Sentences with phrase «last scene of the film»

«Let The Sunshine In» (the title is a horrifically bad translation / transposition of a pertinent phrase that is uttered in the last scene of the film) soon puts these characters into clothes and in conversation.

The film try's to go into what's right and wrong among many other themes but ultimately all of them go nowhere with the last scene of the film being spacey burrying his dead dog.

I did not want to write a review, but the last scene of the film made me do it.

The last scene of that film is brilliant — Charles Grodin gets Cybill at the end, but he's alienated and isolated at a party with his new «tribe.»

Not exact matches

There's outrage around the world over a surveillance video filmed last month that captures the horrific scene of a toddler getting crushed by a slow - moving S.U.V..

Mad Max rode a winning streak in several technical and behind - the - scenes categories to score six Oscar statues last night, though the film ended the night shut out of most of the show's major categories, such as Best Picture and Best Director.

In the early part of last year, McLaren allowed Amazon Prime go behind the scenes and film a documentary on the team's 2017 season.

Arriving on Familienwochenende (family weekend,) the last weekend of Oktoberfest when parents traditionally take their children to ride on the fair ground attractions and gaze at the traditional costumes, the scene was definitely more children's theme park than the stereotype presented in the film Beerfest.

Her last performance was in the film «High Society» where the ring was immortalised in a scene where Grace is sat on the corner of a silk bedsheet polishing the ginormous diamond.

On our last day of filming for THE OUTNET in New York, I wore this dress in one of the scenes and it was so pretty that I couldn't help but wanted to share it with you in a blog post.

I envisioned This Land Is Mine as the last scene of my potential - possible - maybe - feature film, Seder - Masochism, but it's the first (and so far only Saraswati (Sanskrit: सरस्वती, Sarasvatī) is the Hindu goddess of knowledge, music, arts, wisdom, and learning worshipped throughout Nepal

Seldom having more than a scene or two in any film (his first was 1932's Fires of Fate, his last was 1974's 11 Harrowhouse), Morton nonetheless made the most of his limited screen time in such quality productions as Scott of the Antarctic (1949), Richard III (1956), Lawrence of Arabia (1962) and Young Winston (1971).

Roughly translated, those are the last words in Robert Bresson's «Pickpocket,» a movie that figures prominently in the work of Paul Schrader, who has alluded to its final scene in many of his films, including «American Gigolo,» «Light Sleeper» and his new one, «First Reformed.»

There are some gruesomely well - orchestrated scenes of body horror (one particular dissection is nightmarishly staged) and Garland's knack for gonzo imagery ensures that many scenes in the film will make a lasting impression.

Never is that more apparent than the last scene, which goes on for a quarter of the film or more, right through the end credits and beyond.

Keener, who has to deal with a sudden loss during the last section of the film, achieves moments of searing emotion, and in the very last scene, another character figures prominently — a teenage friend of Keener's daughter — and the performance by Mikey Madison is one of the most eloquent in the film.

Alma Kruger made her last film, Forever Amber, in 1947, in which, despite the presence of a stellar supporting cast, the septugenarian actress still managed to dominate her big scenes.

The film itself seems reluctant to tie itself off, giving us one of the great end - credits - as - scene sequences of the last year (Call Me by Your Name and Good Time being other memorable examples).

In the end, what emerges is a funny, honest, and incisive portrait of a truly one - of - a-kind artist, and an exhilarating behind - the - scenes look at the last 50 years of the film industry through the eyes of someone who has truly seen it all.

Every October for most of the last two decades, director Adam Green and his production company Ariescope have released a new Halloween - themed short film, resulting in classics like Jack Chop (2009) and the hilarious Halloween «deleted scene» Driving Lessons (2012), and this year's 18th annual film, Don't Do It, has just arrived.

Chris Pratt and Bryce Dallas Howard are returning along with an island full of unwanted beasts and for those who worried the last preview focused on just the bigger action scenes, this one has some of the more intimate creepy sequences that made the original film so successful.

There's an unintentionally auto - critical scene early in Last Vegas when Robert De Niro is brought face to face with the thrusting crotch of the boorish MC at a bikini contest that the film's protagonists are inexplicably judging.

While most of the film feels surprisingly realistic, the last shark scene is a bit hard to swallow.

The drama about the last chapter of a long marriage, which stars two veteran French actors (Jean - Louis Trintignant and Emmanuelle Riva) and premiered at May's Cannes Film Festival (where it won the Palme d'Or), was claimed by Austria because the Academy's rules dictate that a film's nationality is dependent not on the language that is primarily spoken in the film or the origins of the stars, but rather on the origins of the majority of the film's principal behind - the - scenes talent — the writer, director, and producer.

Vittorio Storaro comments at some length on the color symbolism in Bertolucci's The Last Emperor, which he shot, demonstrating more critical insight into how the film works and what it's about than we are likely to find in reviews, and there are similarly revealing commentaries from Michael Chapman about the iconographic and stylistic sources of Raging Bull (Life magazine and the photographs of Weegee) and from Hall about the role played by chance in the lighting of a scene from In Cold Blood, where the shadows of raindrops appear to be running down Robert Blake's face.

We spoke about directing Stephen Lang, channeling (and rejecting) cinematic influences, and how the film's best scene was the result of a last - minute on - set rewrite.

Last year's blockbuster Thor: Ragnarok will be available on Blu - ray and DVD next month, and it will include a slew of bonus features, including deleted scenes, featurettes that go behind the scenes of the making of the movie, a brand new short film featuring Thor's former roommate Darryl shacking up with The Grandmaster, and much more.

Supporting actors, including Oscar winners Lupita Nyong» o (12 Years a Slave) and Forrest Whitaker (The Last King of Scotland), Oscar nominees Angela Bassett (What's Love Got to Do with It) and Daniel Kayuula (Get Out), heavy - hitters Danai Gurira (TV's The Walking Dead) and Sterling K. Brown (TV's This is Us), and scene - stealing Letitia Wright (Steven Spielberg's upcoming Ready Player One), round out the film's impressive lineup.

Last night, my wife, daughter and I took in Black Narcissus at the AFI Silver and enjoyed it as much as we always have (only more so because it was in the gorgeous main theater projected on a huge screen) and afterwards I started thinking about movies with very famous scenes, so famous that most casual film goers might know it (or have a vague sense of familiarity with it) even if they don't know the movie.

A film about a man who is always last to the scene of the crime is a solid starting point, but no amount of flashy directing can make up for a weak story.

Last summer Netflix released Berlinger's Tony Robbins: I Am Not Your Guru, a vérité film that goes behind the scenes of the mega once - a-year seminar «Date With Destiny.»

If you've seen either A Haunted House or those earlier Scary Movies you know what to expect: a plethora of lewd and crude renditions of popular scenes based on notable horror film releases since the last flick.

Jeter referred me to one of the last scenes in the film, when the main character, in an effort to dispose of the evidence, tries to throw his victim's wedding ring into a river.

His scenes with Spacey's professor are the film's best, and Hoult also shoulders the responsibility of Salinger's writing frustrations, personal life challenges, military service, and finally, his decision to become the most famous and long - lasting recluse (by comparison, Howard Hughes was an amateur).

While it does fit the mold of the gimmick films that have been the norm for the last several years, Memento succeeds by making no bones about that fact, since the way the narrative is developed (each scene takes place the day before the last one) is a gimmick in itself.

Unlike its predecessor (The Fellowship of the Ring), The Two Towers feels too long by half despite the elision of key scenes from the source tome; the picture only picks up during its last ninety minutes, and then only as an unusually well - crafted action spectacle largely lacking in the nuance, pathos, and sharply - drawn characterizations of the first film.

Mediocre as the film may be, the Blu - ray release for «The Last Kiss» actually delivers a solid collection of extras including two audio commentaries (one with director Tony Goldwyn and star Zach Braff, and another with Goldwyn, Braff and fellow co-stars Jacinda Barrett, Rachel Bilson, Michael Weston and Eric Christian Olsen) and a 40 - minute making - of featurette on everything from casting to the actor's favorite scenes.

Previously out of of print, «The Decline of Western Civilization» documents Los Angeles punk culture over two decades with the first film highlighting acts like Black Flag and the Germs, while the second film showcases metal acts like London and Odin, and the last film focuses the latter - day L.A. punk scene.

Alexandra Shipp shared with fans a behind the scenes photo of X-MEN: DARK PHOENIX fight coordinator Richard Norton, taken from the film's set in Montreal last year.

His journey includes some of the most iconic war scenes put to film, from surf - loving Lt Col Kilgore, and the famous helicopter attack on a Viet Cong village (to the strains of Wagner), the surreal USO jungle show by Playboy Playmates, to the Do Lung Bridge, the US» last outpost, where soldiers are abandoned to their fate and the only sound, besides explosions, is the yelling of the damned for salvation.

The Last Chance gas station played a big part in the film, and included a scene with Gunnar Hansen «Leatherface» chasing one of his victims around with a large chainsaw, the films most intense chase scene, perhaps?

Why anyone would think filming a scene of vigorous dancing lit only by firelight with a camera seemingly held by another dancer is a good idea is unfathomable, and to let that scene last as long as it does borders on criminal abuse of the vestibular systems of the audience.

This was a great scene and, like the stuff with Sully early on, would have gone a long way toward a performance argument for the film amid all of the motion - capture debate last year.

In fact it was not certain until the last minute whether we would get to see it, for apparently the censors had insisted on some changes, including the removal of some scenes featuring the film's beautiful female protagonist, Hanieh, played by Golshifteh Farahani.

Interpolating the last day of Mishima's life with scenes from his wrenching novels and his youth, Schrader evokes films like Kurosawa's Rashoman and Kobayashi's Kwaidan, while also exploring the themes of masculinity, honor and dedication that resonate both in Japanese culture and in the director's other work.

And though David O. Russell has been on a nomination hot streak of late, with American Hustle capping a trio of Best Director nominations over the last four years for the filmmaker, his chances, which seemed much higher back when his crime caper stormed onto the scene last December, have since fizzled along with the film.

Her last scene is one of the most emotionally moving film sequences I have ever watched.

Bernardo Bertolucci's comments about a 1972 rape scene in his film «Last Tango in Paris» brought outrage over the weekend about his mistreatment of actress Maria Schneider — but also assurances from the Screen Actors Guild that actors are better protected today.

0:00 — «Street Fighter II Opening Theme» by Alph Lyra 0:25 — Intro, Non Street Fighter segment (Dishonored, The Last Story, PlayStation All - Stars Battle Royale) 15:17 — Intermission - «Theme of Ryu» by Alph Lyra 16:13 — Street Fighter, Street Fighter II and its many editions, the live - action films 30:50 — Intermission - «Theme of M.Bison» by Alph Lyra 31:50 — Street Fighter III, Street Fighter IV and the competitive scene 42:13 — Intermission - «Theme of Cammy» by Alph Lyra 43:13 — Interview with Cross Counter Asia video producer / Tough Cookie owner / prominent Singapore FGC contributor Yongde 1:24:42 — Intermission — «Theme of Guile» by Alph Lyra (which goes with everything) 1:25:50 — Miscellaneous Street Fighter stuff, Hong Kong SF comics 1:33:44 — Outro — «True Ending Theme» by Alph Lyra

Amy Seimetz («Upstream Color») Over the last few years, Amy Seimetz hasn't come anywhere near threatening to crack the mainstream, but has served as a sort of «Zelig «- figure for a particular kind of American independent film, crossing paths with many of the most notable players in the scene in some way or another.