It even revealed the date — 23 January 2017, the first day of shoot and what all Iron Man, Spider - man and Star Lord had to say about the first of
the last set of films in the Avengers franchise.
Not exact matches
Comcast's (cmcsa) Universal Studios held the previous single - year box office record, which it
set just
last year, and the studio has a handful
of sequels from franchises that have recently produced billion - dollar
films on deck for 2017 — The Fate
of the Furious and Despicable Me 3 — as well as the sequel to
last year's sleeper hit, Fifty Shades
of Grey.
It was the one match he did
film last set of tapings.
However, the two
sets of fans have fallen foul to less regal clashes in recent years as a Newcastle fan was
filmed punching a horse
last season.
The actor is
set to star in a
film directed by veteran stunt coordinator Nick Powell (The Bourne Identity, X-Men: The
Last Stand, Cinderella Man), which centers on Frank Walsh (Cage), a big game hunter for zoos who has booked passage on a Greek shipping freighter with a fresh haul
of exotic and deadly animals from the Amazon, including a rare white jaguar.
Unlike Theresa May, I've got an enormous media profile, thanks to being portrayed as the bad guy in literally every
film set in the North
of England for the
last 30 years.
Another Sunday and another
set of papers full
of stories about MPs» allowances and expenses, on the back
of last week's revelations about Jacqui Smith's husband's taste in
films and the publication this week
of MPs» allowance claims for 2007 - 2008.
The world's
last unexplored continent — not a bad
setting for a new science fiction movie, once Cameron returns from
filming the further adventures
of the Na «vi on their native Pandora, in the Alpha Centauri star system.
Featuring some
of the top scientists, journalists and press officers who have worked with us in the
last decade, the
film covers how and why the SMC was
set up and the methods by which the Centre works from day - to - day.
Of course it would take more than a small independent film to truly set Washington apart from the pack, and many saw her performance in the 2001 romantic drama Save the Last Dance as one of the few redeeming qualities in the otherwise forgettable teen dram
Of course it would take more than a small independent
film to truly
set Washington apart from the pack, and many saw her performance in the 2001 romantic drama Save the
Last Dance as one
of the few redeeming qualities in the otherwise forgettable teen dram
of the few redeeming qualities in the otherwise forgettable teen drama.
The relationship between England and India has always been an interest for the two
of them, Englishman Ivory and Indian Merchant, having used it as a
setting for
films like The Courtesans
of Bombay and Cotton Mary, Merchant's
last solo effort.
Critic Consensus: The cast
of Last Vegas keep things amiably watchable, but the
film is mostly a mellower Hangover retread for the older
set.
It is in the brief
last act,
set in the hippie culture
of 1975 and then the present day, when everyone is gray - haired and wearing wrinkle makeup, that the
film leaves its element for a quick gulp
of easy sentimentality.
Set against a backdrop
of London torn apart by violence, the
film follows one
of the champions
of Earth's survival: Theo (Academy Award nominee Clive Owen), a disillusioned ex-activist turned bureaucrat, who faces his own demons and must protect the planet's
last remaining hope for a future generation.
The
film's world - building is more engaging than its plotting, which skews toward the generic as the embattled good guys
set out on their
last - ditch effort to save what remains
of humanity; there's a sense, while watching Blame!
That's not to knock these
films on quality or suggest that anything with name actors is merely mindless escapism: Fox Searchlight's thriller The East efficiently mines suspense out
of Brit Marling infiltrating Alexander Skarsgaard and Ellen Page's eco-terrorist group (at least until it goes south in its
last third) and the Paul Rudd - Emile Hirsch two - hander Prince Avalanche makes the most
of its pastoral
settings and gently bro - centric chattiness, to name just two.
When director Kevin Tancharoen's reboot / reimagining / update
of «Fame» was
filming in Los Angeles
last year, I was invited to the
set to watch some
filming and interview most
of the cast.
I think the best part
of being an actor is that to me it feels like I've been in the best
film school for the
last twenty years because not only do I see the director work on
set, I see how the producers work, I see how the DPs work, I see how the gaffers work, I see how the costume department works, I see how the production office works.
All
of that said, the
film does manage to nail (perhaps more dramatically than
last time) the era it depicts (the
film is
set in 2008 at the time
of the Wall Street tumble).
News broke
last week that James Franco was
set to star in his first superhero movie (since Sam Raimi's Spider - Man) as Jamie Madrox, aka Multiple Man, in a
film of the same name.
While on the
set of X-Men: Apocalypse
last year we talked to many
of the cast members about what is new and different for their roles in this
film.
The strongest attribute
of the first
film was the character
of Big Daddy, memorably played by Nicolas Cage channeling Adam West: having been
set fire to in the
last film, he's unlikely to return, though there's a juicy supporting role for Jim Carrey,
of all people.
We spoke about directing Stephen Lang, channeling (and rejecting) cinematic influences, and how the
film's best scene was the result
of a
last - minute on -
set rewrite.
The entire gag takes a long while to play out (the money shot - close - up on a
set of buttocks most definitely not those
of the 62 year - old Willis), though it is infused with the kind
of nutty energy that Willis
last exhibited in his 1991 megaflop, Hudson Hawk (a
film that has since acquired an army
of «guilty pleasure» defenders, including yours truly).
Because despite how they may be advertised, these
films are generally about treading water for as long as possible until bringing out most
of the big robot
set pieces in the
last act.
Ditto the submarine -
set finale, which evokes an even stronger sense
of déjà vu considering that the
last Bond
film, Tomorrow Never Dies, also ended in the water.
But the director has recast every single role (echoes
of his lead actress switching in his
last film, Palindromes) and pushed the
films setting to Florida during current times.
It's not the most promising way to kick things off (Brewer uses it to illustrate the deadly, post-party car crash that incites the no - song - and - dance law in the
film's
setting of Bomont, Tennessee), but its poor impression doesn't
last long, as Brewer makes quick work
of establishing a liberal and plausible adolescent atmosphere in which Big & Rich can be listened to just after Wiz Khalifa, an antagonist is offhandedly chewed out for using the word «fag,» and the black students nearly outnumber the white students in the high school hallways.
Ditching the MCU's familiar roster
of heroes (they don't get as much as a mention) along with many
of the basics
of the Marvel
film formula, Ryan Coogler has turned Black Panther into a highly personal crowd - pleaser in the vein
of his
last film, the Rocky sequel Creed, but with all the idiosyncrasies and intrigues afforded by its main
setting, the fictional African kingdom
of Wakanda.
JOURNEYMAN PICTURES
SET TO RELEASE BILL BENENSON»S DOCUMENTARY THE HADZA: LAST OF THE FIRST TODAY, TUESDAY, NOVEMBER 3RD; FILM EXPLORES ONE OF LAST HUNTER GATHERER GROUPS ON PLANET Alfre Woodard Narrates; Lupita Nyong» o Is Swahili Consultant on Film Benenson Also Executive Producer on BEASTS OF NO NATION, Bringing His Films Set in Africa to Three (Los -LSB-.
SET TO RELEASE BILL BENENSON»S DOCUMENTARY THE HADZA:
LAST OF THE FIRST TODAY, TUESDAY, NOVEMBER 3RD;
FILM EXPLORES ONE
OF LAST HUNTER GATHERER GROUPS ON PLANET Alfre Woodard Narrates; Lupita Nyong» o Is Swahili Consultant on
Film Benenson Also Executive Producer on BEASTS
OF NO NATION, Bringing His Films
Set in Africa to Three (Los -LSB-.
Set in Africa to Three (Los -LSB-...]
Masterminds was originally
set to release in August
of last year, but those plans fell through due to a bankruptcy within the
film's distributor, although honestly the fact that the movie is now releasing in the month
of September a little over a year later might actually benefit its box office performance, as the movie actually co-stars 3/4
of the Ghostbusters reboot (Kristen Wiig, Kate McKinnon, and Leslie Jones).
Hot on the heels
of last night's first look photo from the
set of Fantastic Four, the new adaptation
of the Marvel comic book, the teaser trailer for the
film from director Josh Trank has arrived.
In other words, the
film is yet another takedown
of the clueless bourgeoisie... the suburban Connecticut contingent, in this case, to
set it apart from
last year's gloriously biting West Coast haymaker Beatriz at Dinner.
(Virzì's
last film was the considerably more astringent, Italian -
set Human Capital, an adaptation
of Amidon's novel.)
Entirely absent from the first half
of the
film, the British actress turns up as Young Joe (Joseph Gordon - Levitt) stumbles across the farm on which the
film's
last act is almost entirely
set.
The
film stars Guy Pearce and Robert Pattinson and takes place 10 years after the collapse
of society, revolving around a man who
sets out to reclaim his
last possession from a gang.
The
film stars Guy Pearce and Robert Pattinson and takes place 10 years after the collapse
of society, revolving around a man who
sets out to reclaim his
last...
Now the actor has shared a photo from the
set of Avengers: Infinity War, capturing a moment from his
last day
of work on the upcoming ensemble
film.
When we
last checked in on Sony's long - gestating adaptation
of the popular video game Uncharted, they had
set a release date for June 10, 2016 with Seth Gordon (Horrible Bosses) with an eye to start
filming in early 2015.
Whedon clearly
set - out to make a different, darker
film than the
last — and maybe that's also in reaction to
last year's «Guardians
of the Galaxy», which was just so much fun.
It's a gloriously written
film, with jokes that are crafted rather than excavated from reams
of on -
set improvisation1; the success
of the punchlines is scattershot and up for debate (connoisseurs
of the Borscht belt should find much to admire, but a rehash
of Lloyd's lovesick daydream flatlines, due in no small part to an overestimation
of the comic chops and kitsch appeal
of Honey Boo - Boo's mom), yet there is something bracing about its structural classicism after the
last few years
of watching the Church
of Apatow whack off.
The zombie tale, a hybrid
of Scooby - Doo, Night Of The Living Dead, and an always intriguing youth - confronting - scary - monsters premise, seems in line with people's interests and in an animated setting, perhaps a zombie film can survive the over-saturation of zombie - pop that has been prevalent these last few year
of Scooby - Doo, Night
Of The Living Dead, and an always intriguing youth - confronting - scary - monsters premise, seems in line with people's interests and in an animated setting, perhaps a zombie film can survive the over-saturation of zombie - pop that has been prevalent these last few year
Of The Living Dead, and an always intriguing youth - confronting - scary - monsters premise, seems in line with people's interests and in an animated
setting, perhaps a zombie
film can survive the over-saturation
of zombie - pop that has been prevalent these last few year
of zombie - pop that has been prevalent these
last few years.
But,
last year on the Atlanta
set of the highly anticipated superhero
film, we learned there's much, much more going on.
The festival tends to look after its own, and while there was some speculation that his new
film, which shot at the end
of 2011, could be ready for the fall festival circuit
last year, Cannes always seemed the better bet for his Bangkok -
set, ultraviolent re-team with Ryan Gosling.
After the Australian master broke out to the global
film community with 1975's atmospheric «Picnic at Hanging Rock,» followed by 1977's «The
Last Wave,» he expanded his horizons with war epic «Gallipoli» and Indonesia -
set «The Year
of Living Dangerously,» starring an emerging Mel Gibson and Sigourney Weaver.
Then finally he put together his
last film, Far from Home: The Adventures
of Yellow Dog [1995], with Mimi Rogers, Jesse Bradford and Bruce Davison, a movie that was
set and shot in the area
of British Columbia where he was living, that has two boy characters who are named after his own sons, and which sadly turned out to be a
film whose release he didn't see.
During production in Atlanta, Newton — who, by the way, was also in both Lady Bird and Three Billboards Outside Ebbing, Missouri
last year — would pop over to the
set of Halt and Catch Fire to
film yet another role.
That's certainly a shame as you would think the
film's second appearance on the format would present the perfect opportunity for Disney to provide some good in - depth bonus material the way they did for their two movies and to some extent,
last summer's Season One box
set of «The Muppet Show.»
The
film has a more contemporary
setting than the
last version
of the monster movie.
, which shows black - and - white B - roll footage
of an aged Curtiz (this was one
of his
last films) directing his actors on the
set.