There are clearly defined Chinese characters who are allowed to speak in their own language for once (I can't remember
the last film of this scale with so many subtitles) and, in particular, Tian Jing makes a striking impression.
Not exact matches
After fellow Koreans Kim Ji - Woon and Park Chan - Wook launched their English language debut
films (The
Last Stand and Stoker, respectively) the most nuanced
of the trio
of directorial superstars, Bong Joon - Ho is delivering the largest in
scale, the nuclear - winter bound science fiction flick, Snowpiercer.
One insider said
of the smaller -
scale X-Men
films last month.
Not only are «Get Out,» «The Shape
of Water» and «Blade Runner 2049» some
of the very best
films of 2017, but from the no - budget indie realm («Prevenge,» «A Ghost Story,» «Transfiguration,» «Raw») to expensive studio epic
scale («War for the Planet
of the Apes,» «Kong: Skull Island») and newly blazed ground out
of the predominantly formulaic superhero («Logan,» «Wonder Woman,» «LEGO Batman») and Star Wars («The
Last Jedi») factory farms, fantasy filmmakers tried their hardest to be smart, visually adroit, sometimes startlingly innovative and — strangest
of all for this escapist format — humanely, emotionally credible.
Chadha, whose
last film The Viceroy's House tackled the tragic causes and epic
scale of the partition
of India, said she hopes Blinded by the Light will, by contrast, mix a little
of the quirky British humour
of some
of her earlier
films, such as Bhaji on the Beach (1993) and Angus, Thongs and Perfect Snogging (2008) with the lively energy
of 1980s high - school movies written by John Hughes such as Pretty in Pink and The Breakfast Club.
Holofcener's
last film «Please Give» ended up on many
of our year - end lists in 2009, so while we're not expecting «big things» exactly — that's hard to say about small
scale dramas about regular people — we are, as usual, excited and grateful that we live in a world where, despite all the tentpole tendencies, there's still a very viable space for Holofcener to make movies.
After this run
of deeply ruminative, small -
scale works, one
last major
film was still to come; Akerman's final narrative feature
film, La folie Almayer (Almayer's Folly, 2011), based on the 1895 novel by Joseph Conrad.
The Production Design (or «Art Direction») category normally favors large -
scale fantasy
films or lavish period epics, but this year's nominees reflect a subtler batch
of contenders (which makes sense given that the subdued Lincoln won the trophy
last year).
The
last time Deakins managed that feat was in 2002, for his work on the Coen brothers» The Man Who Wasn't There, and while we predicted that Deakins would complete the hat trick on Oscar night (we even thought he was due after five nominations), he lost to Andrew Lesnie's epic -
scale lensing
of Peter Jackson's The Lord
of the Rings: The Fellowship
of the Ring, which surely benefited that year from being the only
film in this category that was also up for best picture.
If you're not interested in Dan Brown or the
film adaptation
of his hit novel, «Angels & Demons,» you may want to avoid the travel pages for the next few days — I haven't seen travel - movie - mania on this
scale since
last year's Sex and the City movie transfixed shoe - loving travel writers everywhere.
His
last film to date, Messiah (1999), reveals on an epic
scale a summary
of the themes present throughout his artistic career.
Over the
last 15 years, DuBois has produced a prodigious body
of work ranging from musical composition and collaborative performance, to large -
scale public installations,
film, and generative computer works.
Over the
last decade, New York - based DuBois has produced a prodigious body
of work ranging from musical composition and collaborative performance, to large -
scale public installations,
film, and generative computer works.
This very welcome large -
scale show focuses on the
last 10 years
of the Polish painter, photographer and
film - maker's work.
The CEO
of thin
film solar company Miasole, John Carrington, made a very public to - do
last year about how Miasole needed a large partner to commercialize and
scale — this year Miasole sold for $ 30 million in a firesale to China's Hanergy, despite that it raised hundreds
of millions
of dollars in VC money.