Sentences with phrase «largest object in the room»

While it is the largest object in the room, the work has an airy presence that doesn't demand the same attention as other, more gritty works in the exhibition.

Not exact matches

Lets say you find yourself in the middle of a large room that as far as you can see is completely void of any object other than yourself.

For example, a person with autism who is viewing a movie of people in a room will spend a relatively large amount of time looking at non-social objects — such as chairs — and is more likely to look at the mouths or bodies of the characters than their eyes.

Whether you are working with a space slightly larger than a mat or the most expansive room in your house, making physical space at home for your mediation, yoga practice — or simply honoring objects that have deep meaning — can have a profound effect...

The bench seats can be folded flat and the four - way adjustable passenger seats allow room in the trunk for a variety of large objects.

The 199 rooms at Raffles Grand Hotel D Angkor embody Cambodian elegance and charm.Each of the air - conditioned rooms has Cambodian object dart and Art Deco country style furnishings.A few of the available amenities in each of the rooms include an in - room safe, in - room tea and coffee making facilities, large working desk, fully equipped minibar, bathroom with separate shower and bathtub, 42 inch flat screen LCD television, wireless and LAN Internet connection.

In the first room, objects are elegantly showcased in large glass cabinets or on walls and in the second room life - size (and alarmingly realisticIn the first room, objects are elegantly showcased in large glass cabinets or on walls and in the second room life - size (and alarmingly realisticin large glass cabinets or on walls and in the second room life - size (and alarmingly realisticin the second room life - size (and alarmingly realistic!)

- as Captain Olimar is making his way home, an asteroid onslaught forces him to land on a nearby planet - Sparklium is the fuel for Olimar's Dolphin III ship - with the ship's fuel depleted, you have to find items on this planet which can be turned into fuel - collect everything from seeds to large scale treasures - you need 30,000 Sparklium to make your way home - you are eventually required to find a lost ship part at the end of the game - levels are more linear and puzzle based, and include specific goals / goodies to collect - move Captain Olimar with the Circle Pad, while all other interactions use the touchscreen - blow your whistle, throw Pikmin and also touch certain objects - worlds are called Sectors, with six areas altogether - find all the treasure and look for new passageways to complete a sector 100 % - passageways can grant you access to secret spots or additional levels highlighted with the letter X - the first world is called Brilliant Garden, which has lush forest environments - Yellow Pikmin can easily reach the upper screen, where you can sometimes collect goodies and pull down vines - there's a level where you use yellow Pikmin as a source to connect two wires - connecting the wires lets you see enemies and platforms that were hidden in the shadows - Winged Pikmin can be flung at high speeds, and they can pick up Olimar and help him descend down into new areas - in a later level, you need to use red Pikmin to stomp out fire and clear the way for you - Rock Pikmin are the strongest ones of the bunch and can break crystals - blue Pikmin can swim and fight well underwater - the maximum amount of Pikmin you can have in a stage is 20 - blow your whistle to call over the correct Pikmin for a task or puzzle - Ravaged Rustworks offers a unique industrial environment where you climb on pipes - Loney Tower has you climbing to the top of a tower without any help of Pikmin, and instead use pipes and Olimar's jetpack - Valley of the Breeze, found in the Leafswirl Lagoon sector, relies complete on Winged Pikmin - Barriers of Flame is in the Sweltering Parchlands sector - here you «lll be forced to improvise with Yellow and Rock Pikmin to get around fire - every world ends with a boss stage - one boss fight puts you up against a Fiery Blowhog, where you use Red Pikmin to pick up / feed bombs to the boss - beating bosses gives you treasures worth 1,000 Sparklium each - supports amiibo in the Splatoon, Super Mario and Animal Crossing lines - amiibo can be scanned in to grant you access to secret spots - these are one room puzzle challenges where you collect a statue - these bonus rooms will also get you 200 Sparklium every time - you are limited by how many amiibo you can summon to each secret spot - one of the treasures you will find is an NES cartridge for Ice Climbers, which carries the name «Revenge Fantasy».

In the final room entering back into a well - lit space are many curious objects, the largest of which relates directly to Starling's sister show at the Chicago Arts Club.

Its inhabitants just happen to come unnaturally large or small, like the proverbial elephant in the room or the object behind the peephole.

«Localized Histories,» the new exhibition in Artpace's Hudson (Show) Room, begins, comes full circle, and ends with Linda Pace's «Orange Crush,» a large, multimedia wall collage comprised of everyday objects ranging from stuffed animals to Tide detergent bottles — all in bright shades of orange.

Rauschenberg's exhibition at Betty Parsons Gallery opened on May 14, 1951, and, as was standard for the time, remained on view for just three short weeks.36 The presentation consisted of thirteen easel - size oils in the smaller gallery while the larger main room featured works by Walter Tandy Murch, an artist known for his realistic depictions of mechanical objects and illustrations for such magazines as Forbes and Scientific American.

The room and the light continue to disintegrate, objects appearing and disappearing across the nine large panels, concluding with an exterior view: two birds flying in a sky that is at once stormy and clear.

Dark, with objects lit in a powerfully theatrical way, the room balances modestly scaled icons and Robert Rauschenberg's equally portable 1956 Untitled (Gold Painting) against Yves Klein's large, almost unbearably tactile gold - leaf - on - wood Untitled (Monogold)(ca. 1960), James Lee Byars's The Halo (1985) and a ravishing Rothko multiform.

Four of the five Infinity Mirror Rooms on view allow visitors to enter the room, immersing themselves in various environments: large balloons, suspended LED lights, phallic stuffed objects, or Kusama's beloved pumpkins.

Just as her large - scale paintings of Mickey Mouse, Batman, and Homer are mirrored in the source material photographs in the next room, they are similarly mirrored by the various lunch boxes, posters, and other objects that permeate our lives.

Made for Inverleith House, all of the works in persistencebeatsresistance are being exhibited for the first time: paintings, sculptural plinths, cast objects and large wall drawings have been installed by the artist throughout the gallery in its seven ground and first — floor rooms.

Accent lighting, like these large drum shades from Vaughan, provides a focal point in a room, drawing attention to specific areas or objects.