Sentences with phrase «late modern audience»

Wright communicates cogently to the postmodern audience like Lewis did to the late modern audience, but the style and substance of their writing differs notably because of their respective vocations: the former as a New Testament scholar and the latter as a Medieval and Renaissance Literature scholar.

Not exact matches

The Modern Catholic Novel in Europe By Theodore P. Fraser Twayne, 210 pages, $ 24.95 In his straightforward, surehanded account of the Catholic novel after the late 1800s, Prof. Fraser analyzes the novels of the well - known British Catholics Evelyn Waugh and Graham Greene and the novels of the Continental Catholics that have never had the audience in America that they deserve: Bernanos, Mauriac, Green, Chesbron.

In their latest film The Farrelly Brothers have decided to provide a modern audience with an updated take on The Stooges, played spot - on by Will Sasso, Sean Hayes and Chris Diamantopoulos.

Though modern audiences might notice that The Texas Chain Saw Massacre isn't as polished as its later imitators, that low - budget aesthetic adds to the film's grindhouse appeal and is part of why it's considered one of the most influential horror films ever made.

First, the script tames some of the more egregious proclivities of late, telling a story free from the buckets of irony and sarcasm that are usually employed as a form of distancing, allowing a modern audience to enjoy such an overt tale confident that they

First, the script tames some of the more egregious proclivities of late, telling a story free from the buckets of irony and sarcasm that are usually employed as a form of distancing, allowing a modern audience to enjoy such an overt tale confident that they know what kind of story this is.

So, when I came across an April 1927 article, «The Advantages of Foreign Travel and Study to the Modern Language Teacher,» ninety years later I identified with its audience.

«With our 30th anniversary this year, it's the perfect time to revisit one of our classic and most beloved titles,» said Takashi Matsumoto, CEO of Natsume Atari Inc. «The original programmer, designer, and sound creator of Wild Guns are excited to have an opportunity to revisit their game many years later, and bring it to a modern Sony audience.»

Although Morandi rarely traveled outside of Italy and never beyond Europe, his work was exhibited internationally and was included in a number of landmark presentations in the United States beginning in the late 1940s, such as Twentieth - Century Italian Art, organized by Alfred H. Barr, Jr. and James Thrall Soby at The Museum of Modern Art, New York, in 1949; the important exhibition Painting in Post-War Italy, 1945 - 1957, at the Casa Italiana at Columbia University, New York; and The New Renaissance in Italy at the Pasadena Art Museum, California — both in 1958, which captivated an American audience.

In the last few years, he's gained an international audience, with one - person exhibitions in London, Paris, and Berlin, not to mention his participation in the 2015 Venice Biennale; later this summer, his work will be included in an important exhibition at the Tate Modern in London, «Soul of a Nation: Art in the Age of Black Power.»

His latest is one of the most fantastical adventure stories ever brought to modern audiences and it is entitled Life of Pi.