Sentences with phrase «largest film exhibition»

Presenting a comprehensive series of works by Koester across the first floor gallery spaces, this will be Turner Contemporary's largest film exhibition to date.

Alejandro Ramírez Magaña serves as Chief Executive Officer of Cinépolis, one of the largest film exhibition companies in the world with operations in Mexico, Brazil, Spain, India, the United States, Colombia, Chile, Argentina, Peru, Guatemala, Honduras, El Salvador, Costa Rica, and Panamá.

Not exact matches

Douglas Lemza of Films Incorporated, the largest 16 mm film rental company, tells me that classic and foreign film exhibition on the campus is dying or dead, replaced by videocassettes on big - screen TV.

In some ways, McDonald's examination of IMAX is an example of technological history being repeated as the economics of exhibition require a greater supply of films than can be produced in large format systems.

And, though many predicted the death of the movie theater and public exhibition of films on large screens when the VCR was first introduced, the result was that both businesses grew.

The Barbican Centre located in Clerkenwell is the largest multi-faceted performance and arts venue in Europe, hosting a wide array of events and functions including classical and contemporary music concerts, theatre performances, film screenings and art exhibitions.

Among the works presented in the exhibition are Gestures (1999), Crossfire (2007), Mixed Reviews (1999 — 2001) and the centerpiece of the exhibition Video Quartet (2002), a large, four - screen projection featuring hundreds of clips from old Hollywood films, with actors and musicians making sound or playing instruments.

The exhibition will present six of these rooms as well as sculptures, paintings, works on paper, film excerpts, archival ephemera, and additional large - scale installations that span the early 1950s to the present day.

The on - site installations program IN / SITU, selected by a major international curator, and EXPO Projects organized by the fair Directors, feature large - scale suspended sculptures and site - specific works within the exhibition hall, alongside EXPO VIDEO, featuring a dynamic curated screening program for film, video, and new media works, and Special Exhibitions booths highlighting non-profit organizations.

Dan Colen produces new work for the exhibition that continues his exploration of spirituality and mortality with a triptych of large skyscapes based on stills from the 1940 Walt Disney film Fantasia.

If the artist is organizing their history for a retrospective or large scale exhibition, publication, or documentary film, CALL Services will seek to work with the museum, arts organization, publisher, dealer or collector, to raise additional funds in support of this work.

Her exhibition will explore «landscape» in its broadest sense, including intimate collections of natural found objects, large scale drawn pieces and a major new, experimental 35 mm film, Antigone.

On view October 28, 2015 through March 6, 2016, the exhibition features Danish artist Joachim Koester's 3 - minute, 16 mm film inspired by a tragic 1897 hot air balloon expedition across the North Pole and two large - scale lithographs that appear to advertise the voyage.

EXHIBITION «Adam Pendleton: Becoming Imperceptible» @ Contemporary Art Center New Orleans (April 1 - June 16, 2016): Featuring film, wall paintings, ceramics, silkscreens, «Becoming Imperceptible» is Adam Pendleton «s largest solo museum exhibition in the UnitEXHIBITION «Adam Pendleton: Becoming Imperceptible» @ Contemporary Art Center New Orleans (April 1 - June 16, 2016): Featuring film, wall paintings, ceramics, silkscreens, «Becoming Imperceptible» is Adam Pendleton «s largest solo museum exhibition in the Unitexhibition in the United States.

This exhibition follows the artists from their early video installations and websites to later large - scale sculptural work and feature - length films, screened daily in a gallery cinema.

Galerie Lelong presents 14 striking new sculptures by Petah Coyne in Vermilion Fog, an exhibition divided into two parts — Dante's Inferno and Unforgiven, allusions to literature and film that loosely frame the works by themes of loss, chaos, and redemption.Vermilion Fog is a monumental exhibition for the artist known for her use of diverse materials in large works whose grace and fragility belie their immense weight and arduous process.

Finally, the exhibition includes a series of large - scale photographs taken at the time of filming.

In his first L.A. museum exhibition, Simmons paints the titles of race films on five large walls as part of a site - specific installation in CAAM's grand entrance.

Since 1993, Sharjah Biennial has commissioned, produced and presented large - scale public installations, performances, and films, offering artists from the region and beyond an internationally recognised platform for exhibition and experimentation.

The trendsetting exhibition program is supplemented with a large number of activities like artist talks, performances, concerts and film screenings.

Currently at MASS MoCA, the artist presents his largest exhibition in the U.S., a vast body of work that features recurring characters including himself, his friends, fictional superheroes, politicians, and film stars.

It was founded in 2003 by Virginia Leberman and Fairfax Dorn, and maintains a large space (a converted dancehall) in the center of Marfa where exhibitions, concerts, talks and film screenings are held throughout the year.

Other exhibition highlights on view in October include Little Black Dress, curated by SCAD trustee and Vogue contributing editor André Leon Talley; Addio del Passato, presenting photographs, sculpture and film by Yinka Shonibare MBE; Stretching the Limits, a group exhibition by fiber - based media artists; Reveal the secrets that you seek, featuring installations by Bharti Kher; and Figures, four large - scale wall hangings by renowned American sculptor Lynda Benglis.

The exhibition at Galerie Lelong is concurrent with the artist's largest exhibition of films in the U.S., Covered in Time and History: The Films of Ana Mendieta, organized by the Nash Gallery, University of Minnesota.

She has curated a number of large - scale exhibitions of film and video including Scream and Scream Again: Film in Art and Into the Light: The Projected Image in American Art 1964 - 1977, awarded best thematic exhibition in New York City by the International Association of Art Critics.

Ranging across photography, painting, sculpture and film, the exhibition evidences the wealth of artistic creativity and output from the second largest continent in the world.

Unlike commercially - made animated films of the 20th century, which were also hand - drawn and painted, artists in this exhibition have more in common with American aesthetic development as a whole: artistic trends and styles found in all media in the larger art world are found simultaneously in animation.

Barbara Kruger, Modern Art Oxford Barbara Kruger's work is in major collections across the world and this summer her work appeared in a solo exhibition at Modern Art Oxford occupying a large proportion of the gallery space with a series of collages, films and installations.

With more than 250 works on show, the exhibition explores the tireless experimental spirit that drives Raysse's entire artistic output, from his small, playful sculptures to the self - discipline of drawing; from films expressing the libertarian trends of the 1970s to Raysse's use of neon as colour; and from installations celebrating consumer society to his paintings, which represent the most complete aspect of his work — among them, transcriptions of great Renaissance masterpieces, female portraits, large group paintings, and imaginary landscapes.

The exhibition will include Doug Aitken's recent monumental video installation Interiors (2002); large - scale photographs from Fischli / Weiss Airport series (1988 - 1998); Atomium Phi (2004), a light - based sculpture by Carsten Höller; preparatory materials (storyboards, photographs, notes and drawings) for Chris Marker's legendary 1962 film La Jetée; Bruce Nauman's celebrated Green Light Corridor (1970); a large photography and sound installation, Sleep (1999), by Ugo Rondinone; as well as preparatory materials for Ed Ruscha and Lawrence Weiner's 1978 book, Hard Light.

This solo exhibition introduces the artist's idiosyncratic output through eight printed Explications, some of which have never been shown before, alongside models of large - scale projects and the film work The Velocity of Thought (2006).

Other works in the exhibition, such as the slide show Dismal Science, Chapter 8 of the larger project Fish Story (1989 — 92), or the film The Forgotten Space (2010), look closely at the maritime economy and its impact on globalization.

The exhibition includes 15 large scale collages and films that tell stories about the spectrum of innocence through the viewpoints of a child, a princess and an ambitious beauty.

The exhibition presents approximately 375 artworks, including five large - scale installations at P.S. 1, and explores the full range of Roth's creative accomplishments: paintings, drawings, graphic works, books, sculptures, installations, and film and video works.

Split into two locations — Chelsea and the Lower East Side — the exhibition contains large - scale paintings, short films, and a tableau environment.

The exhibition brings together for the first time, the entire ensemble of Matthew Barney's multi-part River of Fundament project, comprising the symphonic film of epic length (5 hours) River of Fundament, large - scale sculptures, drawings, photographs, story boards, and vitrines.

This work is the starting point for an solo exhibition later this year, the large canvas acting as a vista within which she will re-orientates new and existing films, sculptures and painting.

Shezad Dawood: Towards the Possible Film comprises a group of recently executed light sculptures, an installation of large scale paintings on textile, and two films, one of which, Towards the Possible Film, gives its title to the exhibition and will have its UK premiere at Parasol unit.

The large installation was exhibited as a solo exhibition at Kunsthalle Zurich in 1995 alongside the publication of her first book, «Visit to a Small Planet», a script which spanned the years 1978 (when she saw the original film aged 10) to the present day.

Fully integrated into the Stedelijk's program at large, the Public Program presents a broad spectrum of performance, exhibition, film, music, dance, and discursive events that invite the museum's publics to join the conversation about the latest developments in contemporary art and design.

For the fourth installment of this exhibition Laure Prouvost presents The Wanderer (The Storage), an ambitious new installation in which the viewer undertakes a labyrinthine journey encountering mysterious fragments of film, sculpture and signage before reaching a final large scale single - channel video.

The exhibition also includes a broad range of drawings and collages, and more recent, immersive installations featuring such materials as commercial advertising posters, large - scale photographs, films, and books.

The largest collection of Mendieta's film works ever presented is a full - scale gallery exhibition which was organized by the Katherine E. Nash Gallery, University of Minnesota in 2014 touring within the USA and with forthcoming venues in Europe: Martin Gropius Bau, Berlin, (20 April - 22 July 2018) and Jeu de Paume, Paris, (16 October 2018 - 27 January 2019).

This exhibition features approximately five large - scale photographic works and the London premier of his most recent film Trick (2004).

La Casa Encendida in Madrid, Spain plays hosts to a major exhibition of Marcel Dzama's works, encompassing 3 large rooms that will feature the artist's drawings, sculpture, paintings, film and instal

Part of a larger urban renovation project, the building is aimed both to publicly showcase pieces from the foundation's permanent collection of art and to accommodate special exhibitions, film screenings, live performances and art - related educational programs.

Books, records, and films like Dara Birnbaum's Pop - Pop Video (1980) of the time complement the exhibition and place the works within a larger social context.

Fourteen weeks of exhibitions, performances, films and events, across the city's public spaces, unused buildings and galleries: this is Liverpool Biennial, the largest contemporary art festival in the UK, running from 9 July to 16 October 2016.

In addition to the large - scale projection of these films, the exhibition presents several original objects and materials from the German pavilion, which won the Golden Lion in 1986.

With over 50 paintings as well as archival material from his studio, films and photographs, the exhibition covers every decade of his career, from the pensive and shocking works of the 1940s to the exuberantly coloured and visceral large paintings of the 1970s and 80s.