Sentences with phrase «late feminist artist»

Women, from contemporary artist Lisa Yuskavage to modernist painter Frances Strain, are on show at Jeffrey Deitch's recreation of the late feminist artist Florine Stettheimer's studio.

«Accumulation # 1» provide crucial antecedents for later feminist artists such as Eva Hesse and Louise Bourgeois.

Not exact matches

Photographs and ephemera relating to the project are displayed alongside documentation of other Judson initiatives, including experimental works by Claes Oldenburg and Jim Dine, and those by lesser - known artists such as Martha Edelheit, whose 1960 psychedelic watercolour, Dream of the Tattooed Lady, anticipates later developments in feminist art.

Coining the term «femmage» to describe «collage that addressed the female experience of the world,» the late Miriam Schapiro (1923 — 1915) was a pioneering second - wave - feminist artist.

In the late 1960s and early 1970s artists became more political, even sometimes identifying as feminists or activists.

In the late 1960s Benglis effectively joined a nexus of female artists who pressed fluid materials into the service of, what I call, a crypto - feminist strategy.»

She worked for decades as a relative unknown — at one point using the roof of her townhouse as a studio — but championed by feminist artists in the Seventies, and by curator Robert Storr, she became well known and highly regarded in late middle age, making her the unofficial patron saint of unheralded midcareer artists everywhere.

AMCDIn the late 1960s and early 1970s artists became more political, even sometimes identifying as feminists or activists.

KSThat earlier generation of women artists was not given the option of being feminists — and, even later in life, many were not interested in embracing that identity when it was on offer.

The later sections of the show frame the intersection of feminism and painting in easel paintings, large - scale works and performances by feminist artists in the 1970s and early 90s.

In the late»70s and early»80s, a second camp of artists that included Cindy Sherman, Sherrie Levine, Martha Rosler, and Mary Kelly took a different approach to addressing feminist issues.

Jill was an early champion of feminist and person of colour artists, including Lubaina, the late Maud Sulter and many others.

Alison Jacques Gallery is delighted to announce a solo exhibition of work by the late New York feminist artist Hannah Wilke (1940 - 1993).

The exhibition investigates a variety of abstract artists whose work embodies the feminist perspective in late twentieth - century...

But last night, in honor of the memory of the late artist Ana Mendieta and in protest of the Dia Art Foundation's current retrospective of her husband, Carl Andre, artist Christen Clifford and the feminist No Wave Performance Task Force offered up deep red chicken blood and dark, chunky guts.

Being myself born in the late 1980s, I have always been overtly impressed with the feminist artists of the 1970s and 1980s who opened up for new possibilities and new questions to be asked regarding gender, identity, and society at large.

Second generation surrealist and feminist sculptor Louise Bourgeois was one of the most important American artists of the late twentieth and twenty - first centuries.

Most of the paintings, sculpture, works on paper, and videos in the exhibition are by self - declared feminists and artists of later generations working within the historic framework of feminist art.

Citing the argument of the late Linda Nochlin, a feminist art historian, in her landmark essay, «Why Are There No Great Women Artists?

Overlooked in her discussion of Sherman is the recognition that her dressing - up, role - playing, selfie - photo schtick was already old when she revved it up in the late 1970s, and that, for some time, such pioneering feminist artists as Martha Wilson, Martha Rosler, Suzy Lake and others had already been examining women's society - defined roles and images through photographic, performance - based artistic projects.

The exhibition investigates a variety of abstract artists whose work embodies the feminist perspective in late twentieth - century modernism.

Although feminist artists of later generations might celebrate the in - your - face impression made by the sometimes undeniably phallic or vulval qualities of O'Keeffe's imagery, to her that fixation represented a defeat.

(Note: Although seen as an important contemporary female artist, Frankenthaler was uninvolved in the feminist art movement that emerged in America during the late 1960s.)

More theoretically inclined Feminist artists of the late 1980s and 1990s included: the conceptual artist Mary Kelly, now Professor of Art at the University of California, Los Angeles, whose work borrows from both Marxism and psychoanalysis; the contemporary German photographer Katharina Sieverding, who uses make - up and face - painting to explore gender borders; the German multimedia artist Iza Genzken, noted for her assemblages of household objects; the American postmodernist Lynda Benglis, best - known for her wax paintings and poured latex sculptures; and the English conceptual Helen Chadwick (1953 - 96), noted for her feminist performances and installations, but perhaps best - known for photocopying her body next to dead animals.

After seeing Bound Unbound, the major retrospective show of Lin Tianmiao's work at the Asia Society Museum in New York I was so intrigued by how such work could emerge from the testosterone - fuelled Chinese artworld in the late 90s that I decided to seek her out in Beijing to ask her what it's like to be pretty much the only female artist in China to wear the «feminist» label.

Miriam Schapiro, a pioneering feminist artist who, with Judy Chicago, created the landmark installation «Womanhouse» in Los Angeles in the early 1970s and later in that decade helped found the Pattern and Decoration movement, died on Saturday in Hampton Bays, N.Y..

(Note: Although seen as an important female artist, Riley was too early for and uninvolved in the feminist art movement that emerged during the late 1960s.)

One of the greatest photographers of the late 20th century, the American camera artist Cindy Sherman is famous for her focus on the nature of reality, and for raising challenging questions concerning the role of women in society, the issue of media and culture from a feminist perspective, as well as the creation and meaning of art.

In Women Artists at the Millennium, artists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth - century art and the discourses surrounding it.In 1971, when Linda Nochlin published her essay «Why Have There Been No Great Women Artists?Artists at the Millennium, artists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth - century art and the discourses surrounding it.In 1971, when Linda Nochlin published her essay «Why Have There Been No Great Women Artists?artists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth - century art and the discourses surrounding it.In 1971, when Linda Nochlin published her essay «Why Have There Been No Great Women Artists?Artists?»

In Women Artists at the Millennium, artists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth - century art and the discourses surroundArtists at the Millennium, artists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth - century art and the discourses surroundartists, art historians, and critics examine the differences that feminist art practice and critical theory have made in late twentieth - century art and the discourses surrounding it.

Harrison went on to become a celebrated feminist artist, but she didn't return to the superhero motif for almost 30 years, until the late»90s, when she produced new superhero - inspired works expanding on her interest in disrupting popular symbols of masculinity and femininity.