juried Show» Lynchburg Fine Arts Center, Lynchburg, VA 2001 «George Nick Selects» Concord Art Association, Concord, MA 2000 «Roanoke College Biennia», Roanoke College, Salem, VA 2000 «The Summer Show» Gross McCleaf Gallery,, Philadelphia, PA 2000 «Jane Piper & Philadelphia Colorists» State Museum of Pa, Harrisburg, PA 2000 «Landscape in Virginia&r
exhibition 2005 «The Black & White Show» Nelson Fine Arts Gallery, Lexington, VA 2005 «Bath County Art Show» Warm Springs, VA (H.M) 2005 «Mountains and Rivers» Warm Springs Galley, Warm Springs, VA 2005 «7 Views» Riverviews Artspace, Lynchburg, VA 2005 «Faces of the Fallen» Arlington National Cemetery, Washington DC 2005 «32nd Annual Juried Competition» Masur Museum of Art, Monroe, LA 2004 «Within Our Borders - The Virginia Landscape» Hermitage Foundation, Norfolk, VA 2004 «Past, Present, Future» Academy of Fine Arts, Lynchburg, VA 2004 «George Nick Selects» Concord Art Association, Concord, MA 2003 «Sense of Place» Art Museum of Western Virginia, Roanoke, VA 2003 «Bath County Art Show» Warm Springs, VA (Best in Show) 2003 «Light & Landscapes - Reflections of Italy» Wayne Art Center, Wayne, PA 2002 «Art Educators of Virginia» Jefferson Center Gallery, Roanoke, VA 2002 «3rd Annual Juried Art Show» Nelson Fine Arts Gallery, Lexington, VA 2002 «Plein - air Revisited» W&M Andrews Gallery, Williamsburg, VA 2002 «
Larger than Life» Jefferson Center Gallery, Roanoke, VA 2002 «Bath County Art Show» Warm Springs, VA (H.M) 2002 «The Mountain Lake Hotel Workshop Exhibit» Lynchburg Fine Arts Center, VA 2002 «The Mountain Lake Hotel Workshop Exhibit» Jefferson Center, Roanoke, VA 2002 «Open Studio Tour» Roanoke, VA 2002 «Roanoke City Art Show» Roanoke, VA 2002 «Lynchburg Area Juried Art Show» Lynchburg, VA 2002 Staunton Augusta Fine Art Center, Staunton, VA 2002 «Artemis - Winter Lights» Roanoke, VA 2002 «Artists & Their Studios» Jefferson Center, Roanoke, VA 2002 «
Since September 11, 2001» Jefferson Center, Roanoke, VA 2001 «Lynchburg Area Juried Show» Lynchburg Fine Arts Center, Lynchburg, VA 2001 «George Nick Selects» Concord Art Association, Concord, MA 2000 «Roanoke College Biennia», Roanoke College, Salem, VA 2000 «The Summer Show» Gross McCleaf Gallery,, Philadelphia, PA 2000 «Jane Piper & Philadelphia Colorists» State Museum of Pa, Harrisburg, PA 2000 «Landscape in Virginia» Va..
Since moving downtown, the Whitney Museum of American Art has grown up, thanks to a
larger, dashing new building, more ambitious
exhibitions and new responsibilities brought by rising attendance and membership.
The Getty Conservation Institute, which has been involved with the site
since 1989 under a collaborative agreement with China's State Administration of Cultural Heritage (SACH), is planning a much
larger exhibition devoted to the Mogaoku (with support from the Dunhuang Foundation) for 2016.
It follows the 2012
exhibition of the same name that was held at the Belkin Art Gallery, which focused on a series of
large - scale paintings with inserted mirrors that Morris made in 1969 — his last paintings until the early 1980s — brought together at the Belkin for the first time
since then.
Since his last solo
exhibition in Cape Town in 2008, Odita has created
large murals at the US Mission to the United Nations in 2010; the New Orleans Museum of Art and the Kiasma Museum of Contemporary Art, Helsinki, in 2011; and a stained - glass installation in the 20th Avenue subway station in New York in 2012.