Sentences with phrase «largest piece in the exhibition»

The largest piece in the exhibition is located outside the museum, near the main doors.

Not exact matches

Writing a few years ago about the large - scaled, full - bodied works in Voulkos's late»50s solo exhibition in Pasadena, ceramics specialist Frank Lloyd noted, «The structured, volumetric pieces seemed at once raw and primitive, yet forged with a modern sensibility.

Unraveling Identity: Our Textiles, Our Stories The Textile Museum at the George Washington University Museum March 21 — Aug. 24 The largest exhibition in The Textile Museum's history, Unraveling Identity will feature more than 100 pieces spanning 3,000 years and five continents.

British silkscreen and collage star Joe Webb stages his first ever retrospective at For Arts Sake gallery in London this spring, in a large - scale exhibition displaying some of his most famous pieces alongside never - before - seen works.

Five new pieces were created especially for the exhibition, including a large scale outdoor video projection by Tony Oursler; a multimedia project created by Nan Goldin in Ukraine in the lead up to the exhibition; a video by Ai Weiwei; a photo by Sergiy Bratkov; and a performance by Ilya Chichkan.

He has shown his work in numerous exhibitions around Ireland and abroad, from wall based abstract pieces and posters to large room filling installations.

Erin Lawlor's new exhibition Four Paintings: London Fields comprises four pieces selected from a larger group of paintings produced in 2014.

Her exhibition will explore «landscape» in its broadest sense, including intimate collections of natural found objects, large scale drawn pieces and a major new, experimental 35 mm film, Antigone.

The exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces that help the viewer to understand his course in the art world.

In 2014, Trockel's pieces were included in the exhibition called Fiber Sculpture: 1960 - Present, held at the Institute of Contemporary Art, Boston.When it comes to her most influential and largest commissions, in 1995 Trockel has created the Frankfurter Engel memorial in Frankfurt, GermanIn 2014, Trockel's pieces were included in the exhibition called Fiber Sculpture: 1960 - Present, held at the Institute of Contemporary Art, Boston.When it comes to her most influential and largest commissions, in 1995 Trockel has created the Frankfurter Engel memorial in Frankfurt, Germanin the exhibition called Fiber Sculpture: 1960 - Present, held at the Institute of Contemporary Art, Boston.When it comes to her most influential and largest commissions, in 1995 Trockel has created the Frankfurter Engel memorial in Frankfurt, Germanin 1995 Trockel has created the Frankfurter Engel memorial in Frankfurt, Germanin Frankfurt, Germany.

She is both exposing herself and hiding, and so can exhibition visitors — in a large black bag, a recreation of her 1965 Bag Piece.

The exhibition brings together over 100 works, including several large - scale illustrated books by Kiefer (b. 1945) made in homage to Rodin (1840 — 1917) from materials like plaster; a series of large paintings titled Cathedral Towers; and vitrines filled with assorted objects including molds, dried plants, stones, and pieces of fabric.

The exhibition comes with the acquisition of more than 100 pieces of art from the Gilbert and Lila Silverman Fluxus Collection Gift and was organized, in part, by Klaus Biesenbach, MoMA's chief curator at large who also worked on the museum's upcoming Björk exhibit.

This is a special exhibition that emphasizes the beauty and power of small imagery as opposed to large, oversized wall pieces so prevalent in recent years.

This is the Casasempere's first solo exhibition in Japan and features large scale sculpture with a group of ceramic pieces.

The Museum Ludwig showcases her entire oeuvre in the artist's first - ever survey exhibition with over 120 works ranging from action - based objects from the 1990s to lacquer paintings, photographs, works on paper, video essays, anthropomorphic sculptures, performative pieces, and large - scale installations.

The artist best known for his flattened approach to the human figure takes his signature aesthetic into sculpture with «Cut Outs,» a solo exhibition of four works depicting Katz's wife Ada, the full set of his nine - piece «Black Dress» series, and one larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.

Anyone Knows How It Happened (Headboard for One)(2016), is the most formally straightforward work in Jessi Reaves's solo exhibition at Bridget Donahue: two shelves flank a large sheet of plywood with a piece of raw foam stapled bottom - center.

Alex Katz «Cut Outs» Paul Kasmin 515 West 27th Street CLOSES: April 12 The artist best known for his flattened approach to the human figure takes his signature aesthetic into sculpture with «Cut Outs,» a solo exhibition of four works depicting Katz's wife Ada, the full set of his nine - piece «Black Dress» series, and one larger, multifigure work, all rendered in stainless and porcelain enamel coated steel.

The space will be transformed to accommodate each exhibition in the programme, with moveable walls, lighting and bookcases making it suitable for everything from large - scale exhibitions to intimate performance pieces.

The centerpiece of this exhibition, entitled God Machines, is the installation of three large pieces featuring some of holiest places for the world's largest monotheistic religions — Mecca in Saudi Arabia, St. Peter's Basilica in Rome and the Wailing Wall in Jerusalem.

With a background primarily in creating large - scale, temporary light installations with his design firm, Cocksedge's premiere of smaller pieces in his first US exhibition paved the way for a unique set of installations.

Approximately sixty pieces, many of which have never been exhibited before in the U.S, will be part of the exhibition, including six registered Treasures, such as the «Large Jar with Inlaid Peony Decoration (Treasure no. 1422).»

Perhaps the greatest revelation of the exhibition — even greater than being so close to pieces actually worn on the body of a larger - than - life American artist — is seeing O'Keeffe's items both in person and in portraits.

In her third solo exhibition at the Mitchell - Innes & Nash gallery, Stockholder presents a multitude of studio pieces as well as a single «large - scale site - responsive installation.»

In addition, she intends some of the smaller works, called «Notes,» to complement the exhibition's main pieces, offering the artist — and, by extension, the viewer — a brief rest before and after the exertion of creating (or, for the viewer, absorbing) the larger - scale works.

From the first Gutai Art Exhibition (1955), a large - scale documentary photograph and video of Shiraga's performance piece, Challenging Mud, set the stage for the radical and progressive art in the eExhibition (1955), a large - scale documentary photograph and video of Shiraga's performance piece, Challenging Mud, set the stage for the radical and progressive art in the exhibitionexhibition.

One of the largest pieces in the current exhibition is 100 Time Lotus (2008): a 20 - metre - long pool of water containing a hundred white underwater diodes, upon the surface of which oat a hundred white lotus flowers.

The domestic - industrial duality continues on a smaller scale in the exhibition's largest gallery, where many pieces, dating from late 1960s and 1970s, incorporate little squares and triangles Ms. Merz knitted from copper wire.

Momentarily, visitors can see the collection presentation STEDELIJK BASE in the gallery, approximately 700 pieces from important artists, and another large exhibition will open in spring: Günther Förg - A Fragile Beauty.»

Blenheim Palace chooses Jenny Holzer for next contemporary art show US artist Jenny Holzer, best known for her large - scale LED light pieces, will be the fourth contemporary artist to transform Oxfordshire's Blenheim Palace in a major solo exhibition opening later this year, it was announced today.

The two - venue exhibition will include five large - scale digital monitor pieces and the immersive, digital installation, Crows are chased and the chasing crows are destined to be chased as well, Division in Perspective - Light in Dark, 2014.

Over the years the artist has shown his works in various solo and group exhibition, not to mention the large number of pieces held in numerous public collections spanning from The Museum of Modern Art in New York City, over Albertina in Vienna to Malmö Konsthall in Sweden.

In the catalogue accompanying the exhibition, art critic Donald Kuspit writes: «Carol Ross gives us two kinds of sculpture: large, free ‐ standing works, implicitly monumental, sometimes evocative of nature, sometimes figurative, and smaller wall pieces, sculptures as flat as the wall on which they are placed as though they were paintings.

Installation view September 13 — October 25, 2008 The exhibition presents two large - scale sculptures, Willy (1962) and New Piece (1966), made in Smith's signature steel, painted black.

However, Byars did create a few totemic golden sculptures throughout his life, the largest being a roughly 66 - foot - tall piece, titled The Golden Tower, which was realized for a group exhibition at the Martin - Gropius - Bau in Berlin in 1990.

The exhibition titled «Gated Community» showcased many familiar themes in the artists work as well as some larger installation pieces.

In February, the Rubin opened Ganesh's «The Scorpion Gesture,» featuring magical large - scale animated interventions in the «Gateway to Himalayan Art» and «Masterworks» exhibitions, and «Face of the Future,» a fellowship program consisting of new works on paper and collage - based pieces by Ganesh in addition to contributions from emerging artists Maia Cruz Palileo, Nontsikelelo Mutiti, Tammy Nguyen, Jagdeep Raina, Sahana Ramakrishnan, Anuj Shrestha, and Tuesday SmilliIn February, the Rubin opened Ganesh's «The Scorpion Gesture,» featuring magical large - scale animated interventions in the «Gateway to Himalayan Art» and «Masterworks» exhibitions, and «Face of the Future,» a fellowship program consisting of new works on paper and collage - based pieces by Ganesh in addition to contributions from emerging artists Maia Cruz Palileo, Nontsikelelo Mutiti, Tammy Nguyen, Jagdeep Raina, Sahana Ramakrishnan, Anuj Shrestha, and Tuesday Smilliin the «Gateway to Himalayan Art» and «Masterworks» exhibitions, and «Face of the Future,» a fellowship program consisting of new works on paper and collage - based pieces by Ganesh in addition to contributions from emerging artists Maia Cruz Palileo, Nontsikelelo Mutiti, Tammy Nguyen, Jagdeep Raina, Sahana Ramakrishnan, Anuj Shrestha, and Tuesday Smilliin addition to contributions from emerging artists Maia Cruz Palileo, Nontsikelelo Mutiti, Tammy Nguyen, Jagdeep Raina, Sahana Ramakrishnan, Anuj Shrestha, and Tuesday Smillie.

To cap off the opening weekend of an expanded MASS MoCA (a project that will nearly double our space for exhibitions and that we hear will make us the largest contemporary art museum in the country), we chose CAKE, a five - piece band whose mission from the outset was to make its lyrics smart, its sound pure, and its music a good time.

The exhibition takes place in a large dark room where the strategically illuminated pieces are been suspended alongside the walls leading the viewer through a theatrical journey from beauty and opulence towards violence and destruction, all themes explored by Harrington in later years.

This exhibition at The Hepworth Wakefield explores how Caro incorporated architectural features into his work, from the large - scale painted steel sculptures made in the 1960s to his final pieces created using large sheets of perspex.

Both in a large painting of 4 m shown in her solo exhibition Who Knows the Stories (2009, Tomio Koyama Gallery Kyoto) and in 108 pieces of small paintings of 20 x 20 cm shown in Imagination on the Grass (2009, TKG Editions Kyoto), the intensity and concentration were the same, while the characteristic and depth of each painting varied.

The exhibition includes selected works from SFCB's Imprint Publications Artist in Residence and Small Plates editions, large scale prints from eight years of Roadworks: A Steamroller Printing Festival, and juried pieces from SFCB's celebrated instructors and students.

This piece is the largest in a sculpture group exhibited in a solo exhibition by Wedderspoon at the Birmingham Museum of Art 2013 - 2015.

The Pulitzer Arts Foundation invited artist Glenn Ligon to curate an exhibition at the St. Louis - based institution beginning with a single work: Ellsworth Kelly's «Blue Black,» a commissioned piece that hangs in a large vertical space in the Tadao Ando - designed minimalist museum space.

Echoing the image of the shift in Gilroy's analytical approach, visual art was neither displayed in a traditional single exhibition, nor materialized by single unit of art pieces, but rather spread in motion by large multi-media installations.

The Turner Prize May Have Quit London to Set Up in Derry, but the Usual Controversies Haven't Been Left Behind Belfast Telegraph; October 23, 2013; Deeney, Donna; 700 + words THE Turner Prize would not be the most famous award in... his piece — unsurprisingly entitled Life Model — and their own work could then be... Shrigley's exhibition is a larger than life model of a naked man with a tin bucket between...

Within the larger scope of Gates» output, this building, alongside the others he has restored, is an integral part of his work: the buildings themselves can be, and are often, categorized as falling within his oeuvre as much as the smaller pieces he will sell in gallery exhibitions or art fairs to fund architectural projects such as the Bank.

Organized by the Fruitmarket Gallery, Edinburgh, this exhibition brings together 50 of the artist's small «test» pieces to examine, for the first - time, how Hesse's experimental practices and working method in the studio informed her larger sculptures.

Magnetic Fields features early - and later - career works, pieces from specific series, several exhibited for the first time, and the long - awaited reappearance of iconic works such as Mavis Pusey's large - scale painting Dejygea (1970) from the Whitney Museum of American Art's 1971 exhibition Contemporary Black Artists in America.