Sentences with phrase «last documenta»

Most recently, the impressive sociograms by the American artist Mark Lombardi were featured in the last documenta.

Pierre Huyghe nearly stole the show at the last Documenta with the dystopian, outdoor installation that culminated (if that's even the right word) with the visitor coming upon a large, figurative sculpture of a reclining, nude woman whose head was alive with a swarm of bees.

Adnan, whose art was a highlight of the last Documenta and the most recent Whitney Biennial, is this show's elder stateswoman, and three tender abstract paintings transform the Mediterranean into expanses of gold and blue.

Zoe Leonard's work has enjoyed little exposure on the continent since her memorable installation at the last Documenta.

Not exact matches

Her work, which was the subject of a survey at the Museum of Modern Art in 2012, was most recently on view in last year's Documenta, in Kassel, Germany.

Paradise Omeros was much celebrated at last year's Documenta 11 in Kassel, Germany and has its UK premiere at the Edinburgh Festival this summer.

Last year, Theaster Gates and a team of collaborators took over a run - down building in Kassel, Germany called Huguenot House, renovating the space for performances and creative interventions as part of 12 Ballads for Huguenot House, the artist's contribution to dOCUMENTA (13).

(Chittaprosad's work was included in Documenta in Kassel, Germany, last year in a section titled «Hunger.»)

A lively Swiss chameleon who has represented his country in both the Venice Biennale and dOCUMENTA, John Armleder is currently undergoing a surge in exposure thanks to the ardent support of two market - movers: London collector Frank Cohen — who recently devoted the inaugural show of his new Dairy Art Centre to the the artist's work — and the Nahmad family, which gave over its Upper East Side gallery to his art last month.

Also given prominent spaces are Channa Horowitz, who died last year, with large - scale, intricately constructed ink drawings on mylar that are reminiscent of Hanne Darboven's numeric abstractions, and leporellos — painted accordion - folding books — by Etel Adnan, the Lebanese - American writer and artist who participated in dOCUMENTA 13 and has an exhibition at the Arab Museum of Modern Art (aka Mathaf) in Doha coming up later in March.

A video of Song's installation Doing Nothing Garden, a centerpiece of last summer's Documenta 13 in Kassel, Germany, will also be on view.

Her work has also been featured in such international surveys as the Biennale of Sydney (1976); Documenta 6, Kassel, Germany (1977); the Venice Biennale (1978, 1980, 2001), and more recently The Last Freedom: From the Pioneers of Land Art of the 1960s to Nature in Cyberspace, Ludwig Museum, Koblenz, Germany (October 16, 2011); Systems, Actions & Processes: 1965 - 1975, PROA Foundation, Buenos Aires (through September, 2011); Erre: Variations Labyrinthiques, Centre Pompidou, Metz (September 12, 2011 - March 5, 2012); and Light Years: Conceptual Art and the Photograph: 1964 - 1977, Art Institute of Chicago (December 11, 2011 — March 11, 2012).

His work also appeared in Documenta 5 and Documenta 6 in Kassel, Germany (1972, 1976); do it, curated by Hans - Ulrich Obrist in Ritter Klagenfurt, Austria (1994); Big Brown Bag at Gavin Brown's Enterprise in New York, NY (2002); Utopia Station, curated by Molly Nesbit, Hans - Ulrich Obrist, and Rikrit Tiravanija at the 2003 Venice Biennale; and The Last Picture Show: Artists Using Photography, 1960 - 1982 at the Walker Art Center in Minneapolis, Minnesota.

Enwezor, who is currently artistic director at Munich's Haus der Kunst, curated Documenta 11 in 2002 and the last edition of the Venice Biennale in 2015.

Banu Cennetoğlu was a highlight for me at last year's documenta 14 in both Athens and Kassel.

When Frieze Masters opened two years ago it was a very of - the - moment event, combining contemporary and classical art in a single setting in a way that has become increasingly voguish among curators — just look at the last Venice Biennale or dOCUMENTA, for example.

His work has accordingly been displayed at almost all the trendsetting group exhibitions of the last decades, including the documenta IX and the Sculpture Projects Münster 1997.

The Lebanese poet and painter Etel Adnan occupies a special place in the 13th edition of Documenta, the international exhibition of contemporary art that opens every five years and lasts for a hundred days in the central German city of Kassel.

The first audio presentation of One Million Years, where male and female volunteers alternate to speak out the dates, took place at Dia Center for the Arts, New York in 1993, and other venues have included Musée d'Art Moderne de la Ville de Paris (2000); David Zwirner, New York (2001 and 2009); Documenta 11, Kassel (2002); Trafalgar Square, London (a continuous outdoor reading organized by the South London Gallery lasting seven days and seven nights, 2004); Stedelijk Museum, Amsterdam (2010); BALTIC Centre for Contemporary Art, Gateshead, England (2012); Jardin des Tuileries, Paris (organized in conjunction with FIAC by Galerie Martine Aboucaya and Galerie Yvon Lambert, 2012); Dia: Beacon, New York (2013); and BOZAR - Centre for Fine Arts, Brussels (2013).

Numerous events shaped the art world in 2012, including the thirteenth iteration of Documenta festival in Kassel, Germany, a record - setting Contemporary Evening sale at Christie's and the unprecedented hurricane, the effects of which have left a lasting impact on Chelsea.

The insurmountable problem here is Tino Sehgal, nominated for his work in the 2012 Documenta in Germany and Tate Modern's Turbine Hall last year.

Otobong Nkanga's work is similarly manifold, flowing in diffuse, unexpected ways through numerous mediums — it has taken the form of stunning tapestries, photography, and soap - making (as in last year's Documenta 14, in Athens and Kassel, Germany) as it examines the interplay between colonialism and the people, lands, and resources it mines and dominates.

The last time Documenta, Skulptur Projekte Münster, and the Venice Biennale all lined up, in 2007, George W. Bush was president, the War on Terror was six years old, Twitter had just turned one, Bashar al - Assad was comfortably in power, Lehman Brothers had yet to declare bankruptcy, and Donald Trump was — actually, I don't care to look up what he was doing then.

This exhibition features recent monumental chalk - on - blackboard mountainscapes (last seen at Documenta) by the Turner Prize nominee and YBA known for her drawings filmic works.

In July 2013, his ongoing performative project Sanatorium, last seen at dOCUMENTA 13, will form part of a major group exhibition at the Whitechapel Gallery.

Hopf participated in last year's Documenta 13, Kassel and is represented by Kaufmann Repetto, Milan.

Notable galleries for 2014 include: Kevin Kavanagh (Dublin), presenting a storytelling series by Sonia Shiel, current ISCP NY artist - in - residence and recipient of Ireland's 2014 Arts Council Project Award; Laura Bulian Gallery (Milan), highlighting career Conceptualist Vyacheslav Akhunov, whose cultural investigations were featured in dOCUMENTA (13) and the 2013 Venice Biennale's Central Asian Pavilion; contemporary Bahamanian art hub Popopstudios (Nassau), spotlighting «everyday» assemblages and mixed - media works by founder John Cox; Frederieke Taylor Gallery (New York), revealing environmental concerns of downtown stalwart Christy Rupp, whose seminal public art projects factored into the 2012 exhibition Come Closer: Art Around the Bowery, 1969 - 1989 at the New Museum; Galerie Heike Strelow (Frankfurt am Main), combining sociopolitical commentary and black humor via Florian Heinke, who curated System of Diplomatic Chaos at Kunstverein Wiesbaden last year; and CONNERSMITH.

Within the last couple of years Greece has really hit the spot light, not only politically, but also artistically — from the Whitechapel Gallery's Neon curatorial exchange, to the further coming Documenta.

Twenty - five leading artists guide us in a journey through contemporary sculpture, in a show featuring most of the highlights of the last twenty - five years — among them some well - know pieces shown in exhibitions such as dOCUMENTA or the Venice Biennale, and several artists participating in the Forth Plinth commissions.

West appeared frequently at Documenta and the Venice Beinnale, and only last year won the Biennale's Golden Lion for Lifetime Achievement, one of the highest possible honors for a living artist.

The last room of the gallery displays white aluminum sculptures originally created for the Austrian pavilion at the 44th Venice Biennale in 1990, as well as West's large - scale Lemure Heads, which were first shown at Documenta 9 in 1992.

After the capitulations of the last edition, not to mention the myriad lessons of Documenta, I am excited to see what she can achieve.

When Francesco Bonami, director of last summer's Venice Biennale, famously wrote in his exhibition catalogue that «The «Grand Show» of the 21st century must allow multiplicity, diversity and contradiction to exist inside the structure of an exhibition... a world where the conflicts of globalization are met by the romantic dreams of a new modernity,» it was reasonable to imagine that he was responding to structural and thematic questions posed by Okwui Enwezor in his Documenta 11 of the preceding year.

Naeem Mohaiemen's work at documenta 14 has also been highlighted, as well as his MoMA PS1 exhibition, Naeem Mohaiemen; There is No Last Man.

One recent sculpture in this mode, Quipu Womb (The Story of the Red Thread, Athens)(2017), was a standout at last year's Documenta 14, its thick knotted ropes of scarlet wool hanging down a dramatic 26 feet.

Rojas, who represented Argentina in the 54th Venice Biennale in 2011 and participated in dOCUMENTA (13) last year, is best known for his monumental sculptures.

With a solo exhibition this summer at London's Parasol Unit, Durham was also included in this year's Whitney Biennial (his third); he is also a veteran of an impressive five Venice Biennale appearances over the last 15 years, and was exhibited in dOCUMENTA (13).

A Season Outside, exhibited last year at Documenta 11, will be shown at Peter Blum Gallery from February 5 to March 20.

Hopf participated in last year's dOCUMENTA (13), Kassel and is represented by Kaufmann Repetto, Milan.

Featured last summer at Documenta (13), and In Praise of Doubt at Francois Pinault's Punta della Dogana in Venice (2011), Mehretu's work is fashionable indeed, tempting one to examine these works for marketable trends.

Now in its 16th edition, Art Basel in Miami Beach kicks off this week, capping off a momentous year in art — from the one - two punch of the Venice Biennale and Documenta 14, to the fanfare of last month's $ 450 million Leonardo da Vinci sale at Christie's.

Kudzanai Chiurai shows a new film from his Conflict Resolution series, last seen at Documenta 13 in Kassel, Germany, as well as a new photograph from the same body of work.

He was included in last year's Whitney Biennial and the 1992 Documenta and is currently in the midst of a massive project that will take three years to complete.

Last Friday, October 29, Carolyn Christov - Bakargiev, curator of dOCUMENTA 13, announced and introduced the event's curatorial team at Berlin's Hebbel Theater.

NY Times February 15, 2008 «NINA IN POSITION» By HOLLAND COTTER «NINA IN POSITION» Maybe as fallout from last summer's liberatingly eccentric Documenta 12, we've seen a handful of intriguing and enigmatic group shows in New York this season, spun around opaque themes and designed to generate psychic atmosphere.

A book about her dOCUMENTA (13) installation: Nalini Malani: In Search of Vanished Blood with essays by Carolyn Christov - Bakargiev, Arjun Appadurai, and Andreas Huyssen was produced by Hatje Cantz last year.

Besides archival material of Artists Museum from Documenta 5, in the last stage exhibition will present unrealized project Kunst in der Torte by Daniel Spoerri that originally suppose to be the part of documeDocumenta 5, in the last stage exhibition will present unrealized project Kunst in der Torte by Daniel Spoerri that originally suppose to be the part of documentadocumenta 1972.

His current exhibition, There Is No Last Man, at MoMA PS1 in New York provides a sample of his recent production, with a smaller space presenting the text - and - image work Volume Eleven (flaw in the algorithm of cosmopolitanism)(2016), and a larger, improvised theater screening the feature - length film Tripoli Cancelled (2017), both of which had originally been made in the context of documenta 14.

You could even argue that that snuffed out that movement, and in it's place has come all this socially - aware art which I think we saw, say, in the last Whitney Biennial, we saw it in Documenta.

The primary draw for many visitors was perhaps the chance to see Ohtake's work for the Karlsaue Park at last year's Documenta 13, Mon - Cheri: A Self - Portrait as a Scrapped Shed (2012), installed at the Marugame Genichiro - Inokuma Museum of Contemporary Art as part of the exhibition «NewNew.»