His multi-part installation «Third Lung», originally commissioned for the last year's Venice Biennale, explores human - nature relationships and revisits a spectrum of anthropomorphic, hybrid, and zoomorphic forms from the Mesoamerica in the pre - and
late classical eras.
Not exact matches
The stark Irish scenery with its accompanying sense of tragedy, derived from the days of The Great Famine, found
later expression in O'Donoghue's art, as did the knowledge and experience he gained from his father Daniel, who introduced his son to many of the great European cultural traditions derived from
Classical Greek art, the Renaissance and
later eras.
During the
late Victorian
era in Britain the academic paintings, some enormously large, of Lord Leighton and the Dutch - born Lawrence Alma - Tadema were enormously popular, both often featuring lightly clad beauties in exotic or
classical settings, while the allegorical works of G.F. Watts matched the Victorian sense of high purpose.