Sentences with phrase «last monumental works»

From his earliest small - scale sculptures to his last monumental works, what Smith called — basic geometric form ‖ was a powerful touchstone for the artist.

Not exact matches

When Google decided to scan 15 million orphaned ebooks and many classical works seven years ago, the last thing the company envisioned was a monumental class action lawsuit.

Opening: Sam Moyer, «More Weight» at Rachel Uffner Gallery For her third solo show at the gallery, Sam Moyer will present a monumental installation involving a giant slab of marble and mixed media wall works incorporating dyed fabric on wood, media that comprised her previous show last April.

The most monumental of Matta - Clark's work is saved for last, as the final room contains photos, diagrams and large - scale projections of both Conical Intersect and Day's End, presented back to back with emphasis on the connection between both projects.

Comprising approximately 40 works, the selection begins with the extraordinary drawing Graufeld / Grey field of 2003 and concludes with an equally monumental canvas that was in progress and well advanced when I visited the artist's studio last December.

Her installation Maypole / Take No Prisoners was presented at the Venice Biennale in 2007, and her last monumental scroll work Cri du Coeur was shown at the 2010 Bienal of Sao Paolo.

Over the last four years, Zeitz has put around 150 pieces into the grounds at Segera, including monumental bronze, stone and steel works, land and earth art, and outdoor projections.

With new works from over thirteen gallery artists, MMG received an unparalleled amount of traffic in Miami this year — and by the first day, had placed a monumental work by Allison Schulnik with the Nerman Museum (KS), the last remaining Josh Azzarella «Untitled # 100 (Fantasia)» video with a private collection (also recently acquired by LACMA) and new works by Kenichi Yokono with the Progressive Collection.

Talk: «Al Held Panel Discussion» at Cheim & Read Following last week's opening of the highly praised exhibition «Al Held: Black and White Paintings,» which showcases eight of the abstract painter's monumental canvases of interlocking forms from 1967 to 1969, the gallery is presenting an in - depth discussion of the artist and his work.

The artist is a surprising but perfect addition to the Gavin Brown roster with the stylized monumental works adding a dignity to the expanded gallery and serving as a perfect follow up to Spencer Sweeny's younger generation portrait exhibition last year.

His epic project, One Million Years, is a monumental series of twenty - four works comprising One Million Years [Past], which was dedicated to «all those who have lived and died,» and One Million Years [Future], addressed to «the last one.»

A quick look at the Armory Show last night left us fascinated with and longing to come back for these five monumental sculptural works by the artists from...

A quick look at the Armory Show last night left us fascinated with and longing to come back for these five monumental sculptural works by the artists from China, Japan, Germany, UK and India.

Like Young, Bradford represented his nation at last year's Venice Biennale and, in what was something of a monumental year for the American, unveiled Pickett's Charge, a suitably monumental suite of paintings (collectively measuring more than 100 linear metres) that reinterpreted one of the defining moments of the American Civil War (the subject of an 1883 cyclorama by French painter Paul Philippoteaux, itself reinterpreted in Bradford's work) in a work of cut, torn and scraped layers that reflects on the complexities of history, its interpretation and its impact upon the present sociopolitical climate in the US.

Albers is having something of a revival at the moment ---- an excellent solo exhibition of her work at the Guggenheim Bilbao has just ended, she featured last year in a group show at MOMA and in a dual show at Yale and, finally, two books by her were published towards the end of last year: a monumental reprint of her essay On Weaving and this exquisitely produced set of around eighty sketches on graph paper, entitled Notebook 1970 - 80.

This exhibition features recent monumental chalk - on - blackboard mountainscapes (last seen at Documenta) by the Turner Prize nominee and YBA known for her drawings filmic works.

First of all is the «subversive design» of Ettore Sottsass for the Studio Memphis followed by the graphic design of Peter Saville and Neville Brody; architectural models and rendering, together with preparatory drawings by Philip Johnson for the AT&T skyscraper (1978); works by Robert Rauschenberg, Cindy Sherman and Ai Weiwei; the 1986 stainless steel bust of Louis XIV by Jeff Koons; the reconstruction of the monumental work by Jenny Holzer «Protect Me From What I Want» (1983 - 85); performances and costumes, including the «Big Suit» worn by David Byrne for the documentary «Stop Making Sense» of 1984; extracts from films such as» The Last of England» by Derek Jarman (1987); music videos of Laurie Anderson, Grace Jones and New Order; and also surprising objects such as the dinner services designed by architects like Zaha Hadid, Frank O. Gehry and Arata Isozaki.

As an encore presentation to last winter's exhibition, FOCUS: KAWS, which featured the work of Brooklyn - based artist KAWS (b. Brian Donnelly, 1974), the Modern is currently featuring the installation of the artist's monumental sculpture, COMPANION (PASSING THROUGH), 2010.

... Jeff Koons; the reconstruction of the monumental work by Jenny Holzer «Protect Me From What I Want» (1983 - 85); performances and costumes, including the «Big Suit» worn by David Byrne for the documentary «Stop Making Sense» of 1984; extracts from films such as» The Last of England» by Derek Jarman...

And the work that Dwan championed has taken its place as some of the most influential and iconic artwork of the last century, made by individuals such as Robert Rauschenberg, Edward Kienholz, Claes Oldenburg, Donald Judd, John Chamberlain, Sol LeWitt, Agnes Marin, and Andy Warhol — and on to the monumental projects by Charles Ross, Michael Heizer, Walter De Maria, and Robert Smithson.

Lou will present a series of recent bodies of work produced over the last three years, including her monumental The Clouds (2015 - 18), currently on view at the 21st Biennale of Sydney.

MJ In your last show you break from the monumental size of your previous work into the A4 scale that has the potential to be tiled out infinitely.

Other works are harder to miss; such as their monumental For as Long as It Lasts (2016) a life - size recreation of a section of the Berlin wall, installed in the museum's largest gallery.

In the main gallery, Price will show three large - scale sculptures that continue the expansion of his practice into more monumental sizes, which he began working on shortly after his last exhibition at the gallery in 2006, in which he debuted his first large - scale piece.

The exhibition at Tate Liverpool gathers together more than 70 works from public and private collections across Europe, Russia and the United States — including his last major work before he left Russia for good in 1922, a sequence of monumental wall paintings for a Jewish theatre in Moscow which only survived because admirers hid them for decades after the theatre closed.

Among the many noted works on view are 13 films by Polke, including eight which have never before been available; a performance made for West German television that was last seen when it aired in 1972; and a group of monumental paintings made entirely of soot on glass that have never been exhibited in the United States.

We pass from room to room: first, Me, Jesus and the Children, a monumental trompe l'oeil spray painting of Dan's chest, a Jesus piece, and cartoon cherub psychopomps who crash the viewer into its solid plastic face; then, Whatever, a 5» x 6» scene extracted from Pinocchio, where an extinguished candle lights a room; two walls of Confetti, the Moments Like These Never Last series, as varied in aura as they are in approach and technique; four walls of indomitable Trash paintings; four more of his Miracle works, oil medium and raw pigment powder conjurations so boundless they literally escape their backings.

To celebrate, the city's Museo del Novecento (in collaboration with the Gagosian gallery) is re-exhibiting one of its key works, the monumental painting Sixty Last Suppers — on display in the museum's stunning Sala Fontana until May 18.