Sentences with phrase «last year in the cinema»

Film is no exception: 12A certificate movies accounted for 51.8 per cent of gross UK box office last year in the cinema, as... Read More

Not exact matches

There have been comparatively few leaks compared to last year's awards season (so far), when a single group called Hive - CM8 leaked more than a dozen of 2016's top movies, including James Bond movie «Spectre,» «Legend,» «Steve Jobs,» «Creed,» and Quentin Tarantino's «The Hateful Eight» — before it even came out in the cinemas.

What about last year when many invested in overpriced cinema tickets and online movie subscriptions to watch Star Wars: The Force Awakens.

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The predictability of cinema seems to be at the heart of the matter for the critics who signed the Pamphlet for Activist Film Criticism at last year's Oberhausen International Film Festival, in which they caution against the threat of filmmaking being submitted to «market logic, target audience orientation and political agendas.»

Late last year, the release of The Interview came into question when North Korea, whose leader Kim Jong Un was being parodied in the movie, threatened to attack any cinemas showing the stoner comedy.

Ava DuVernay over the last few years has become a mighty presence in cinema, and an important voice that shines a light on diversity in her films and the stories she tells and while I Will Follow came first and Selma counted as her big break out moment, Middle of Nowhere is what officially started the stir.

The invitation - only gala event in a converted Riyadh concert hall on Wednesday was the first in a series of test screenings after a ban on cinemas was lifted last year.

If you were adventurous enough to look beyond the premieres at the 1500 capacity Eccles theater, you would find incredible independent cinema, made by tomorrow's visionaries, stamped all over the festival's NEXT section, or even the Documentary sections which have become a hotbed for Oscar - nominated non-fiction, just this year 3 of the 5 Best Documentary nominees made their premieres at Sundance in 2017 («Icarus,» «Strong Island,» and «Last Men in Allepo).

Despite an original plan to have the cameras rolling last autumn, Zemeckis is now ready to kick off shooting next week in Europe, aiming to have the film in cinemas later this year.

In the last couple years, there has been a noticeable shift toward the new disaster cinema.

Netflix made a big splash as the French event last year, screening both Bong Joon - ho's Okja and Noah Baumbach's The Meyerowitz Stories, but French exhibitors protested the company's presence at the festival, because Netflix did not release those titles in French cinemas.

It will surprise many who found themselves rigid with terror at the endlessly oppressive horror atmosphere of last year's Kill List to learn that its director, Ben Wheatley, is one of the wittiest minds working in cinema today.

I missed the film in the cinema last year, which is why I'm only reviewing the Blu - ray now.

The movie was released online in the US in December last year, amid a flurry of controversy involving the North Korean government, in Australia in January, and opens in UK cinemas this weekend.

Brad Pitt, for his part, was so keen for a franchise he created his own, producing last year's World War Z, while Scarlett Johansson is nowadays best known to many cinema goers as Marvel Comics Black Widow (she reprises the part in Captain America: The Winter Soldier).

Lola Creton If you're a keen follower of French cinema, it's likely that you've spotted a new face popping up routinely in the last few years, one who's undoubtedly impressed you with a brace of head - turning performances.

The John Michael McDonagh film, in which 59 - year - old Brendan plays a doomed Catholic priest, brought in $ 54,000 - an average of $ 13,000 from four cinemas - in the US last weekend, a major coup for an independent feature.

The Shape Of Water is set to arrive in cinemas from December 4th, following a shoot in Toronto, Canada late last year.

If it feels as if you've been hearing about Gangster Squad for ages, that's because the release was put back by several months when the Aurora cinema massacre in July last year prompted the filmmakers to remove a cinema - based shoot - out, which had been glimpsed in the film's original trailer.

Sadly it's one of the last movies scored by Broughton that was released in cinemas (and it's six years old, now) but fans of the composer will not be disappointed by what he came up with.

A biopic (in almost every traditional, conventional sense) of slain gay - rights leader Harvey Milk (Sean Penn), it traces the usual rags - to - riches - to - assassin's bullet of every single one of these things you've seen in the last fifty years of American cinema.

Over the past two decades, their collaboration has yielded some of the most powerful works in contemporary British cinema, including The Wind That Shakes the Barley (now streaming on the Criterion Channel on FilmStruck in a limited engagement), which chronicles the lives of two brothers during the Irish War of Independence and the Irish Civil War, and last year's Palme d'Or — winning drama I, Daniel Blake, which skewers the brutal bureaucracy of the British welfare system.

Yes, just as people emerge from the cinemas from the first screenings of The Hobbit, which started in December, they have been greeted by the news that Peter Jackson's adaptation of J.R.R Tolkien's novel is set to last even longer when it's released on Extended Edition DVD and Blu - ray this year.

Next we had cinema's first zombie, then serial killers, «based on a true story» stories, which led to the fake documentary horror movies, followed by Olympic athlete zombies and, in the last few years, we got the torture porn films.

The Toronto festival, which turns 40 in 2015, has a long history of championing Canadian cinema; this year it offers a spot to Atom Egoyan following his misjudged double bill of festival flops (2013's The Devil's Knot in Toronto; The Captive at Cannes last year) for Remember, a revenge thriller starring Christopher Plummer.

The boys aren't bad either, and, in addition to Phoenix, it's exhilarating to recognise, in various disguises, hairdos and toupees, actors that have shaped both American independent cinema, Hollywood and / or cable television (The Sopranos, The Wire, Boardwalk Empire) for the last twenty years: Owen Wilson offers an understated performance as a former saxophone player who has to fake his death; the always impeccable Martin Donovan is a lawyer for the Golden Fang (he's also, by the way, Japonica's father, which serves him right); Benicio del Toro shines as the man passing as «Doc's lawyer»; Josh Brolin drew a lot of kudos for his performance as Doc's nemesis, an LAPD detective nicknamed Bigfoot with the bad habit of kicking people's door and dreams of making it to the big screen; Martin Short; Eric Roberts, Michael Kenneth Williams etc...

Tony Black on screen legend Michael Caine... His recent political leanings aside, Sir Michael Caine remains one of the surviving legends of British and indeed American cinema of the last fifty years, and this weekend's Going in Style — a heist caper directed by none other than Scrubs «Zach Braff — sees him share top billing with fellow aged -LSB-...]

Even if you don't think it's the best film of last year, it dominated Top Ten lists and critics groups awards and it offered a different and daring kind of cinematic experience, something rare enough in American popular cinema.

In a similar manner, Terrence Malick «s «The Tree Of Life premiered at the festival last year before being unspooled in French cinemas a week lateIn a similar manner, Terrence Malick «s «The Tree Of Life premiered at the festival last year before being unspooled in French cinemas a week latein French cinemas a week later.

As such, as with last year, and more for my own sanity than anything else, I've decided to just stick to (new) films I saw in a cinema in the last twelve months, regardless of its U.S, or U.K release dates.

Covering the full range of the department's output in the last ten years, he has worked with established auteurs and filmmakers as well as with up - and - coming talent new to the cinema.

It won't change the face of cinema history, and it won't win any awards (it's too downright dirty for that), but it's furiously entertaining, and a very strong piece of drama from a director who hasn't much luck in the last thirty - odd years.

British cinema has come upon it's on in the last few years.

Through his leadership roles in film distribution and exhibition over the last 15 years, John Vanco has strived to connect great works of cinema with appreciative audiences.

Following the premiere of his directorial debut, The Eyes of My Mother, at last year's Sundance Film Festival, young filmmaker Nicolas Pesce has fast become a rising star in the world of horror cinema.

X-Men director Bryan Singer has promised that the «Rogue Cut» offers fans a «different experience» to the film they saw in cinemas last year, with 17 minutes of unseen footage featuring a subplot involving Anna Paquin's character Rogue.

After playing the fest circuit last year under the title «Crosstown,» the pic rolls out in select AMC theaters this weekend via distrib New World Cinemas.

Still, there's some great options here as the last year provided many laughs in the cinema.

France's «Of Gods and Men,» the grand prize winner at last year's Cannes Festival, offers up just such a message in a finely wrought, quietly observed ensemble piece starring Lambert Wilson and the 79 - year - old Michael Lonsdale, whose jowly, hangdog countenance has graced over half a century of great cinema.

You'd be forgiven if you recognize a lot of the epic music used, anyone that's been near a cinema in the last few years should find it familiar.

The 60 - year - old has performed in his last play and recently finished shooting his last film, Phantom Thread, a reunion with There Will Be Blood collaborator Paul Thomas Anderson that is due in cinemas this December.

If one collective entry could be reserved for the wave of heartfelt and humanist cinema that has made a welcome comeback in the last few years, then Sean Baker's (of Tangerine fame) The Florida Project, Luca Guadagnino's dreamy gay love story Call Me By Your Name, and Greta Gerwig's directorial debut Lady Bird would certainly be worthy of this list.

Emer Reynolds» inspirational documentary about NASA's Voyager program was unlike anything else we saw in cinemas last year.

Solo is the second anthology film in the Star Wars franchise after Rogue One: A Star Wars Story, and tells the story of Han Solo, one of the most loved characters in cinema (he was incidentally voted the third-most popular movie character after Indiana Jones and Batman last year).

It was voted as one of the top characters in cinema last year.

Depictions of same - sex relationships have been deemed Oscar - worthy before (Philadelphia in 1993; Brokeback Mountain in 2005 and, of course, last year's Moonlight), but this film goes further by allowing Elio and Oliver to escape the usually devastating consequences that cinema dishes out to its gay protagonists.

Meanwhile, Sebastian Lelio's «A Fantastic Woman» is a female - oriented narrative that marks a significant breakthrough for transgender representation at the Oscars — and represents last year's surge in LGBTQ - themed cinema.

The cinema closed down in April of last year after running up a rent debt of over $ 100,000 but is now reopening under the new management of Element Pictures.

Upon the film's release at the end of last year in UK cinemas my fiancé still expressed a desire to watch it, to which I begrudgingly accepted to go and sit down and watch.