Sentences with phrase «last section of the film»

Keener, who has to deal with a sudden loss during the last section of the film, achieves moments of searing emotion, and in the very last scene, another character figures prominently — a teenage friend of Keener's daughter — and the performance by Mikey Madison is one of the most eloquent in the film.

In many ways, the last section of the film holds the only moments of real achievement.

Not exact matches

In my rankings of all the 2013 films I saw last year, In a World... placed 50th and though a few things I've seen have bumped it down since, it still remains among the top third of last year's offerings, residing in the «Good, Not Great» section.

The first section of the podcast my guest, Gold Rush Gang member Matt Dinn, and I talk about the impact of this on the current landscape of the Oscar race, specifically to The Weinstein Company's awards efforts and the surprising news last week that Ridley Scott would cut Kevin Spacey out of his Getty kidnapping drama All the Money in the World, replace him with Christopher Plummer (the actor he originally wanted for the role of Getty) and the race to do this and keep the film's December 22nd release date.

When the film moves away from the barracks and back to Bill's family home in its last — and best — section, Vanessa Kirby, as Bill's flouncy sister, brings to the proceedings a much - needed jolt of adrenaline.

The film was screened in the Cannes Classics section of the Cannes Film Festival this past May and premiered in London last month at the Dogwoof Weekender.

The doc is also fascinating because it shows how these films often come together in the last possible second, and that comes up in the post production section of the documentary.

Award - winning filmmaker Chloe Zhao's second full - length feature film, The Rider, screened as a part of the TIFF» Next Wave» section last week.

Although it occurs in the last 10 minutes of the movie, it is still worth watching the rest of the film, as well as the factual documentary section which follows.

The Film Comment Presents section, an annual feature at NYFF for the last five years, will present Sergei Loznitsa's «A Gentle Creature,» a new film inspired by a Dostoevsky short story, along with a series of panels and discussions.

«I can do something no one else can...» Blumhouse Tilt has released a brand new, full - length official trailer for an indie film titled Sleight, which premiered in the ultra-low budget Nexst section of the Sundance Film Festival last year.

The last third of the film takes place «a few years» after this opening section, per a later intertitle.

This last is best exemplified by the «Delirium» section featuring Christian Slater as Joe's beloved dying father and it is remarkably affecting, showing von Trier's astonishing ability to manipulate the tone of his films and still remain coherent: here he is completely un-ironic, completely serious, employing no sly wink, only a finely channeled fury at fate, and perhaps God, for the unbelievable injustice and indignity of death.

A diverse array of new streaming offerings hit the world's most popular service in the last few weeks, including a few films into which we'll go in more detail in the Blu - ray section below.

For the 2018 edition of the festival, 37 percent of the 122 feature films premiering are directed by women, a slight uptick from last year when 34 percent of all films were helmed by female directors (in years past, the average has hovered around 25 percent), and their contributions were prominent across all sections, with women debuting films in not just the competition sections, but also in the forward - thinking NEXT section, the wild Midnight category (which played home to the long - gestating anthology «XX,» featuring four shorts directed by women), and even the starry Premieres docket.

The much - commented - on lapse in judgment that relegated Kelly Reichardt's Old Joy to the Frontier section last year affected its reception, not only because Frontier is a catch - all category for films that are regarded as too far - out for the majority of Sundancers, but more concretely, because Frontier films screen at the festival's lesser venues.

Returning to the more straightforward presentation of the last section, «Early Tests» (5:27) presents animation done near the beginning of the film's production to establish lighting and the look and movement of the characters.

The last section of Wenders» film was taped over years ago, making it impossible for local residents to see the movie's ending.

In 2012, Cooper and his frequent theater collaborator Gisèle Vienne co-curated a section of the annual Un Nouveau Festival at the Centre Pompidou in Paris entitled TEENAGE HALLUCINATION, featuring art exhibitions, films, lectures, live performances, concerts, an installation of the visual components of Cooper / Vienne's works to date, and performances of their theater pieces Last Spring, a Prequel (2011), Jerk (2008), and Cooper / Cochrane / Houston - Jones» Them.