Sentences with phrase «last public gallery»

A catalogue of his last public gallery exhibition can be emailed on request.

Showcasing the work of the celebrated American Abstract Expressionist painter, Helen Frankenthaler, alongside paintings by JMW Turner from the nineteenth century, the exhibition included 24 paintings by Frankenthaler, whose last public gallery exhibition in the UK was at the Whitechapel in 1969.

Showcasing the work of the celebrated American Abstract Expressionist painter, Helen Frankenthaler, alongside paintings by JMW Turner from the nineteenth century, the exhibition includes 24 paintings by Frankenthaler, whose last public gallery exhibition in the UK was at the Whitechapel in 1969.

Not exact matches

GALLERY LINK: Public Appearances > 2017 > Premiere Of Amazon's «Last Flag Flying» (November 1)

After a long absence following his last solo show at Paula Cooper (in 1977), Van Buren's work finally began filtering back into public view in New York about 10 years ago, first at small venues such as Mitchell Algus Gallery and Sideshow, and in the revelatory exhibition 2007 traveling exhibition «High Times Hard Times: New York Painting 1965 - 1975.»

Recent solo shows include The Present Moment, Instituto Moreira Salles, Sao Paulo, Brazil; (2017 - 2018); Museo Tamayo, Mexico City (2017); The Last Resort, Kaldor Public Art Projects, Sydney, Australia (2017); Answer Me, The New Museum (2016); The Present Moment, Instituto Moreira Salles, Rio de Janeiro (2016); Teshima Seawall House, Benesse Art Site Naoshima, Teshima Island, Japan (2016); Haus der Kunst, Munich (2014); the French Pavilion at the 55th Venice Biennale (2013); the Centre Georges Pompidou, Paris (2012); The Serpentine Gallery, London (2011); The Contemporary Arts Center, Cincinnati (2009); The Museum of Contemporary Art, North Miami (2008); and the Fondazione Nicola Trussardi, Milan (2005); among other venues.

Her Military Industrial Complex, first shown at the South London Gallery last year, is a sort of public library that questions our perceptions of reality.

Rather, she will spend the duration of her exhibition period «Getting Ready,» taking residence in the gallery for a month and opening the doors to the public only for a closing party on the last day of the show.

Closer to home, a 50 - page catalogue detailing last summer's PLATFORM PROJECTS / WALKS 2016 (funded by SPACE Gallery through the Kindling Fund) was released in April with an accompanying public walk through the Portland peninsula.

The house would have a two - level basement, closed to the public, conceived as an underground studio where he would make his art — a secret lair and such a natural extension of his overall artistic project that it seems like some kind of joke (it is tempting to think of it as a real - life «Fortress of Solitude,» Superman's hideout, which Kelley constructed in three - dimensional form and used as the central image in his final solo exhibition last September at the Gagosian Gallery in London).

Just like last year and the year before, START art fair draws public attention to the emerging artists, bringing their works to the well known Saatchi Gallery in London.

On the last Saturday night of the program from 5 - 8 pm Dacia Gallery will host a formal Opening Reception & Exhibition presenting your work in a group show that is open to the public.

Art Exhibition: On the last Saturday night of the residency from 5 - 8 pm Dacia Gallery will host a formal Opening Reception & Exhibition presenting your work in a group show that is open to the public.

Over the last 30 years, Blue Mountain Gallery has provided artists a gathering place of ideas where painters can communicate visually and verbally and find the support and inspiration of their peers as well as the art public.

Stephen Deuchar, chair of the judges, described the museum as «A perfect fusion of art and landscape» at last night's awards ceremony in London's National Gallery, while Peter Murray, founding and executive director of the Yorkshire Sculpture Park, attributed that success to the people behind it: «This award is dedicated to our incredible staff, the artists with whom we're privileged to work so closely, and our truly wonderful visiting public.»

Daria Martin's first survey exhibition in a UK public gallery presents a selection of short 16 mm films made over the last 10 years, including the premier of an ambitious new work, Sensorium Tests.

The Gagosian in New York held a museum - quality retrospective last year, but public galleries on either side of the Atlantic haven't been clamouring to give her a major posthumous show either.

Over the last eight years, Gabriel has installed temporary or permanent works in over 35 private and public institutions worldwide, including the Smithsonian Museum's Renwick Gallery, Crystal Bridges Museum of American Art and the Amon Carter Museum of American Art where his Plexus 34 is on display in the Philip Johnson designed space until September 2, 2018.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

2006International and National Projects, PS1, New York The Secret Public, The Last Days of the British Underground 1978 - 1988, Kunstverein, Munich SLAPstick, Lora Reynolds Gallery, Texas

The Ravilious exhibition was a triumph last summer, so I can't wait to see what the gallery and the public makes of Winifred Knights (8 June — 18 September 2016).

For the last four years, the GNF Gallery has built an exciting, forward - looking programme aimed at bringing young artists into public view and fostering new talents.

For the last weekend of our gallery exhibition, Mene Mene Tekel Parsin, Wysing's studio artists will be welcoming the public to their studios to see new work and to hear about projects in development.

Texts by Lawrence Weiner (born 1942, USA) have appeared in all sorts of locations over the last five decades: as vinyl or paint on walls and windows of galleries and public spaces, spoken as audio, video or performance, printed in books and on posters, cast or carved as letters and even turned into tattoos, graffiti, lyrics and so on, ad infinitum.

The Duchess will visit our Self: Image and Identity exhibition which includes the last Self - portrait by Sir Anthony Van Dyck, recently acquired for the nation by the National Portrait Gallery through a public appeal with The Art Fund.

Elizabeth Price's new large - scale video installation, SUNLIGHT launched last Saturday and is the artist's first solo exhibition in a public gallery since winning the Turner Prize in 2012.

Elizabeth Price's new large - scale video installation, SUNLIGHT launched last Saturday and is the artist's first solo exhibition in a public gallery since...

He has established a name as a contemporary visual artist through an extensive exhibiting history over the last fifteen years in public galleries, project spaces and dealer operations within New Zealand and overseas.

Over the last four years, the projects I have curated with CC grantees include: Brent Green's Gravity Was Everywhere Back Then, presented by artwithoutwalls at LOT Gallery in 2011; Shih Chieh Huang's Luminosity, an artwithoutwalls installation at LOT and at the Kentucky Center for the Performing Arts during IdeaFestival 2011; Chris Doyle's The Underglow, a site - specific public projection in Stockholm (2011), and two related works in downtown Louisville, Scenes from the Underglow and Rondo (2011).

The Neoclassical building was designed by Sidney Smith and was opened to the public in 1897; it has received six extensions, the last of which, the Clore Gallery, opened in 1987 to house the world's finest collection of works by the British painter J.M.W. Turner.

PDF PRESS RELEASE HERE Mangrove Mud Womp Fundraiser on Kickstarter launched Tuesday morning lasting 30 + days to help fund my public art residency, followed by a gallery exhibition and panel discussion in 2012.

Richard Billingham is well known, and his presence overdue, even if last year's Ikon Gallery exhibition in his home town of Birmingham was the first big public overview of his photographs and videos in this country.

More than 30 years after Basquiat's last presentation in a public collection in Germany Schirn Kunsthalle Frankfurt is devoting a major survey to the American artist in cooperation with Barbican Art Gallery, London.

The lobby of the new building contains a small gallery tucked between the staircase and the restaurant, open free to the public, which is currently featuring a show called «Eight West Eighth,» dedicated to the museum's founder, Gertrude Vanderbilt Whitney, and its first incarnation at 8 West 8th Street in Greenwich Village (the current address of the New York Studio School, which celebrated its 50th anniversary last year).

Notable galleries for 2014 include: Kevin Kavanagh (Dublin), presenting a storytelling series by Sonia Shiel, current ISCP NY artist - in - residence and recipient of Ireland's 2014 Arts Council Project Award; Laura Bulian Gallery (Milan), highlighting career Conceptualist Vyacheslav Akhunov, whose cultural investigations were featured in dOCUMENTA (13) and the 2013 Venice Biennale's Central Asian Pavilion; contemporary Bahamanian art hub Popopstudios (Nassau), spotlighting «everyday» assemblages and mixed - media works by founder John Cox; Frederieke Taylor Gallery (New York), revealing environmental concerns of downtown stalwart Christy Rupp, whose seminal public art projects factored into the 2012 exhibition Come Closer: Art Around the Bowery, 1969 - 1989 at the New Museum; Galerie Heike Strelow (Frankfurt am Main), combining sociopolitical commentary and black humor via Florian Heinke, who curated System of Diplomatic Chaos at Kunstverein Wiesbaden last year; and CONNERSMITH.

After the decision taken last year by the Royal Botanic Garden (which owns Inverleith House) to close the space as a dedicated contemporary art gallery, this exhibition marks a new remit for the gallery to showcase artists responding to the botanic collections, after months of public outcry.

In fact, Olson will spend the duration of the exhibition holed up in the gallery, opening the doors to the public only for a live performance and closing party on the show's last day, enacting her performances through a web - based collaboration with NewHive multimedia publishing platform instead.

Last month in the space formerly occupied by American Medium, a new, Black - owned gallery opened its doors to the public.

Guardian research showed last year a strong gender imbalance in works displayed in commercial and public galleries.

The exhibition is on view for the public starting February 12th at Sean Kelly Gallery in New York, and will last until March 12th, 2016.

«Two Forms (Orkney)», 1967, which was acquired at auction in 2015, was last exhibited in 1968 at the Tate gallery and had not been on public view for almost 50 years, being part of a private Swiss collection.

Thanks to Cate McQuaid for reviewing the current CAC Gallery exhibition Drawing in Public in the Boston Globe last week.

Much like last year's «The Infinite Mix» with the Hayward Gallery, the experience that the public has when they come to our shows is very much about the environment as much as the work.

Thinking Head, 2017, a public commission by the gallery, is a sculpture composed of a hidden device emitting water vapor that slowly rises from the roof of the building, inspired by Alighiero Boetti's last sculpture, My Brain is Smoking, 1993.

Newport Street Gallery, London, 18 May — 16 October An artist who has continued to garner attention throughout his career, Jeff Koons» latest exhibition at Newport Street Gallery is sure to rouse just as much public interest as his last UK show at the Serpentine in 2009.

The museum's last commissioned installation of the season, Project Gallery: Shana Lutker, will be the third in a series of sculptural installations about public fights among members of the Surrealist movement (yes, you read that right).

Art in the Punk Years BARBICAN ART GALLERY June 5 - September 9 Curated by Mark Sladen and Ariella Yedgar Following the stage - setting exhibition «The Secret Public: The Last Days of the British Underground 1978 - 1988,» organized by the Kunstverein Munich last year, London's BarbicanLast Days of the British Underground 1978 - 1988,» organized by the Kunstverein Munich last year, London's Barbicanlast year, London's Barbican Art

It's far from tongue and groove, but it works, and I didn't really understand how until last Saturday when Biennial commissioned artist, Marvin Gaye Chetwynd restaged her production in Touchstones, Rochdale's historic former public library, which has acted as a gallery since 1984.

Art: Meryl Meisler at Steven Kasher Gallery (February 25 — April 9): For the last several years, Meryl Meisler, a retired public school teacher from Bushwick, Brooklyn, has released a treasure trove of her photographs from the 1970s that recall the oddities of Ralph Eugene Meatyard and the intimacies of Diane Arbus.

The piece builds on last year's residency at the gallery, when Clark worked with public volunteers in weekly workshops.