Sentences with phrase «last big museum»

His most recent book — a catalogue of his last big museum show, Lighter, in Berlin in 2008 — collects photographs of the installations he has made over the past 20 years.

Not exact matches

This silently eloquent gallery in New York's Museum of Natural History drew outdoorsmen from across the continent last week — 86 trophies in 25 North American categories representing the best of the big - game bag of the last two years.

Photo Credit: AndyPilgrim.com Big news out of the National Corvette Museum's Motorsports Park last week as they announced that Corvette Hall of Famer and noted...

Last month, Henry made is biggest donation yet as the outgoing board member of the National Corvette Museum surprised his fellow board members by donating his 1967 Corvette Sting Ray big block to the NCM's collection.

In October, The New Museum is presenting Peyton's first big museum survey, «Live Forever: Elizabeth Peyton,» which will feature over 100 pieces made over the last fifteen Museum is presenting Peyton's first big museum survey, «Live Forever: Elizabeth Peyton,» which will feature over 100 pieces made over the last fifteen museum survey, «Live Forever: Elizabeth Peyton,» which will feature over 100 pieces made over the last fifteen years.

A big thank you to Staci Boris from the Elmhurst Museum for doing such an incredible job with New American Paintings first ever museum show... all 40 artists from last year's Midwest Issue are incMuseum for doing such an incredible job with New American Paintings first ever museum show... all 40 artists from last year's Midwest Issue are incmuseum show... all 40 artists from last year's Midwest Issue are included.

Last year, her museum acquired his 1968 painting «The Big Egg,» which features a shaped canvas, another of his innovations.

Jean Luc - Martinez, appointed director of the Louvre last year, has outlined plans for the biggest renovation of the Paris museum since the Grand Louvre project of the 1980s.

It's a big deal to see the latter painting again in New York, because the last time it showed up here, in 1999, then mayor Rudy Giuliani led a disgraceful campaign to censor Ofili and strip the Brooklyn Museum, which was exhibiting it, of city funding.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

Museum of Contemporary Art San Diego and the Timken Museum of Art, San Diego, CA, November 10, 2012 - February 9, 2013 «Inaugural Exhibition by Gallery Artists,» Los Angeles, CA, September 22 - October 27, 2012 «Letters from Los Angeles: Text in Southern California Art,» Jack Rutberg Fine Art, Los Angeles, CA, November 17 - December 22, 2012 2011 «The Lord & The New Creatures,» Nye + Brown, Los Angeles, CA, September 10, 2011 - TBD «Arsenale: Graphics from the Museion Collection,» Museion - Museum of modern and contemporary art Bolzano, Bolzano, Italy, July 1 - November 6, 2011 «Zwei Sammler: Thomas Olbricht and Harald Falckenberg,» Deichtorhallen, Hamburg, Germany, June 24 — August 21, 2011; catalogue «The Air We Breathe: Artists and Poets Reflect on Marriage Equality,» San Francisco Museum of Modern Art, San Francisco, CA, November 5, 2011 - February 20, 2012 «Under the Big Black Sun: California Art 1974 - 1981,» The Geffen Contemporary at The Museum of Contemporary Art (MOCA), Los Angeles, CA, October 1, 2011 - February 13, 2012 «For a Long Time...» Roberts & Tilton, Los Angeles, CA, June 4 — August 6, 2011 «The Last First Decade,» Elllipse Foundation, Portugal, April 3 — December 18, 2011 «Blankness Is Not a Void: Scott Campbell, Steven Parrino and Raymond Pettibon,» Marc Jancou Contemporary, April 29 - June 4, 2011 «CLAP,» Hessel Museum of Art, CCS Bard College, Annadale - on - Hudson, NY, March 27 — May 22 «Collecting Biennial,» Whitney Museum of American Art, New York, NY, January 16 — November 28.

Jones celebrated his first museum solo show last night when he debuted new ambitious works in his site specific installation Unbound big huge congratulations to Samuel and the great effort that went into this show!

Last fall, when the big traveling retrospective of Los Angeles artist Mike Kelley (1954 - 2012) opened at MoMA PS1, the Museum of Modern Art's outpost in Long Island City, N.Y., the show looked smashing.

Haring, who died in 1990, is now the subject of a big, somewhat controversial retrospective that premiered at the Whitney Museum last fall and opens at the San Francisco Museum of Modern Art next week.

Last year, The Art Newspaper bemoaned this drift toward consolidation: After analyzing 600 art exhibitions in the United States, the publication issued a report that found that nearly a third of all solo museum shows in the country centered on artists represented by five of the world's biggest galleries.

-- Wayne Thiebaud, who spoke at the San Jose Museum of Art's annual Council of 100 dinner last week, drew the biggest crowd ever at the event.

Oct 16: Rotterdam Art Heist Last night, in the biggest ever art robbery in Holland, seven priceless paintings were stolen from the Kunsthal Museum in Rotterdam, including works by Pablo Picasso, Henri Matisse, Paul Gauguin, and Lucian Freud, as well as two works by Claude Monet: «Waterloo Bridge, London» and «Charing Cross Bridge, London».

The last big exhibition of Carrington's work took place in 2013 at the Irish Museum of Modern Art, entitled the Celtic Surrealist.

The fashion pair showed up at Dasha Zhukova's table in the big tent set up on Grand Avenue for the MoCA gala, where B - list starlets paraded the red carpet in what Barbara Kruger memorably observed as «the anthropology of procession,» outfitted by the event's sponsor, Chanel Fine Jewelry, while Deitch led another exclusive tour of the show inside the museum with Francesco Vezzoli (last year's gala artist) in tow as well as Gwen Stefani and Gavin Rossdale, Anthony Kiedis, producer Brian Grazer, W editor Stefano Tonchi, and Deitch's date, actress Paz de la Huerta.

After all, last summer's «Picasso in the Metropolitan Museum of Art,» another in - house affair and one of the worst installed shows I have ever seen in a major museum, attracted over 700,000 visitors, becoming the biggest attraction at the Metropolitan sinceMuseum of Art,» another in - house affair and one of the worst installed shows I have ever seen in a major museum, attracted over 700,000 visitors, becoming the biggest attraction at the Metropolitan sincemuseum, attracted over 700,000 visitors, becoming the biggest attraction at the Metropolitan since 2001.

The San Francisco Museum of Modern Art has just enriched its permanent collection with 195 promised gifts of works by some of the biggest names in art in the last half century.

His work has also been the subject of important group and solo shows throughout the span of his almost 50 - year career, including Against the Grain: Wood in Contemporary Craft and Design, Museum of Art and Design, New York (2013); superhuman, Central Utah Art Center, Ephraim (2012); Reenactor, Williams Center Gallery at Lafayette College, Easton, PA (2012); The Last Newspaper, New Museum, New York (2010); 30 Seconds Off an Inch, The Studio Museum in Harlem, New York (2009); Corbu Pops, Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (2009); Thirty Americans, Rubell Family Collection, Miami (2008); Black Is, Black Ain't, Renaissance Society at the University of Chicago (2008); Drawing, Dreaming, Drowning at Art Institute of Chicago (2008); Art After White People: Time, Trees, and Celluloid... at Santa Monica Museum of Art, Santa Monica, CA (2007); William Pope.L: The Black Factory and Other Good Works, Yerba Buena Center for the Arts, San Francisco (2007); 7e Biennale de l'Art Africaine Contemporaine, Dakar, Senegal (2006); Double Consciousness: Black Conceptual Art since 1970, Contemporary Arts Museum Houston (2005); The Interventionists: Art in the Social Sphere, Massachusetts Museum of Contemporary Art, North Adams (2004); The Big Nothing, Institute of Contemporary Art, University of Pennsylvania, Philadelphia (2004); Only Skin Deep, International Center of Photography, New York (2004); William Pope.L: the friendliest Black artist in America at ICA at Maine College of Art, Portland, DoverseWorks Artspace in Houston, Portland Institute for Contemporary Art, ME, Artists Space in New York, and Mason Gross Art Galleries at Rutgers University in New Brunswick, NJ (2002 - 2004); eRacism: Retrospective Exhibition, Institute of Contemporary Art at Maine College of Art, Portland (2002); eRacism: White Room, Thread Waxing Space, New York (2000); Eating the Wall Street Journal and Other Current Consumptions, Mobius, Boston (2000); and Out of Actions: Between Performance and the Object, 1949 — 1979, Museum of Contemporary Art, Los Angeles (1998).

The last big New York overview of his work was a survey of drawings at the Museum of Modern Art, organized in 1988 by John Elderfield.

Exhibition in the Museum of Modern Art, New York (1971, curated by John Szarkowski) his last big show during his lifetime.

It doesn't help that major museums generally pretend Neo-Expressionism never existed (the last big show by a Neo-Ex star in a New York museum was Francesco Clemente's Guggenheim retrospective in 1999).

The twins» Big Bambú combines 1,500 bamboo poles imported from France with 1,000 poles grafted from their project on the roof of New York's Metropolitan Museum of Art last summer.

He has collaborated with William Burroughs, producing four etchings and twelve paintings for Burroughs's text, Ghost of Chance, published last fall by the Whitney Museum and recently completed his own book, The Big Chief.