Sentences with phrase «largest such installation»

Not exact matches

Sheehan's campaign manager Steve Napier said those numbers were a reflection of voters» satisfaction with Sheehan's job performance and improvements to the city ranging from the installation of new stairs and wheelchair access at Lincoln Park to playing fields and bathrooms at Arbor Hill Park, and larger advances such as more equitable hiring practices.

«It may take a few days to repair but such events happened a few times in the past and are part of the life of such a large installation,» Marsollier writes.

It is also used in super-hi-tech installations such as the Large Hadron Collider at CERN, which address questions on the origins of the universe

One of the drawbacks of such installations is that to keep costs down they need large areas of flat ground.

This speeds up the whole process and makes our solution scalable and able to cope with very large installations such as universities and large FE colleges.

If budgets allows, then moving towards larger investments such as the installation of photo - voltaic panels for solar energy or biomass boilers is a sensible investment, especially given the benefits of the Feed In Tariff and Renewable Heat Incentive potentially providing a source of income for the school.

The Armory Show (New York) features over 200 international galleries and shows both 20th and 21st century artworks in a primary gallery show as well as several areas of the show that feature more specific themes such as 20th century work, recent work from emerging artists, and large - scale installation artworks.

Through different medias such as photography, film, and sculpture, Boltanski creates large - scale installations about communal memories and identities.

Viewers will be able to see pieces ranging from her early paintings inspired by the use of LSD to later works such as her «What It's Like What It Is # 3» (1991), a large scale mixed media installation addressing racist stereotypes.

The first part, MANIC / LOVE, featured Wolfson's most recent large scale animatronic installation Colored sculpture (2016), whose red hair, freckles, and boyish look draw associations with such literary and pop cultural characters as Huckleberry Finn and Howdy Doody.

Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.

These images are drawn from his imagination as well as a range of other sources and also manifest themselves across large paintings on paper, used domestic objects such as batteries, mops and Underground Travelcard receipts, and expansive wall painting installations involving the surrounding architectural elements.

American artist Leonardo Drew (born 1961) creates large - scale sculptural installations incorporating both manipulated and found materials such as paper, wood, tree branches and roots, rust and mud.

The New York - based conceptual artist makes work that engages with unique methods, such as his large paintings and site - specific installations using silver nitrate.

Artists from Istanbul represented in Double Crescent are Hale Tenger, whose edgy assemblage works, addressing issues of gender and identity, have been exhibited at the biennials in Saõ Paolo, Johannesburg and Istanbul; Ali Kazma, whose powerful videos of people at their occupations have been shown at the Istanbul Biennial; Ayşe Erkmen, whose witty architectural interventions have been featured at Art Basel, the Hamburger Bahnhof and the Sharjah Biennial; Gülsün Karamustafa, a multimedia artist whose research - based installations on subjects such as nomads and refugees have been shown at Documenta, the Salzburger Kunstverein and the Walker Art Center and Nazım Ünal Yılmaz whose large - scale figurative paintings have been exhibited at the Kunsthaus Stade in Germany and Contemporary Istanbul.

Tara Donovan often constructs her installations and sculptures by transforming large quantities of mass - produced items — such as drinking straws, straight pins, wooden toothpicks, and plastic buttons — into stunning works of phenomenal impact.

We often take this approach at Turner Contemporary however, and it's been a fascinating process to work with colleagues to think about the installation of such a large number of works in order to tell the story we want to tell.

The large installations, such as The Poetics Project (with Tony Oursler), 1977 - 97, are faced with more intimate series of works, in particular on paper, from European and American collections.

He is also strongly concerned with environmental issues and has made large - scale, outdoor installations taking inspiration from Latin American landscapes such as those of north Chile.

Pioneering and critically lauded works of Spero's career include the frieze - like scroll installations such as Cri du Coeur and Azur; large panels such as the Codex Artaud series and Notes in Time on Women, and the stark, impulsive War Series and Artaud Paintings.

This year the English artist, best known for large - scale installations such as Cold Dark Matter: An Exploded View, was selected for the Metropolitan Museum of Art's fourth annual roof garden commission — for which she created Transitional Object (Psychobarn), an installation based on Alfred Hitchcock's Psycho.

This Gallery allowed for an expanded exhibition schedule and provided facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, monumental sculpture by James Lee Byars, and, most importantly, a four - channel DVD installation by Barbara Kruger.

One such alluring installation, Tonight Moon (2000), includes twenty - four small LCD screens embedded into one large, projected image with three additional monitors on either side.

Bowdoin has done site specific installations before, such as those at the SCAD Museum of Art, Savannah, GA; Roswell Museum and Art Center; the Portland Museum of Art; and at the Visual Arts Center, Austin, TX — but Maneater, living up to its name, is her largest work to date.

The works in the show span the past 15 years, with a good balance between intimate paintings and large installations, well - known names, such as Jim Dine and Fred Tomaselli, and emerging artists.

The exhibition features a series of sculptures and a large - scale, immersive installation fashioned from intricately reconstituted street materials, such as yellow and red «caution» tape, construction tarps, garbage bags, discarded hub - caps and debris netting.

In the 1970s, the artist created large installations, such as 144 Blocks and Stones (1973) for the Portland Center for the Visual Arts, OR, and outdoor works such as Stone Field Sculpture (1977) in downtown Hartford, CT..

This year's edition of Art Basel's Art Unlimited section presents large scale installations, sculptures and videos by artists such as Erik van Lieshout, Daniel Buren, Etienne Chambaud, Anish Kapoor, Vera Lutter, Waltercio Caldas, Cerith Wyn Evans, Jorinde Voigt, Rirkrit Tiravanija, Carl Andre, Fred Sandback, Allen Ruppersberg, Mona Hatoum, Kendell Geers, Sudarshan Shetty, Gardar Eide Einarsson, Christian Andersson, Daniel Robert Hunziker, Lun Tuchnowski, David Zink Yi, Jason Rhoades, and Jennifer Allora & Guillermo Calzadilla.

The installation contains a large portrait of one individual affected by the economic crisis who was threatened with eviction from his home; a video projection presenting TAF's actions and social practice against eviction, and a graphic chart offering relevant information on the economic and hosing situation in Spain, such as «There is an eviction in SPain every 8 minutes, 532 evictions a day during 2012's first semester...» Audiences are invited to write postcards to the financial institutions who are responsible for conducting these evictions.

However, this exhibition aims to illuminate both the positive and negative aspects of evolution through a variety of media such as immersive video, large - scale painting, sculpture and installation by artists including Doug Aitken, Andreas Gursky, Patrick Bernatchez and Tom Sachs.

Presenting large - scale installations that resemble elements of nature under a microscope and cell - like forms or organisms from the depths of the ocean, Donovan's body of work derives from recognisable everyday items, such as Scotch Tape, drinking straws, paper - plates, needles, plastic rods and toothpicks.

Robert Smithson, an artist associated with the Land Art and Post-Minimalist movements, used natural objects in both his large - scale land installations, such as Spiral Jetty (1970), and his smaller museum installations made of stones and dirt removed from specific locations.

In the «70s, the artist prepared numerous large - scale installations, such as Blocks and Stones in 1973 for the Portland Center for the Visual Arts, Oregon, and outdoor works, such as Stone Field Sculpture in 1977 in Hartford.

The exhibition also includes a broad range of drawings and collages, and more recent, immersive installations featuring such materials as commercial advertising posters, large - scale photographs, films, and books.

Through basic elements such as pixels and binary code, the artist builds large - scale sculptural installations that defy predictability, and ultimately grow into complex forms that question common notions of space and time.

Our popular Art section includes a wide range of work such as drawings, paintings, sculptures, and large installations.

The artworks were printed on aluminum and bronze plaques and their short messages were accompanied by paintings of Peter Nadin, whose portraits of people attached to Holzer's messages emphasized the emptiness of both life and communication in the digital age.The multimedia extravaganzas of Holzer's later installations, such as the 1989 Guggenheim exhibition, are exemplified by a 535 - foot running electronic signboard spiraled around the core of Frank Lloyd Wright's architecture, flashing garish lights on the monumental stone benches arranged in a large circle on the floor below.

What to see at the museum The large collections of fine arts of the Smithsonian American Art Museum include paintings, sculptures, drawings, prints, photographs, installations, videos and new media, ranging from early colonial times to contemporary American authors such as Nam June Paik, Barbara Bosworth, Robert Longo, Sean Scully and Jim Campbell, among others.

This new catalogue on legendary appropriation artist Elaine Sturtevant (born 1930) features 30 works, ranging from her repetitions of works by artists such as Andy Warhol, Marcel Duchamp, Jasper Johns and Felix González - Torres, to four of her most recent large video installations.

This companion volume to the artist's largest exhibition to date is a feast taken from countless visual documents of Kelley's early formation, such as his involvement with the experimental band Destroy All Monsters (DAM), which also featured Jim Shaw, Cary Loren, and Niagara (born Lynn Rovner) in 1973 while Kelly and Shaw were students at the University of Michigan in Ann Arbor; early performative sculptures and objects; drawings; paintings; handmade dolls and stuffed animal sculptures; photography; videos; and endless inventive installations in various forms and shapes that explore and deal with the themes of self - destruction, repression, class relations, sexuality, religion, politics, and whatever else lies between the grotesque and the sublime, the sacred and the profane.

Included are favorite artworks that have not been on view in years, such as large - scale installations by Spencer Finch, Robert Gober, Jannis Kounellis, Bruce Nauman, and Ernesto Neto, as well as paintings and sculptures by Janine Antoni, Aligheiro e Boetti, Cai Guo - Qiang, Isa Genzken, Alfred Jensen, and Brice Marden, among others.

Wanders's installation at Friedman Benda includes large abstract figural mirrors such as Merrick, 2016, produced in an edition of eight.

Eliasson is known for large - scale installations that reference nature, such as The Weather Project at Tate Modern in 2003 and The New York City Waterfalls (for which the artist installed artificial waterfalls under the Brooklyn Bridge in 2008).

Odita has been commissioned to paint several large - scale wall installations at institutions such as The United States Mission to the United Nations in New York (2011), the Savannah College of Art and Design (2012), New York Presbyterian Hospital (2012), New Orleans Museum of Art (2011), Kiasma, Helsinki (2011) and the George C. Young Federal Building and Courthouse in Orlando, Florida (2013).

Known by the tag name «Twist» for his graffiti and street art, McGee has also developed a career within museums and galleries, exhibiting drawings, paintings, prints, and large - scale, mixed - media installations that take inspiration from urban culture, incorporating elements such as empty liquor bottles, cans of spray paint, signs, scrap wood or metal, surfboards, and other found materials.

Henderson's large - scale wall works have incorporated materials such as lead and treacle in installations which are rooted in visuality.

This Gallery allows for an expanded exhibition schedule and provides facilities for large - scale works and dramatic installations, such as Peter Halley's explosive hanging of paintings and wallpaper, Marc Quinn's complete series of carved marble statues of persons with missing limbs, a four - channel DVD installation by Barbara Kruger, and monumental sculpture by James Lee Byars.

So the black gold from the mines is at the centre of this exhibition of large - scale installations and sculptures: The deep black of coal, its shimmering surface and tactile qualities were used as aesthetic resources by artists such as Marcel Broodthaers, David Hammons, Reiner Ruthenbeck, Richard Serra, Robert Smithson, Bernar Venet or the ZERO group.

Although Lowman's work is influenced by such earlier appropriation artists as Andy Warhol, Richard Prince, and Cady Noland, his own brand of image recycling disperses into an unstructured installation - environment in which posters, record jackets and silk - screened imagery create a large - scale narrative that ruminates on specific issues, from American gun culture to celebrity cults.

Over the years, Bureau Phi has produced large - scale art events, such as the first Cartagena International Biennial; as well as museum exhibitions, site - specific installations, performances, and other multimedia projects.