Sentences with phrase «largest piece in the show»

Laundry I (22 by 30 inches) is one of the larger pieces in the show.

This 21 - inch square of blue and black gouache on paper is one of the largest pieces in the show.

The largest piece in the show, measuring 9 1/2 - feet - tall, its stretcher is oddly shaped and unusually thick.

JL: The largest piece in this show [2014's Untitled (Guernica Redacted, After Picasso's Guernica, 1937)-RSB-, replicates perhaps the most famous modern painting of the aftermath of violence.

Not exact matches

You do not have a single piece of evidence, let alone the large amount of supporting evidence required to show god is real - you know, real as in «reality.»

The length is thigh length, and you will be able to show off your legs too when wearing this piece, You can head out to the office and wear it to turn heads, and there are different sizing options on offer, you can choose from medium, large, extra large and 2 xl in the dress.

► A giant caged gorilla is placed into a military cargo plane, accompanied by a man and a woman in handcuffs who argue with soldiers and an agent; the gorilla growls, snarls, and roars, showing large sharp teeth until he breaks apart the cage and several soldiers and government agents fire rifles and handguns to no avail as the animal roars and throws pieces of metal, striking some of the men, tosses several men against the bulkheads of the plane, and stands on the chest of an unconscious agent, who wakes up and shouts; a sliding military vehicle in the cargo hold pins the gorilla to a wall, the man and the woman in handcuffs break free and don parachutes, placing one on the agent and after the plane crashes in smoke and flames we see few bloody footprints of the gorilla leading away from the crash site (we do not see the bodies of the other passengers) and the agent has a cut on his forehead and the other man has lots of blood on the back of head and his T - shirt while the woman's face is scraped on one cheek and one side of her forehead.

In larger pieces Matt Van Vogt unearths the efforts to reduce theater noise during the early years of sound cinema, while Laura L. Beading shows how the Coens use sound, voiceover, and music to mark the sharp difference between the exhausted masculinity of No Country for Old Men and the implacable, feminine vitality at the heart of their True Grit.

Give children pieces of large - block graph paper or have them draw boxes to show the number of letters in their names.

Pond's record stood for over 21 years in large part because more modern machinery wasn't given the chance to challenge it — but it was still a remarkable piece of driving, the late rally star showing impressive commitment as he hustled his big Rover around the circuit.

He has shown his work in numerous exhibitions around Ireland and abroad, from wall based abstract pieces and posters to large room filling installations.

The exhibition consists important bodies of new «Strip», «Flow» and «Doppelgrau» paintings, the show will also include a large glass sculpture and a selection of key earlier pieces that help the viewer to understand his course in the art world.

Apart from the cluster of pedestals in the front of the gallery are two large works, the stately Three Realms Voice in which a human torso extends from a pedestal segmented like a bamboo stalk with mountains near its base and the larger - than - life bronze Big Woman Statue, the only piece which shows a complete human form.

Showing in a commercial London gallery for the first time, Pasquali has created a large - scale, colourful, plastic cloud in Peckham's MOCA London, and filled Mayfair's Tornabuoni Art with a cross-section of her works, from her best - known pieces made with drinking straws, to a carpet of broom bristles, on which we sit to talk, during a break from installation.

As the biggest piece in the show, the large drawing is actually only lower portion of a huge composition that Verlato started on back in mid 80s, just after the massacre of the Eisel stadium.

The show with the widest appeal may be the three large installation pieces in «Until» by the Chicagoan Nick Cave in Building 5 — an open, column - free football - field - size space that remains MASS MoCA's grandest.

Her large piece Expanded Expansion showed at the Whitney Museum in the 1969 exhibit «Anti-Illusion: Process / Materials».

Each piece in the show is an individually compelling object, comprised of thick, crackled lacquer on undulating wood, which are large - format, misshapen and sometimes nearly 20 centimeters in depth.

Dunham says the show, in the Xcel Energy Gallery, was arranged so that larger pieces were given more space so viewers could take them in from a greater distance, while smaller paintings were hung in the hall.

Sara Greenberger Rafferty often works large, as she did with a multi-panel piece shown in 2016 in a group show at James Cohan Gallery, New York, that measured about three by nineteen feet.

Given its scale, it is instructive to compare this large piece with the paintings featured in the show: where form and an entirely flat painted surface lend strength to the paintings, the subtle human touch inherent to the printers art yields a different sort of gravity, and perhaps timelessness, to the works on paper.

Pleasingly, large - scale sculptural works do not overshadow paintings in the show, as each piece provides a different angle on the self - acknowledged ambiguous theme.

Strafella's work has been exhibited internationally for many years, and most recently she has been exhibiting pieces in a series of two - person shows with Helen Mirra held at Meyer Riegger and Galerie Nordenhake in Berlin, Galleria Raffaella Cortese in Milan and Large Glass in London.

The early paintings in this group, from 2011, show a direct connection to the still life paintings in that they are larger versions of the small pieces used to create the oil collages.

In his first show since his death in 2005, he has five large pieces from the 1970s and 1980s, slightly faded, three reaching down to the floor as explicitly as Barlow'In his first show since his death in 2005, he has five large pieces from the 1970s and 1980s, slightly faded, three reaching down to the floor as explicitly as Barlow'in 2005, he has five large pieces from the 1970s and 1980s, slightly faded, three reaching down to the floor as explicitly as Barlow's.

The most exciting pieces in the show for me were the most recent works, The Eye Man (2014) and Corner Café (2014 - 2015), large canvases making their public debuts.

The glass works in the gallery show the infinite number of colours, forms and textures these pieces of art can take — and objects range from practical bowls and vases through to ornamental objects and large abstract sculptures.

«So Close,» a large - scale piece by the French artist JR, will be visible from the West Side Highway when the Armory Show opens in March.

The show's eponymous work is a sight to behold: standing at an imposing 66 feet, The Golden Tower is the largest piece ever made by American artist James Lee Byars, who passed away in 1997.

Blenheim Palace chooses Jenny Holzer for next contemporary art show US artist Jenny Holzer, best known for her large - scale LED light pieces, will be the fourth contemporary artist to transform Oxfordshire's Blenheim Palace in a major solo exhibition opening later this year, it was announced today.

In advance of the opening, we asked curator Susan Harris for her personal insights on the show, which includes three large - scale drawing projects — four freewheeling, cast paper pieces by Lynda Benglis, a 15 - foot drawing by Inka Essenhigh, and a temporary wall drawing by Pat Steir.

There will be the reception for my show Victory Garden, as well as the unveiling of the large wall piece I'm installing in the Center for the Arts» atrium right now.

Over the years the artist has shown his works in various solo and group exhibition, not to mention the large number of pieces held in numerous public collections spanning from The Museum of Modern Art in New York City, over Albertina in Vienna to Malmö Konsthall in Sweden.

These same elements are reused in the three larger pieces currently showing in the main space, Arrangement, Arrangement II and Arrangement III, less - uniform structures with multiple shelves that also feature a scented candle on a steel pole, a floral arrangement in a blown - glass vase and a QuickTime movie (an aerial view of a simulated modernist building) on a flatscreen.

It's a diverse lot that includes the Alturas Foundation, which funded «Makin» Hay,» the public art installation of monumental sculpture by Tim Otterness at Hardberger Park; the Harmon and Harriet Kelley Foundation for the Arts, known for one of the best collections of African American art in the country; and Claudia Huntington and Marshall Miller, who loaned SAMA large scale figurative sculpture for the show, including the piece by Chia and Polish artist Igor Mitoraj's «Sonno Screpolato (Cracked Sleep),» a bronze of a fragmented face.

He produced energetically, was in countless mixed shows around the globe and about 130 one - man shows, including one at the Serpentine Gallery in 1984, subsequently seen abroad, along with that show of a few very large pieces in the Duveen gallery of the Tate in 1991.

Andrew Brischler's next solo show with Gavlak Gallery is in November 2013 with several new large scale pieces all exploring notions of futility, shame, and loss through abstraction.

Both in a large painting of 4 m shown in her solo exhibition Who Knows the Stories (2009, Tomio Koyama Gallery Kyoto) and in 108 pieces of small paintings of 20 x 20 cm shown in Imagination on the Grass (2009, TKG Editions Kyoto), the intensity and concentration were the same, while the characteristic and depth of each painting varied.

In her current show at David Zwirner, titled simply Isa Genzken, the artist presents sculptures from her Shauspieler (Actors) series, two new large - scale architectural sculptures, pieces from her Nefertiti series, as well as panel works both on the floor and along the walls.

Francis spent some time in Paris executing entirely monochromatic works, but his mature pieces are generally large oil paintings with splashed or splattered areas of bright contrasting color, with areas of white canvas left to show through.

After «Oscar Murillo: Distribution Center,» his first show in Los Angeles, which opened in January in the Mistake Room, David Pagel, writing in The Los Angeles Times, called some paintings in the installation «anemic,» saying that «each large piece is less compelling than a single square inch of anything Jean - Michel Basquiat ever touched.»

The large scale pieces in this show are all from the late 1960's and early 1970's and still resonate with architectural impact.

Untitled, the artist's large oil on canvas piece in this show, is an interconnected mix of elegant, organic lines in muted tones with pops of color.

Morgan's first piece in the show, the large, yellow, pixelated «Gold Coast II,» dates to the early 1970s and demonstrates her incisive color sense.

She has had the chance to install large, site - specific pieces in many prominent Bay Area spaces recently including the brand new SWIM Gallery (Luggage Store Annex), the Lab, Palo Alto Art Center, Guerrero Gallery, Incline Gallery, and most notably, Johansson Projects in Oakland, which was a solo show as well as a kind of a residency in the gallery, where she installed her largest immersive installation to date over a one - month period.

Shown across five monitors, the work seeks to create an alternate reality in which five totemic entities recite an eerily subjective poem.A second piece of work utilises the cables from each of the five monitors, so that they become an integral part of a large black and white paper collage displayed on the other side of the wall, questioning what is the back, what is the front, and what the subject is?

Each piece is so completely thought out to blend in with this exceptional house from lamps, to terracotta pots, a painting, a chess set, a self - assembly money box which resembles a maquette of a larger piece of furniture housed downstairs and the television in the Living Room showing a filmed performance of Gander's 2003 radio play about Goldfinger's relationship to Trellick Tower, complete with Foley sound effects showing that Goldfinger is a subject that has been close to his heart for many years.

Sheila Pepe's larger - than - life, crocheted Your Granny's Not Square (pictured above) is the strangest and most complex piece in the show.

For the diptych Trails, previously exhibited earlier this year in her inaugural solo exhibition at Whitespace, Dowda inserts a circular piece of convex black glass known as a Claude glass (or, more simply, a black mirror) between two large prints showing shadowy landscapes.

And reading from Here with me (2016), a video work that is shown on a large screen in the middle of the room, where the artist himself is seen trapped in a hostile place, only covered in a piece of fabric and kidnapped by a faceless villain, it's the love and the ties between friends that saves the day.