This excitement is perfectly captured by
the late great cinematographer Conrad Hall, with close - up shots of the ebony and ivory pieces slamming onto the board.
Not exact matches
Later he received what he considers one of the
greatest compliments of his career when he overheard some chatter about the movie at the American Society of
Cinematographers Clubhouse in Hollywood.
(The
great Matthew Libatique, Darren Aronofsky's longtime
cinematographer, bathes these mid -»80s scenes in a warm haze of
late afternoon sunlight, pot smoke and nostalgia.)
On the evidence of this film and they're
later I Am Cuba, Kalatozov and his
cinematographer Sergei Urusevsky might be the
greatest, or at least flashiest, masters of the moving camera in history.
Stony Island is no
great shakes, though it does afford a chance to see
late»70s, mercury - vapor - lit Chicago as filmed by Tak Fujimoto, a perennially under - appreciated
cinematographer best known for his work with Jonathan Demme and M. Night Shyamalan.