Sentences with phrase «last shot of the film»

You can tell, because the last shot of the film is a dog reaction shot.

Genuine tension is built from the moment the women enter the water right up to the very last shot of the film.

It was to marry with the last shot of the film, when Michelle is on a train, leaving, getting out of town.

The last shot of the film would be incomprehensible but for a memory of this «over-the-hill» unfortunate, creating a fascinating subtext for what by all rights seems a misogynistic picture paying tribute to a misogynistic genre.

Then there's original director Tinto Brass, whose insistence on filling every last shot of film with some artfully - lit nudity comes straight from the school of mainstream exploitation cinema.

The last shot of the film, with Robards weeping amongst the ashes, is enough to make anyone want to ban the bomb.

Not exact matches

And he finally said... He called me up and said we're on the last day of a picture and then the last day of the picture if you'll come out I'll just shoot some film on you and nobody will know the difference and then you can see what you look like and all that kind of thing.

Spokespeople for the Clintons denied the various parts of the Times report, but the impasse is nevertheless notable because parts of the film were already shot over the last two years, including on Bill Clinton's philanthropic trips to Africa.

And when Keith Smart had finished scoring 12 of his team's last 15 points, including the winning 16 - foot jump shot from the left side with five seconds remaining under massive pressure, most of Indiana didn't even care that the film Hoosiers» Dennis Hopper hadn't won the Oscar for best supporting actor just so long as this real - life Hoosier named Smart had.

It's not a question of religion, it's not a question of belief — it's just politics run amok,» Cuomo said last October at a film screening on the Newtown shooting.

The map, which stems from City Council Speaker Christine Quinn's last State of the City address, will also add information about film shoots and parking regulations later this year.

Last month, he shot 32 rolls of film during a 2 - week trip to Alaska in which he covered more than 2500 kilometers by foot, kayak, bus, and train.

We shot a bunch of stories last week and I am planning to get filming in the next, this space is so good for that.

Completing a successful shoot is always a great feeling, but the last night of filming banded mongooses in Uganda was particularly fun.

Gordon Green wrote and shot the film, titled Prince Avalanche, in Austin last month prior to getting started on his remake of Dario Argento's Suspiria, and it's described as following «two men whose lives intersect while working on a road striping crew together.»

Cooper and his director of photography Masanobu Takayanagi (who also worked on the filmmaker's last two movies) paint a visually striking but harsh and brutal portrait of the scenery here, placing an emphasis on long shots of desolate landscapes and closeups of human anguish in order to create the film's dismal mood.

While in Venice, Tsai hinted that Stray Dogs, the story of an impoverished family struggling to survive in Taipei, could be his final film, so it is fitting that Lee Kang - sheng, his longtime collaborator, stars in what could be Tsai's first and last film shot on digital.

It has become almost impossible to make a sci - fi film these days that doesn't spend its last 30 minutes in a multiple - orgasm roar of screaming, shooting and shattering explosions.

Many people, including Harlan Ellison, have claimed that the Star Child was a last - minute addition to the film — but in Agel's book, he said that one of the first images shot was of a little boy in a leotard, for consideration as the Star Child.

This film noir from director Billy Wilder tells the tale of a former big shot reporter, Chuck Tatum (Kirk Douglas), heading to Albuquerque for one last chance in the journalism game.

The last shot of Turkish - German director Fatih Akin's In the Fade might be its most important — a key to unlocking the film.

As the film goes on, the script problems become more apparent with the last 15 - 20 minutes in particular so over the top and filled with those «oh come on» kind of moments that it whilst it doesn't ruin the film, it does leave a slightly sour taste (the final shot in particular will probably annoy).

This film noir from director Billy Wilder tells the tale of a former big shot reporter, Chuck Tatum (Kirk Douglas), heading to Albuquerque for one last chance in the

Allen's next - to - last movie shot in Manhattan was his last made under the auspices of DreamWorks (hence his last «studio film»).

After the thrill of the chase, the lookalike's escape, and the disappointment of missing the reward, the film ends optimistically with a long shot, lasting over half a minute, of all the boys and other people in the background.

The line is meant to take a shot at the almost universally hated X-Men: The Last Stand, and while X-Men: Apocalypse is nowhere near as bad as Brett Ratner's film from 2006, it's not without some shortcomings of its own.

Given that the Russo brothers are also directing the Infinity War films after Captain America: Civil War, look forward to a lot of Blu - ray commentary tracks by this creative team, saying things like, «Well, as anyone who saw the fleeting shot of Starfox at the 35:42 mark of the last film knows...»

Last night at Fantastic Fest in Austin, TX, just before a showing of Penumbra, filmmaker Don Coscarelli (of Phantasm, The Beastmaster, Survival Quest, Bubba Ho - Tep) introduced an exclusive first look clip and early look at the teaser trailer for John Dies at the End, his crazy new horror film that he already shot late last yLast night at Fantastic Fest in Austin, TX, just before a showing of Penumbra, filmmaker Don Coscarelli (of Phantasm, The Beastmaster, Survival Quest, Bubba Ho - Tep) introduced an exclusive first look clip and early look at the teaser trailer for John Dies at the End, his crazy new horror film that he already shot late last ylast year.

Romanek shoots the hell out of the film, turning in one of the most beautiful looking pictures of the last few years.

Vittorio Storaro comments at some length on the color symbolism in Bertolucci's The Last Emperor, which he shot, demonstrating more critical insight into how the film works and what it's about than we are likely to find in reviews, and there are similarly revealing commentaries from Michael Chapman about the iconographic and stylistic sources of Raging Bull (Life magazine and the photographs of Weegee) and from Hall about the role played by chance in the lighting of a scene from In Cold Blood, where the shadows of raindrops appear to be running down Robert Blake's face.

The film works on multiple levels — as a supernatural thriller (though explicit paranormal elements are limited to a hallucinatory dream sequence and the final shot of the baby's eyes), as a psychological thriller about a paranoid pregnant woman who imagines herself at the centre of a conspiracy, and as the last word in marital betrayal, since the most despicable villain here is surely Guy, who allows his wife to be raped by the devil in exchange for an acting role.

Still, you can't fault his work ethic: Campbell Moore was so determined to film The Last Post he put off having surgery on a brain tumour till after four months of shooting in South Africa.

The entire gag takes a long while to play out (the money shot - close - up on a set of buttocks most definitely not those of the 62 year - old Willis), though it is infused with the kind of nutty energy that Willis last exhibited in his 1991 megaflop, Hudson Hawk (a film that has since acquired an army of «guilty pleasure» defenders, including yours truly).

Broken Lizard, the comedy team behind the original film, raised more than $ 4.5 million to fund Super Troopers 2 during a crowd - funding campaign on Indiegogo last year, shooting past their initial goal of $ 2 million.

Director Josh Boone took to instagram to announce his «last week of shooting» for THE NEW MUTANTS film.

The festival tends to look after its own, and while there was some speculation that his new film, which shot at the end of 2011, could be ready for the fall festival circuit last year, Cannes always seemed the better bet for his Bangkok - set, ultraviolent re-team with Ryan Gosling.

The Tale of the Princess Kaguya: Isao Takahata's film, likely the last production by Studio Ghibli's two masters (Hayao Miyazaki's The Wind Rises lost to Frozen last year), probably has no shot at Best Animated Feature (How to Train Your Dragon 2 is the heavy favorite), but if it did somehow get the prize, no win on Oscar night would make us happier.

It's the first film to be partially shot with a 120 frame per second rate (most films are shot with at 24 fps) and excerpts were recently shown at the National Association of Broadcasters Show in Las Vegas last month who were reportedly blown away.

Following a single father who works as a human billboard in Taipei, and his left - to - their - own - devices kids, with the presence of their mother represented by three different actresses, the film has the barest thread of story (Tsai has admitted that he no longer has any real interest in narrative), and seems determined to provoke less patient audience members into walking out, with a series of shots that last upwards of ten minutes without all that much movement in them.

Then finally he put together his last film, Far from Home: The Adventures of Yellow Dog [1995], with Mimi Rogers, Jesse Bradford and Bruce Davison, a movie that was set and shot in the area of British Columbia where he was living, that has two boy characters who are named after his own sons, and which sadly turned out to be a film whose release he didn't see.

It shot last August, so it should be ready in time, and it's certainly one of the most eagerly anticipated foreign - language films of the year.

It even revealed the date — 23 January 2017, the first day of shoot and what all Iron Man, Spider - man and Star Lord had to say about the first of the last set of films in the Avengers franchise.

Last year, the concept was based on a shot of Hannah Schygulla, Goddess of Cinema, waking up, looking into the camera (in Fatih Akin's «The Edge of Heaven») and dreaming fragments of the films on my list.

During our interview, which we'll post in full closer to the film's release date, «The Squid and the Whale» director, who shot «Frances» on the quick and quiet (hardly anyone knew it even existed until it premiered at the Telluride Film Festival last year), dished on some of his upcoming projects and it seems he's hitting a prolific stride.

That of course brings to mind a short film, akin to the «Marvel One - Shot: Item 47» shown last year.

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Those who rely on film adaptations of classic books to pretend they perused the page have better shots at getting away with it if they're fibbing about titles like «Lord of the Rings,» «Pride and Prejudice,» and «Jane Eyre,» which each received high - profile movie adaptations within the last 15 years.

Last month I guessed that the film probably wouldn't start shooting this month because of new writer Frank Darabont's small window of time in which to turn around a new draft.

It's more of a shock than the Ranger situation since Proyas had gathered his crew and started building a cast that included Bradley Cooper (who talked to us about the film last week), Benjamin Walker, Diego Boneta and Camilla Belle ready for a shoot set to start next month in Australia.

After Korine shot his last film, the aptly named Trash Humpers, on worn VHS tape, Spring Breakers looks like the work of a completely different director.